Arts and Humanities Commons^™

Auto Record : Green Kill, Tyler Starr, Special Collections, Fleet Library

Artists' Books

20 unnumbered pages : illustrations. Title from cover. Inside covers included in pagination. Offset printed. Commercial accordion fold binding. "Edition of 800"--23 Sandy Gallery website. "'Auto Record' is an attempt to digest thousands of pages of declassed documents crated by the FBI in relation to the controversial incident in North Carolina on November 3rd, 1979, commonly known as the Greensboro Massacre. The accordion book format is used to visualize two processions of vehicles involved in the incident (one side of the booklet is the KKK and associates caravan, while the other depicts vehicles connected to the Communist Workers Party's anti-klan …

Stories From Women Who Served, Pam Deluco, Special Collections, Fleet Library

Artists' Books

[44] pages : color illustrations. Limited edition of 251 copies. Text pages: handset metal type printed letterpress on 100% PCW paper. Illustrations: screen printed and hand detailed on paper made from military uniforms. Covers: letterpress and silkscreen on paper made from military uniforms. Binding: solid brass Chicago screws. "Paper Dolls: stories from women who served, is a fully functioning paper doll book. Each letterpress printed story is followed by a screen printed illustration onto paper made from the uniform referenced in the story. The stories span more than 40 years of service and include all branches of the military. Together, …

Chinese Windows, Clara Hee Ju Nam, Special Collections, Fleet Library

Artists' Books

16 unnumbered pages : all black and white illustrations. Cover title, publication information from back cover. Student work completed for Jan Baker's Form and Communication RISD course. No date, or edition statement. Accordion fold. Black & white printing. Gift of Jan Baker.

Moonset Cordiero, Kyoko Matsunaga, Special Collections, Fleet Library

Artists' Books

1 volume (unpaged) : chiefly color illustrations. Title from artist's website; publication information from 23 Sandy Gallery Booksellers' website. Limited edition of 15 copies, signed and numbered by the artist. "'Moonset Cordiero' is an ancient site of typography, mentioned on a television show in the artist's dreams of June 16th, 2012. This book is an assemblage of connections between this imaginary locale and realtime experiences. She traces memories, recalling scenes from her domestic and international travels. Viewers observe the dream's reflection from the mirror, which includes a glimpse of their own eye"--23 Sandy Gallery Booksellers' website, viewed on March 4, …

Honey B Hive, Jessica Spring, Special Collections, Fleet Library

Artists' Books

6 leaves : illustrations. Author statement from inside front cover. Limited edition of 66 copies, signed and numbered by the artist. "Honey B Hive is a sweet B specimen, displaying a hive full of Bs from the collection of vintage wood and metal type at Springtide Press. The book is handset, letterpress printed and bound between velour foil-stamped covers, all inspired by one very painful, then itchy, sting between the toes."--Colophon. Book consists of six leaves interleaved so when the book covers are spread open a honeycomb is formed. Letter "B" type specimens printed on yellow paper. "(in several computer …

Concoctions 6: The Spice Series, Islam Aly, 23 Sandy Gallery, Special Collections, Fleet Library

Artists' Books

16 unnumbered pages. Unique Artist Book. Signed and dated on page [3] of cover. Flag accordion binding, handmade flax paper. Book extends out to 25 inches. Whole spices are part of the handmade paper. Spices have always been known for enhancing flavor and aroma. However, which kind of spices needed, when to add them, and in what quantities? This process is similar to preparing fiber and producing paper by hand. In my spice series, I wanted to document the spices we use at home in Egypt. In addition, I wanted to show how these spices appeal to the five senses …

Cat's Cradle, Julie Chen, Special Collections, Fleet Library

Artists' Books

1 volume, forms a star-shaped structure when opened. Limited edition of 50 copies ; each numbered and signed by Julie Chen. Digitally printed on Mohawk Superfine and includes laser cut elements. Carousel structure: 5 spreads, each with 3 layers of overlapping concertina folds with sections cut out to create a 3-dimensional scene. When opened and covers are placed against each other, it forms a star-shaped structure, 11" in diameter. Tie closures. "Cat's Cradle translates thoughts about the nature of existence from idea to form by employing the book structure itself as a visual/physical model of concepts portrayed in the text. …

Editorial

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Notices

Contemporary Aesthetics (Journal Archive)

No abstract provided.

The Violence Of Post-Racial Memory And The Political Sense Of Mourning, Alfred Frankowski

Contemporary Aesthetics (Journal Archive)

In this paper I argue that “post-raciality” entails a way of remembering that depoliticizes the social meaning of memory and thus of history. Through aesthetic critique, I attempt to show how the hyper-production of memory obscures the very real forms of violence directed toward non-whites. By developing the aesthetic critiques of W.E.B. Du Bois and Walter Benjamin, I argue that representing former violence as social memory fails to adequately address subtle forms of cultural and residual violence. Furthermore, I argue that post-racial memory produces sites and representations of the past only to enact a type of social forgetting in the …

Report On The Xixth International Congress Of Aesthetics, Michael Ranta, Jale N. Erzen

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Pornography And Disgust, Laurent Stern

Contemporary Aesthetics (Journal Archive)

Disgust about material objects and moral behavior are both at issue in understanding pornography. Previous debates were fueled primarily by moral disgust. Erotic art may elicit moral disgust, but only hard-core pornography elicits material disgust. I discuss the role of attraction and aversion in labeling artworks pornographic. Since we always have a choice between acknowledging and ignoring a disgust elicitor, aversion may be a necessary, but not a sufficient condition for such a label. In submitting our choice to rational critique, we must ask: what do we accept as a consequence of the claim that that x is disgusting? Relying …

The Aesthetics Of City Strolling, Heinz Paetzold

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Annual Report Of The Risd Fleet Library 2012-2013, Fleet Library, Carol Terry

Annual Reports

No abstract provided.

Welcome To The Doll House, Francie Latour, Risd Xyz

RISD XYZ Fall/Winter 2013: Out of Bounds

From the Barbie dresses he made as a boy to his first splash in the New York art world, Martín Gutierrez 12 PR is working to perfect what he has always done naturally.

Rediscovering The Wheel, Brooke Hodge, Risd Xyz

RISD XYZ Fall/Winter 2013: Out of Bounds

What does architecture have to do with pottery? For Adam Silverman BArch 88, these two seemingly disparate creative practices are inextricably intertwined.

Brooke Hodge, director of exhibitions and publications at the Hammer Museum in Los Angeles, writes frequently about architecture and design for major publications. This text is excerpted from a longer essay in the new book Adam Silverman Ceramics, published this fall by Skira/Rizzoli.

Risd Xyz Fall/Winter 2013/14: Out Of Bounds | Full Issue, Liisa Silander

RISD XYZ Fall/Winter 2013: Out of Bounds

ARTISTS AND DESIGNERS TEND TO QUESTION, PUSH, CHALLENGE, take risks—as part of the pure pleasure of making. These are things you’re expected to do, just as you’re expected to think outside the box, color outside the lines, question the rules, defy expectations. The freedom of thought art and design offer may be what has inspired people to make objects of beauty and wonder since well before we began writing and recording our own history. Yet, as liberating as it sounds, that freedom is also a challenge. As alums you know how to probe and ponder, and deliberately work with materials …

2013 Yearbook, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.

Pin (Fibula), Risd Museum, Boris Bally, Jonathan Migliori

Channel

This fibula (pin), used for closing or securing garments, is a masterpiece of ancient gold-working. Tiny animals and figures, mythical and real, cover the pin. They were formed using tiny beads of gold (a process called granulation) fashioned in a fluid, curving style reminiscent of pottery of the seventh century BCE, when the Etruscans reached the height of their technical virtuosity in granulation. In the center of the decoration is a figure common in Etruscan art: the ‘master of the beasts,’ a winged man with two faces. The figure originated in the Near East and became especially prominent in Etruscan …

The Festive City, Evelyn Lincoln, Emily J. Peters

Books

In early modern Europe (1500-1800), festivals enlivened civic spaces with a frequency, scale, and magnificence unrecognizable to us today. Festivals marked ritual moments, praised political agendas, and provided public entertainment. Europe’s papal court, sovereign powers, civic governments, and high aristocracy sponsored festivals for all sorts of occasions, staging joyous entry processions when foreign dignitaries entered a city, celebrating coronations, marriages, royal births, and funerals, and honoring saint’s days and Carnival season. Festivals shaped the public spaces of European cities. Buildings, plazas, stairways, and roadways were constructed specifically with festivals in mind. Likewise, festivals put the social structure of the city …

Risd Business: Sassy Signs & Sculptures, Alejandro Diaz, Judith Tannenbaum

Journals

Exhibition Notes, Number 42, Fall 2012. Ranging from quaint stereotypes of Mexican identity to current socio-economic and art-world commentary, Alejandro Diaz’s text-based works and installations use language as a form of cultural critique and resistance. Conceptual and campy, his humor infused politics and choice of everyday materials are emblematic of his ongoing involvement with art as a form of entertainment, activism, public intervention, and free enterprise. His projects take place outdoors on city streets as well as inside galleries and museums.

Portrait Of Antoine-Georges-Francois De Chabaud-Latour And His Family, Risd Museum, Robert Babigian

Channel

This handsome portrait was subtitled “filial piety” when it was exhibited at the 1806 Paris Salon. Set in the gentle landscape of the département of Gard, in the south of France, it depicts Antoine-Georges-François de Chabaud-La Tour who is seated on a marble bench with his daughter Rosina perched on one knee and his son James-Hippolyte posed on the other. His wife, Juliette Verdier de la Coste, stands at their side holding her infant son François-Ernest-Henri to her breast. Their attention is directed to a herm bearing a bust of the children’s grandfather, Antoine Chabaud, a distinguished military man who …

Portrait Of Agrippina The Younger, Risd Museum, Natalie Kampen, Lisa Anderson

Channel

Agrippina (15–59 CE), the subject of this portrait, was related to four different Roman emperors: she was granddaughter to Augustus, sister to Caligula, mother to Nero, and niece and later wife to Claudius. It is therefore not surprising that many portraits of her survive. They invariably depict her with a broad forehead, a square jaw, large eyes, thin lips, and a sharp chin, all features shared by many members of the imperial family. Ancient pieces were sometimes combined with other sculptural elements to create “new” composite sculptures. This ancient portrait head was inserted into a bust composed of different-colored marble …

Respondent Amicus Curiae - Asu, Rhode Island School Of Design

Advocacy | Amicus Briefs + Comments

No abstract provided.

The Dorothy And Herbert Vogel Collection: Fifty Works For Rhode Island, Alison W. Chang

Journals

Exhibition Notes, Number 41, Summer 2012. RISD Museum was the recipient of fifty contemporary works from the celebrated collectors Dorothy and Herb Vogel. Both worked as civil servants throughout their lives so they never had extraordinary means with which to build a collection, but acquired more than 4000 works since their marriage in 1962. Their commitment to minimal and conceptual art is well-known, but their taste was much broader and included work rooted in Abstract Expressionism as well as figurative compositions. Most of the collection was given to the National Gallery of Art. The gift to Rhode Island is part …

Dan Walsh | Uncommon Ground, Judith Tannenbaum

Journals

Exhibition Notes, Number 40, 2012. Dan Walsh has been devoted to abstract painting since he arrived in New York in the early 1980s. Naturally his work has evolved over the past three decades, but he has remained consistently attached to Minimalism’s basic language of geometry and grids.

Model Of A Funerary Boat, Risd Museum, Peter Dean, Peter Johnson

Channel

During the funeral, the deceased took a last earthly journey, traveling by boat to the cemetaries on the west bank of the Nile. The next voyage then began: a spiritual pilgrimmage to Abydos, the religious center and burial place of the god Osiris. For this reason, wooden model boats were often placed within tombs as substitutes for large-scale vessels in the afterlife. This model boat mimicked papyrus funerary barks. The wedjat-eyes painted on the hull were meant to guide the vessel safely through the perilous journey to the afterlife. 2100-1900 BCE

Office Of Multicultural Affairs (Oma) / Office Of Intercultural Student Engagement (Ise) Annual Report 2011-2012, Intercultural Student Engagement Office, Anthony Johnson

Intercultural Student Engagement (ISE) Annual Reports

This Annual Report 2011-2012 marks the transition and renaming of the Office of Multicultural Affairs (OMA) to the expanded Office of Intercultural Student Engagement (ISE). This expansion brought to ISE the Office of International Student Services (OISS) and a diversity coordinator- a new position focusing on underserved student communities including LGBTQ, religious/spiritual, and first generation to college. These important shifts and incredible staff members have poised the office and RISD to respond more broadly and deeply to the needs, hopes, and development of our collective student body. The ISE 2011-2012 Annual Report is a year in review containing a message …

Grand Arabesque, Second Time, Risd Museum, Julie Strandberg, Jeff Hesser

Channel

Transitional poses such as this one were constant themes of Edgar Degas’s numerous sculptural studies made in wax, wire, and plastilene. Collected from his studio following his death, these models became the sources of small editions cast in bronze, including this one of a dancer posed in a grand arabesque. In the classic ballet position, the dancer bends forward while standing on one straight leg, with the opposite arm extended forward and the other arm and leg extended backward. In the 1890s the British artist Walter Sickert visited Degas in his studio and was shown the wax model for this …

2012 Program Booklet, Rhode Island School Of Design

Collection (annual runway show) 2007-2017

Official Collection 2012 Program distributed at the event.