Arts and Humanities Commons^™

The Past Is Today, Afra Al Dhaheri

Masters Theses

Process is a vital element to construction and deconstruction. Yet, materiality serves as a vehicle to expose the aesthetics developed by the process. However, without memories, the construction of these bodies of work would have never been conceived. Rapid change was the initial experience that formed memories in the first place, it was inevitable. Hence, an adaptation method had to be examined. The trees had proven to be worthy of the investigation. The trees required materials and the materials demanded a process. Process developed the work and the work had to have context. Context evolved from memory and required more …

Humor And Allegory, Christopher Goodale

Masters Theses

This series of works proposes the merging of aesthetic interests that undermine the self-seriousness of the artist and the idea of labor in painting. Painting’s slowing of time can hopefully extinguish the peripheral noise of the outside world and provide space for thought. These paintings propose different ways to help the viewer understand visual depth, narrative, and formal decision-making. The optical depth of red, the spatial depth of glazed paint, and the spiritual depth of the figure can provide multiple meanings and possibilities. Another metaphor for the development of this series of paintings would be one comedian telling a joke …

The Farce Of The Frame, Dominic Musa

Masters Theses

Both argument and joke, this series of works offers a critical inspection of the world. Characters trace their steps through the scene of each painting, questioning their place within the appearance of things. The central character is the artist-as-critic. Through this character, with his looming magnifying lens, we are implicated as readers of the faux world—an absurdist play intoxicated with scribbled lines, decorative patterns, and conflated histories—as we embark on a quest for an understanding of human existence. Emptied of any emotional concerns, the characters investigate the world they live in, searching for any indication of hope or a reason …

Lamination Of Reality : Ever-Thickening And Thinning Space, Leekyung Kang

Masters Theses

Since 2014, my work has navigated question of surface and through this search in order to redefined conventional understandings of space. Often times, my imagery draws on architectural infrastructure (such as construction sites and scaffolding), exposing the underlying structural framework within these landscapes. Through the recent installation, I establish a correlation between the bone/skeleton of the location to expose a more raw and unseen space, which is present but never fully revealed.

In Google Earth, the camera eye traverses different surfaces from the urban streetscape to the underground to the cosmos. Within this virtual landscape, glitches exist that are virtual …

My Fish Hat Kingdom, Mei Fung Elizabeth Chan

Masters Theses

This thesis book documents my personal and artistic research. As a Chinese contemporary printmaker, I consider my artworks embedded in Eastern and Western elements to revitalize my printmaking practice. T shape my art to reveal my Hong Kong identity by creating self-portraits. Instead of trying to capture a single moment and place in one image, I create multi-dimensional images in terms of both space and time. Inspired by Italian Early Renaissance altarpieces, I break up the images to suggest a narrative sequence. All of my prints are printed in large scale so that my viewers will be engaged in each …

2017 Faculty Letter To Students, Rhode Island School Of Design

RISD Faculty Values

An end of the year letter from the RISD faculty sent to RISD students reaffirming their support of the students, acknowledging the challenges of this past academic year in light of the current social and political turmoil and sharing the RISD Faculty Values Statement.

2017 Program Booklet, Rhode Island School Of Design

Collection (annual runway show) 2007-2017

Official Collection 2017 Program distributed at the event.

The Broadsheet May 6, 2017, Students Of Risd, Risd Archives

All Student Newspapers

The Broadsheet was a short-lived student newspaper published in 2017. The May 6, 2017 issue was the first and contained articles on the Social Equity Action plan developed in the wake of the "Not Your Token" protests, random facts about RISD, Project Open Door (POD), faculty member Jung Joon Lee, previous student newspapers from the RISD Archives, the European Honors Program, facts about the RISD student body, a student music club on campus, how Mike Fink saved Carr Haus, and other items of interest.

1:1: Intertidal Thinking / (One To One: Intertidal Thinking), José R. Menéndez

Masters Theses

One to One presents a dialogue between humanities. It also presents the fundamentals of defining a design problem in order to provide a direct solution. The Intertidal Zone is the space between the water and the land that is exposed or covered between low and high tides.Intertidal Thinking is a metaphor that urges cross-disciplinary interaction. It represents my academic experience of teaching across disciplines and being a student simultaneously.

This body of work offers many gestures–acts of design. Graphic design in this thesis is seen in the context of generating proposals through research, making form, and creating solutions for …

Standard Deviation, Wooksang Kwon

Masters Theses

Through my work, I highlight both peripheral and intrinsic aspects of graphic designers' quotidian lives to reveal new ways of thinking about design tools, media, and processes.

As a creator who always seeks for novel perspectives, I keep observing and interpreting irony in aspects of the world. Using storytelling methods, I portray a certain object, machine or system in a way that deviates from its intended purpose.

I animate static media to convey sequential stories. I use familiar tools of designers to discover their inconspicuous characteristics. I translate graphic elements that we usually experience through two dimensions into three dimensional …

9th Circuit Amicus, Rhode Island School Of Design

Advocacy | Amicus Briefs + Comments

No abstract provided.

Unbound 2017 Program, Risd Unbound, Fleet Library

2017 Print

No abstract provided.

Unbound 2017 Exhibitor Biographies + Collection Descriptions, Risd Unbound, Fleet Library

2017 Print

No abstract provided.

Deconstructing Walter Benjamin, Miklos Legrady

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Manual / Issue 8 / Give And Take, Sarah Ganz Blythe, Editor-In-Chief, Amy Pickworth, Editor, Mary-Kim Arnold, Emily Banas, Pia Camil, John Dunnigan, Claudia J. Ford, Kate Irin, Josie Johnson, Dom Molon, Ugochukwu-Smooth C. Nzewi, Alexandra M. Peck, Robert W. Preucel, Wendy Red Star, Jessica Urick, Kelly Walters

Journals

Manual, a journal about art and its making. Give and Take. The eigth issue. Manual 8 (Give and Take) explores interaction, transaction, and social exchange and indebtedness.

"The earliest known use of the expression “give and take” can be traced to horse racing. It referred to races in which larger, stronger horses carried more weight, and smaller ones, less. Implied therein is an accounting for relative capacities. In such a race, the goal remains the same—crossing the finish line first—but introducing this variable highlights the relationship between the competing horses. A win is only meaningful if each horse can be …

The Aesthetics Of Mud And The Muddiness Of Aesthetics, Arnold Berleant

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Mud And A Metaphor, David Goldblatt

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Mud, A Comment, Mary Bittner Wise

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Thoughts On An Aesthetics Of Mud, Tom Baugh

Contemporary Aesthetics (Journal Archive)

No abstract provided.

The Crucified Christ, Risd Museum, Susan Ashbrook Harvey

Channel

This figure of the crucified Christ was originally attached to a cross and suspended above a church altar where it was visible to all during the celebration of Mass. In this version, Christ’s body appears upright with arms outstretched, as if in resurrection, in contrast to representations that depict him sagging from suspended weight. Instead of conveying suffering, his gaze expresses acceptance. The carved sculpture was originally painted in lifelike colors, traces of which remain in the wound below Christ’s ribs. Other details are more abstract, such as the patterns of parallel incisions that define his hair and beard, and …

2017 Mlk Keynote Emory Douglas Program, Center For Social Equity & Inclusion, Emory Douglas

Martin Luther King, Jr. Series

Program for the 2017 MLK Keynote Address: Emory Douglas. An artist, educator and human rights activist, Emory Douglas served as the Minister of Culture for the Black Panther Party from 1967-80. Best known for his political drawings and cartoons in the Black Panther Newspaper, he articulated the injustices experienced by African Americans living in the inner city, the growing militancy and organization among urban black youth in the face of police violence and the need for community-based social programs. 2017 MLK Keynote, Emory Douglas discusses the process, meaning and impact of his artwork then and now.

2017 Mlk Keynote Emory Douglas Educational Foldout, Center For Social Equity & Inclusion, Emory Douglas

Martin Luther King, Jr. Series

Educational foldout for the 2017 MLK Keynote Address: Emory Douglas. An artist, educator and human rights activist, Emory Douglas served as the Minister of Culture for the Black Panther Party from 1967-80. Best known for his political drawings and cartoons in the Black Panther Newspaper, he articulated the injustices experienced by African Americans living in the inner city, the growing militancy and organization among urban black youth in the face of police violence and the need for community-based social programs. 2017 MLK Keynote, Emory Douglas discusses the process, meaning and impact of his artwork then and now.

2017 Mlk Keynote Emory Douglas Educational Foldout, Center For Social Equity & Inclusion, Emory Douglas

Martin Luther King, Jr. Series

Educational foldout for the 2017 MLK Keynote Address: Emory Douglas. An artist, educator and human rights activist, Emory Douglas served as the Minister of Culture for the Black Panther Party from 1967-80. Best known for his political drawings and cartoons in the Black Panther Newspaper, he articulated the injustices experienced by African Americans living in the inner city, the growing militancy and organization among urban black youth in the face of police violence and the need for community-based social programs. 2017 MLK Keynote, Emory Douglas discusses the process, meaning and impact of his artwork then and now.

2017 Mlk Keynote Emory Douglas Program, Center For Social Equity & Inclusion, Emory Douglas

Martin Luther King, Jr. Series

Program for the 2017 MLK Keynote Address: Emory Douglas. An artist, educator and human rights activist, Emory Douglas served as the Minister of Culture for the Black Panther Party from 1967-80. Best known for his political drawings and cartoons in the Black Panther Newspaper, he articulated the injustices experienced by African Americans living in the inner city, the growing militancy and organization among urban black youth in the face of police violence and the need for community-based social programs. 2017 MLK Keynote, Emory Douglas discusses the process, meaning and impact of his artwork then and now.

-Isms 2017, Students Of Risd, Risd Archives

All Student Newspapers

-ISMS: Exploring the Intersectionality of Identities was a publication that accompanied the RISD Global Initiative 2017 exhibit of the same name. The exhibit explored the intersections of identity and art and featured pieces that were selected for critique by visiting artist and MLK Series keynote speaker Emory Douglas. This publication contains images of student artwork from the exhibit along with essays and other text.

Buraindo Dēto / ブラインドデート (Blind Date), Lieko Shiga, Special Collections, Fleet Library

Photography

100 unnumbered pages : all illustrations. Japanese bound softcover housed in a printed special box. Title, publication information and all text from the enclosure box. "It was the summer of 2009 in Bangkok, Thailand, that Shiga photographed couples on motorbikes. In this city Shiga exchanged glances with hundreds and thousands of people on the back seat of motorbikes. The camera seemed to be the ideal tool for getting closer to that strange feeling of receiving glances without physically connecting with them. She continued for a week and managed to photograph around 100 couples. Continuing to exchange glances with unknown strangers …

Positive Sum Design: Designing Affordances For Bias, Choice, And Coordination, Ian Gonsher

Articles

No abstract provided.

An Introduction To Positive Sum Design, Ian Gonsher

Articles

No abstract provided.

How To Make Lemonade : Collector's Edition Box Set / Editor In Chief And Creative Director Beyoncé Knowles-Carter; Foreword By Michael Eric Dyson; Poetry By Warsan Shire; Creative Directors Todd Tourso And Kwasi Fordjour; Art Director Sarah W. Lee., Beyoncé Knowles-Carter, Special Collections, Fleet Library

Art History

623 pages : chiefly color illustrations; 1 box; 2 audio discs vinyl rda; sound: analog 33 1/3 rpm stereo. "

Curated title for RISD Archives & Special Collections exhibition Now Hear This, fall 2023. ""This is the first pressing of the 180 gram, yellow, four-sided LP, allowing for a higher sound quality..."". -from publisher. ""The How To Make Lemonade Box Set is a momentous tome and comprehensive look at Beyoncé's LEMONADE journey. The How To Make Lemonade Box Set gives unprecedented insight into the making of multiple award-winning LEMONADE, with a numbered, collector's edition coffee table book, double vinyl …

The Voyager Golden Record, U.S. National Aeronautics And Space Administration (Nasa), Special Collections, Fleet Library

Art History

BOOK: 92 pages : color illustrations ; 32 cm 3 audio discs ; 12 in. vinyl rda / SOUND: analog 33 1/3 rpm stereo. "All contents housed in two-part cardboard box, title from box spine, book title page and disc label. Three heavyweight translucent gold vinyl LPs reproducing the audio content of the Voyager Interstellar Record and one hardcover book reproducing the images included on the Voyager Interstellar Record. Accompanied by a turntable slipmat with NASA/JPL-Caltech's heliocentric view of the Voyager spacecrafts' trajectories across the solar system and a lithograph of the record's gold-plated aluminum covering with a diagram illustrating …