Arts and Humanities Commons^™

Eight Questions: A Recipe For Change, Stephanie Copoulos-Selle, Special Collections, Fleet Library

Artists' Books

1 volume. "The artist found eight shoe boxes in her parents' laundry room full of recipes--over 8,000. Each book has original recipe cards; therefore, each is a variant, as the recipes will be different. The recipes represent her family life growing up where she felt warm & safe 'inside the kitchen with soup on the stove and bread in the oven.' Today the environment she lives in is 'frayed, full of loose ends, and knots.' Using this backdrop of happiness that the recipes represent for her she presents eight questions for us about the current status of our society--Why can't …

Hair, Sun Young Kong, Special Collections, Fleet Library

Artists' Books

1 volume. Title from colophon. Title on cover in Korean. "Embroidery using hair"--colophon. Korean text is embroidered. Accordion folded, self cover. Limited edition of 20 + 1 artist's proof. Text in Korean, English translation on colophon.

Curio, Melanie Mauro, Special Collections, Fleet Library

Artists' Books

1 volume. "Curio was designed and printed by Melanie Mauro at The University of the Arts and Heirloom Press. The text is adapted from the 1868 collection of articles, Modern Women and What Is, and Kate Chopin's novel, The Awakening". This book is printed using letterpress, screenprint and lithography on paper handmade by the artist" --Colophon. Includes inkblot imagery; some screen printed using black thermo-chromic ink that turns white when heated. Edition of 5, signed and numbered by the artist. Sewn on seven raised cords and bound in full white (alum-tawed) leather. Curio is a collection of "quotidian objects" that …

Memory Lame, Jessica Spring, Special Collections, Fleet Library

Artists' Books

1 portfolio (5 folded sheets). Title from portfolio. Statement of responsibility taken from publisher's website. Edition of 25 copies, signed by the artist. "The contents of Memory Lame build from a central pentagonal memory palace composed of metal ornaments, cuts and borders. Opposite are excerpts from Rhetorica ad Herennium printed on Magnani paper. Forgetfulness from Questions about angels by Billy Collins, ©1991, is reprinted by permission of the University of Pittsburgh Press. Common mnemonic devices tease our memory, printed on sheets of handmade Saint-Armand. Tucked in each chapter are illustrations of plants that aid cognitive function, printed on transparent abaca. …

Reading Closed Books, Sam Winston, Special Collections, Fleet Library

Artists' Books

3 volumes. Title from slipcase cover. "This is the first printing.. in an edition of 34 copies with 5 artist's proofs"--Colophon. "This book is printed using a HP Indigo press with GRACoL and Fogra certified HP Indigo Ink.. Hand binding by Haein Song.. Body text is set in Dante MT Pro and Pitch Sans. Book design by Matthew Appleton at Modern Activity with additional design assistance from Pietro Martini. Photography by Andy Sewell and Sam Winston"--Absorbing Light colophon. "Each book has a unique handwritten colophon and title page -- whilst these words were being written the sound of a printer …

Endless Bridge, Mikhail Mishin, Special Collections, Fleet Library

Artists' Books

1 volume, 80 pages. "A visual retelling of creation, Mikhail Mishin's Endless Bridge utilizes juxtapositions and stark comparisons in a narrative that spans from birth to death and back again. iPhone photos, newspaper clippings and other found materials are the vocabulary used in this book in which light is separated from dark, and order emerges from chaos, only to revert back into nothingness. Images in this book have the quality of archaeological artifacts, where the transient qualities of an inflated tarp, a light reflection on the pavement or footprint in the concrete are highlighted. We know what comes after, we …

Cb&S Swatch Book, Noah Breuer, Special Collections, Fleet Library

Artists' Books

1 volume, 22 unnumbered pages. Title provided by publisher. Edition of 100 numbered copies. Artist's book consisting of a swatch book structure with screw post. Polymer plate/letterpress-printed images are based on rubbings that the artist created from the source material; additional woodcut-printed imagery is used as well. "Published in 2018 by the San Francisco Center for the Book as part of the Small Plates Program. The woodcuts were designed and laser engraved by the artist and printed at both SFCB and the University of Oregon."--Colophon. "For the last two years, I have been producing printed works on paper and fabric …

Voyagers, Catanese, Melissa, Special Collections, Fleet Library

Artists' Books

1 volume. 'Voyagers' consists almost entirely of anonymous black-and-white snapshots of people in various postures of reading in living rooms, on beds, at the beach, eating breakfast. We can't see what these readers are thinking, but Catanese occasionally breaks the hypnotic typological rhythm to reveal a new photographic element - a pyramid, a starry night, sunlight blindingly glowing through a window - giving us brief glimpses of the readers' potential narrative journeys. A wordless book with the size and feel of a vintage paperback found at a flea market, 'Voyagers' reminds us of the power and intimacy of our relationship …

2018-2019 Risd Course Announcement, Risd Registrar's Office, Risd Archives

RISD Course Catalogs / Announcements

No abstract provided.

The "Aesthetic Life": A Leitmotif In Modern Japanese Aesthetics, Tanehisa Otabe

Contemporary Aesthetics (Journal Archive)

In 1901, Chogyu Takayama (1871-1902), philosopher and literary critic, published a short article entitled “On the Aesthetic Life.” Takayama’s article, regarded as a manifesto of Nietzscheism by his contemporaries, triggered a great debate among a great many literary critics, including Shoyo Tsubouchi and Ogai Mori. This paper argues that Takayama’s article constituted a framework for aesthetic thought in modern Japan and marked the Japanization of Western modern aesthetics. Takayama was not interested in the modern Western idea of autonomous art; instead, he tried to work out the aesthetic in one’s way of living. What underlies Takayama’s idea of the aesthetic …

Exploring The Inner Relationships Between Modern Chinese Aesthetics And The Confucian Mind-Soul (心性) Framework, Wei Du

Contemporary Aesthetics (Journal Archive)

Modern Chinese aesthetics promotes the utilitarian function of the arts and artistic appreciation via aesthetic education and an arts-infused lifestyle. This utilitarian orientation has not originated from European aesthetics, but rather reflects a localized awareness of the “humanistic enhancement of citizens” through the arts, which, derived from the Confucian tradition, expands on its “mind-soul” theory. This conceptual framework finds its roots in the Song-Ming philosophy of mind and pays particular attention to the cultivation of individual morals and personal character as the essential pathway towards restoring conscience. This positioning of values and valuations, to a large extent, was the inspiration, …

Notices, Editorial Office

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Recent Publications, Editorial Office

Contemporary Aesthetics (Journal Archive)

No abstract provided.

The Art Scenes, Jozef Kovalčik, Max Ryynänen

Contemporary Aesthetics (Journal Archive)

"The art scene in Berlin is political." "The Atlanta hip hop scene is red hot!" These are remarks we have heard lately about scenes. Scenes are a commonplace in art talk. But what are scenes, and what is their role in arts? Aestheticians, art theorists, and art historians often pay attention to different scenes. Although many classics in the field are based on comments regarding only one scene, which is, for example, the case with Arthur C. Danto's "The Artworld" (1964) and Susan Sontag's "Notes on Camp" (1964), which both focus on New York, there is still no discussion about …

Agnostic Moralism, Mark Silcox

Contemporary Aesthetics (Journal Archive)

Many otherwise admired authors in the Western tradition (e.g. Plato, Augustine, and Tolstoy) have defended views about the radical dependence of aesthetic value upon morality that are nowadays regarded with deep skepticism. In more recent work on the connection between moral and aesthetic properties, Noël Carroll, Anne Eaton, Berys Gaut, and others have tried to defend relatively moderate varieties of moralism about art, according to which the aesthetic value of ethically significant artworks sometimes overlaps with but might also independently vary from their moral status. Here, I develop an immoderate species of moralism that treats the type of ethical knowledge …

On Canon, Craig Deksen, Darren Hudson Hick

Contemporary Aesthetics (Journal Archive)

Canon is a concept from aesthetics that has become a regular subject of commonplace discussions. The nature of canon, especially as it is used in these commonplace discussions, has not been subject to adequate philosophical scrutiny. We attempt to remedy that by placing canon in its historical and philosophical context, exploring and rejecting several common accounts, and presenting some basics of how canon works. We reject the accounts that place control with the author or the legal property holder, which appear to be the most commonly held accounts.

Summary Of The Existential Aesthetics Of Things By Petra Baďová, Peter Žiak

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Manual / Issue 9 / Out Of Line, Sarah Ganz Blythe, Editor-In-Chief, Amy Pickworth, Editor, Fida Adely, Reginald Dwayne Betts, Stefano Bloch, Mimi Cabell, Namita Vijay Dharia, Douglas W. Doe, Jared A. Goldstein, Lucinda Hitchcock, Jan Howard, Kate Irvin, Douglas Kearney, Amber Lopez, Jeffery Moser, Sheida Soleimani, Craig Taylor

Journals

Manual, a journal about art and its making. Out of Line. The nineth issue. This issue of *Manual*—themed Out of Line—is a collection about the way that lines disrupt, point outward. In poetry, the attention to detail one takes in crafting a line is all about making the line disappear, making something it holds to take front stage. . . . The space between the lines creating the image . . . the space around that argues for the importance of all that the lines hold. Manual 9 (Out of Line) complemented Lines of Thought: Drawing from Michelangelo to Now, …

Sukima: Vertical Views Of The Floating World (2017), Theory & History Of Art & Design Department, Elena Varshavskaya (H791 Instructor)

Ukiyo-e Prints Course | Exhibition Catalogs

"Sukima is a Japanese word for a crack in a door, a narrow space that opens up when the panels of the sliding doors are pushed to the sides. ... You’ve seen enough to electrify your imagination and let it complete the picture. This is what happens when you look at a long and narrow ukiyo-e print in a pillar format – hashira-e. Or perhaps this partial sight only unleashes your curiosity and, craving a fuller view, you expand the narrow slit and can now enjoy broader vistas replete with details. For such cases ukiyo-e designers came up with …

The Broadsheet September 29, 2017, Students Of Risd, Risd Archives

All Student Newspapers

The Broadsheet was a short-lived student newspaper published in 2017. The September 29, 2017 issue features articles on an "ethical consciousness post-Trump," improving critiques, the US pulling out of the Paris Climate Accords, the Social Equity and Inclusion Action Plan, the smoking ban at Kennedy Plaza, statue conservation, new programming at the library, an offensive incident involving a graphic designer and a sign language interpreter, and other items of interest.

On The Oddly Satisfying, Evan Malone

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Oral History Transcript | Interview With Holly Hughes, June 1, 2017, Holly Hughes, Andrew Martinez, Risd Archives

RISD Oral History Project Transcripts

No abstract provided.

Risd Faculty Values Statement, Rhode Island School Of Design

RISD Faculty Values

After thoughtful consideration and refinement of the 2017 RISD Faculty Values Statement, the full-time faculty, several part-time faculty and RISD Museum curators voted in favor of its contents and have signed on as supporters. We intend that this statement will remain relevant beyond the current political moment and encourage its wider distribution—both at RISD and beyond.

Ise Annual Report 2016-2017, Intercultural Student Engagement Office, Barbara Baker

Intercultural Student Engagement (ISE) Annual Reports

The ISE Annual Report 2016-2017 is a year in review containing a message from the director, staff updates, community programs, statistics and general report of the work of this office. Our Mission: The office of Intercultural Student Engagement (ISE) promotes cultural awareness, dialogue, and interaction while serving as a hands-on resource for specific RISD communities. Primary target communities include: students of color, international students, students identifying within the Lesbian, Gay, Bisexual, Transgender, Questioning (LGBTQ) spectrum, religious and/or spiritual students; and those dedicated to inclusive community.

This office provides leadership in the areas of student success, retention programs, campus education and …

Untitled, Ting Tan

Masters Theses

This is a collection of things I am interested in. Through these things I attempt an understanding of myself. They are unpredictable and often difficult to capture like clouds, trees, water, winds. This book is my journey of self discovery.

I walk in my memories. I walk in the city. There, I capture and record fleeting moments of things I love. Through this process, I give myself a chance to understand the reasons for this attraction. It also gives me an opportunity to understand why I want to find myself, and why I always want an exact answer to this …

Hear Her Sing, Da Wei

Masters Theses

Indeed, this is not an academic paper, nor really a novel or diary.

It is some words from a young soul.

“Hear Her Sing” is to explore a new aesthetic methodology of artist’s writing. Physically, it aims to approach an experimental experience between texts, images, sounds, materials, and paper form. The writing seeks for an aesthetic metaphorical printing representation of my embodied multimedia installations. The project looks for profound sensory impression of linking vision, hearing, touch and intuition, imagination; and asks the reader’s eye, ear, hand, and mind to constantly shift channels. While reading, imagination infinitely extends.

I / You / They, Yolanda Lam

Masters Theses

This thesis is a journal of conversations.

Similarity In A Distance, Ran Zhuo

Masters Theses

I grew up in an interesting yet contradictory environment. As both of my parents were busy with their jobs, I was raised by my grandparents and I believe that’s where the contradiction aspect of my personality came. My grandfather was a professor of physics in a university and my grandmother was a professor of violin. Unconsciously, I was influenced by them and developed a keen interest in cross-disciplinary and cross-media subjects. The two subjects of music and physics represented art and science, emotion and reason, abstraction and concreteness, and invisible and visible to me.

My work is primarily engaged with …

In The Marketplace, Anina Major

Masters Theses

The decision to voluntarily establish a home contrary to the location in which I was born and raised (The Bahamas) motivates me to investigate the relationship between self and place. To further explore my own migration and the emotional complexities that surface, with a desire to fabricate terms of cultural integrity and its defining influence. To express poetically the kindred ideals that resonate from home and intertwine those values to cultivate moments of reflection and acceptance. To promote encounters between past, present and future by weaving the memories of my own background and experiences, consequently unveiling a rich culture composed …

Wielding Daggers : The Female Uncanny, Stephanie E. Hanes

Masters Theses

This thesis document is a compilation of personal essays that analyze aspects of visual culture and philosophy. I am greatly interested in how this analysis is related to women bodies; the nude in western art has a long history of being constructed for the male gaze. This significance of the identification of women with the body exposes women in our culture to learn their own particulars for self surveillance. By looking into the mirror, what is reflected back? With these essays, I am opening myself to the unknown and the unknowable, revealing the paradox of feminist and philosophical scholarship. When …