Arts and Humanities Commons^™

You Are Trapped., Will Chouinard

Masters Theses

YOU’RE TRAPPED. YOU CAN SEE THE EXIT BUT YOU CAN’T GET TO IT. EVERY TIME YOU MOVE, YOU RISK CUTTING YOURSELF ON THE SHARP EDGES OF THE TRANSLUCENT WALLS, SO YOU DON’T. YOU’RE STARTING TO SWEAT. NOT MOVING MAKES YOU INCREDIBLY UNCOMFORTABLE. YOU’RE BREATHING HEAVILY. YOU FEEL LIKE YOU’RE ABOUT TO PASS OUT, BUT YOU CAN’T BECAUSE IF YOU DO YOU KNOW THAT IT’S ALL OVER. SO YOU FORCE YOURSELF TO STAY AWAKE. THE WALLS ARE CLOSING IN ON YOU. YOU HAVE TO MAKE A MOVE. TAKE A LEAP OF FAITH. IN AN UNHUMAN EFFORT, YOU REACH UP TO THE …

A Very Large Array, Hilary Dupont

Masters Theses

The Very Large Array is a radio telescope in a remote area of western New Mexico. An array is a single telescope made out of multiple satellite dishes. The satellite dishes move in and out on tracks to focus on different distant points in the solar system. These multiple dishes are functioning together to look at one single point, the combined powers of the satellite dishes results in a sharper focus.

This book is an array. The objects included are my observations, interests, experiences and ideas. My thesis is a point in the distance, and I am looking at it …

Oh Wait, Is This A Loop?, Carl-Gustaf Ewerbring

Masters Theses

When Photography as a medium arrived, it changed our world. It caused us to reinvent many things, one of them being the medium of painting. All of a sudden, a realistically painted picture was no longer the best possible way to document and archive visual qualities. New styles of painting evolved, and the medium grew into something bigger than before.

The web arrived more than three decades ago. What mediums has radically changed since then? Or more important, what mediums should we reinvent because of the web? This book is an systematic attempt to investigate that question.

What I knew …

Temporal Collisions, Lizzie Baur

Masters Theses

We live during a time of smoothly effortless design that encourages instant gratification. In this sea of pre-existing content, most of which we experience through layers of mediation, my practice encourages drifting. As a graphic designer, I try to decondition myself from reductive thinking. In response, this thesis operates on the fringe, cycling attention to unexpected associations, harnessing temporal collisions and formal play towards diminishing cultural baggage and preconceived notions. I deliberately attune the reader to the labyrinthine as an experience by which to interrogate common sense and steer the imagination towards moments of uncertainty.

This work engages a kind …

Counter Formation, Fabian Fohrer

Masters Theses

Counter-formation establishes a foundation to envision a more accurate shape and field of inter-relations across disciplines and contexts that are not only receptive but appropriative and elaborative.

By approaching the space of the counter-form, my ambition is to generate a responsive structure and an archive of fragments to build upon - a blank canvas with a variable format to recast vision and action.

Counter-formation places emphasis on the transformative, liminal space that allows one to encounter contexts from within, between, and around to organize or break them in a different fashion.

Ancient Hyper Present, Sophie Loloi

Masters Theses

My practice, especially this virtual garden, is a collage made of media, images, and virtual space across different eras and time signatures. Graphic design can exist in a gallery, on the screen, inside headsets or in the streets. Like a lucid dream, it can be disorienting as it opens up to a more-than physical ground of experience; within the virtual, within shared memory. This reflective practice arises as a form of “anachronism.” Before I could arrive at my transdisciplinary practice that considers experiences of exile and diaspora, I had to grapple with a singular question: what does it mean to …

Skew-Morphic Dream, Yoonsu Kim

Masters Theses

Skew-morphic Dream explores design approaches that shift one’s viewpoint, that agitate the familiar with a daydream. The doubling disjunctions presented here frame an ‘unreal real’, a skewed perspective on the function-driven interface design represented in skeuomorphism. To achieve this effect, a kind of perceptual halt, I implement defamiliarization. Within these spaces, there emerges an opportunity to think differently about perception, tools, and interfaces.

This thesis catalogs three methods used to create ‘skew-morphic dreams’: utilizing familiar tools with inverted functions, opening portals to defamiliarized landscapes, and developing platforms that require the audience to behave in unfamiliar ways.

How To Do Things With Things, Emily Guez

Masters Theses

Humans have always done things with things. It’s at the very origin of who we are as a species: we’ve gone from being bipedal homonins to people who live in complex societies by making rocks into tools. Things can serve a practical function, but they also carry cultural and symbolic meaning: they can tell our personal stories, allow us to connect with each other, and be the outer manifestations of our inner lives. The things we use in our every day lives, by implying a set of actions we can take when interacting with them, participate in shaping our reality: …

Togather: To Gather Together, Kyungah Sohn

Masters Theses

I believe that we can live healthier lives when we address both our mental health and our physical health at the same time, rather than when we focus on only one of them. Currently, however, mental and physical health are treated as separate issues, while actually they are closely connected to each other. In light of this, services and applications that address wellbeing should promote both physical and mental issues in a more integrated way.

As a result, I designed a holistic system where what we do for mental and physical health is intertwined. This is the premise for my …

The Objects Around Us., Rohit Sen

Masters Theses

The book is based on two paleolithic design concepts that I have arrived at: ‘Use & Dispose’ and ‘Find & Assemble.’ The first concept is based on our innate paleolithic instinct to throw away objects after the need for it has been extinguished. This theory is based on the understanding of the ‘value-effort’ relationship in relation to stone tools. The second concept is based on the circular model of ‘designing under duress,’ and how the objects around us can be recontextualised and assembled to serve a purpose to meet emergent needs under constraints.

These two concepts then go on to …

Ether: A Social Design, Zihan Zhou

Masters Theses

As an individual with an independent consciousness that cannot be shared, it is impossible to have complete empathy. But as a social animal, empathy is also the ability pursued by individuals and society collectively. Empathy is an indispensable element to also achieve social justice which benefits each individual.

The current media environment is usually that information is aggregated from the bottom to the top, and then transmitted from the top to each individual at the bottom through an announcement of information.

The biggest contradiction arising from this information mechanism is that humans who both send and receive information involuntarily pay …

To Protect The Hell Yeah And Every Hell Yeah's Variations, Lukey Walden

Masters Theses

I try to imagine a scrutiny free from transaction and authority, where time and generosity are not scarce. If real generosity divests from the expectation of returns, then what are the full implications of imaging someone in this way, through touch? My sitters gave me permission to stare at them in private. What happens to this momentary consensual gaze over time, prolonged into months of looking? Prolonged into an abundance of labor, abundance of attention, abundance of precious materials?

Things That Grew While I Looked At The Ground, Heather Mcmordie

Masters Theses

Broadly speaking, I am interested in the role of fine arts in translating the complexities of natural systems. This particular body of work explores the relationship between printmaking and soil science—just one of the many possible relationships between arts and sciences—with a focus on salt marsh soil systems. Generating public interest soil systems and other hidden ecological systems can be difficult due to the opaqueness of language and concepts surrounding these systems and a perceived distance (physically or conceptually) from the general public. Printmaking—with its inherent multiplicity, mediation, and readability—offers opportunities for making the seeming abstraction of soils evocative and …

Storytelling In Arts, Lindi Shi

Masters Theses

People and narratives are the core of my art practice. Compared with only exploring the subject matter, I am more excited about the characters and narratives around it. My media gradually shifts from flat drawings or prints to installation, performance, and even explosions. Perhaps as a human myself, I like people a lot. There are always interesting stories where people go. The thesis discusses four stories, including an oral tale from my grandma, my personal experience, stories about bodies, and a story in the imagination. This writing reflects my research on the relationship between types of storytelling and various art …

Bundles And Blanks And Binds And Bends, Steven Kaplan-Pistiner

Masters Theses

This thesis investigates how objects we make offer us a chance at maintaining what makes us human.

A Space For Reconciliation, Xiaoran Liu

Masters Theses

The environment where I grew up retains some characteristics from The Chinese Cultural Revolution, and still influences my thinking and behavior close to the mainstream and following the rules unconsciously. Contemporary jewelry has affected me to be more critical in a positive way. I want to share this transformative experience with people who have never had contact with contemporary art, which is an alien concept for most Chinese people.

I use jewelry as the medium to express my ideas. But the typical response to my work is “I appreciate your concepts, but I can’t accept your pieces.” So, how can …

The Line, Hannah Oatman

Masters Theses

The Line is a series of exaggerated contemporary jewelry “products” that engage the audience through collecting, marketing, and nostalgia. It grew from a dissatisfaction with the world of “contemporary jewelry,” or “art jewelry,” or “author jewelry,” or whatever people are calling the field now (assuming they’re calling it anything).

The Line pushes against the rarely questioned conventions of contemporary jewelry by playing along with them (sometimes even playing a little rough).

This work intentionally walks on the lines between jewelry and art, and between art and product: lines that exist whether we want them to or not, but which can …

Frankenstein, Ruins, & Twilight, Braden Bandel

Masters Theses

I am invested in the idea of painting as a container for the psychological. Much of my research is concerned with the role of gothic fiction as a means of processing individual and collective fears and anxieties during times of rapid social, technological, and political change. Drawing a connection between literary fiction and the fiction of the painted image, I attempt to translate some of the ambitions of fiction writing into the realm of painting. I have a proclivity for the fantastical and the melancholic, which have remained as abiding themes in my work at RISD. This thesis will consist …

Accessibility To Possibilities : Discover The Unknown Unknown Worlds, Yutong Shen

Masters Theses

The digital revolution has transformed the world, and today we are drowning in information. We use search engines as an efficient way to access information, and when we search, by connecting, relating, or random recommending, our knowledge network expands from the keyword we put in. With this search engine model, it’s easy for us to find what we know we don’t know. But it’s hard to access things we don’t know we don’t know. In other words, our past limits our accessibility to information.

In this essay, I attempt to find an alternative way of approaching information in the design …

Smoke And Mirrors, Kiernan Pazdar

Masters Theses

The impulse to make work from the residue of real life has been called many things throughout art history. In my thesis, I use some of these methods to discuss generative modes of creating work. I talk about Lucy Lippard’s proposal for a “way of making,” Disidentification, Camp, Appropriation, Termite Art, and Hito Steyerl’s call to create art that addresses the present in imaginative ways. Each process relies on a commitment to being in the world and building something on its uneven ground.

In Liary I discuss the relationship between my drawing practice and fiction writing. Since subjectivity is dependent …

Hain't, Jarrett Key

Masters Theses

Jarrett Key’s thesis book examines their journey towards understanding their freedom through three lenses: Survival, Transformation and Celebration. Through pointed excavation of the oral histories and lost stories of their upbringing in rural Alabama, their work presents critiques of the historical conditions that sowed the seeds of their contemporary personhood, while simultaneously creating spaces to celebrate beauty, joy, and survival. The objects Key builds perform their freedom and are crafted from materials that reference pieces of their own personal narrative. Highlighting works from Leaving the City (oil paintings on cement), the Hot Comb (forged black steel sculptures), and Slave Ship/ESP …

Here And There: A Continuous Narrative, Hye Young Kim

Masters Theses

How can we transcend our literal place by connecting with natural space?

As industrialization and globalization have increasingly shaped our society, we have become more and more disconnected from nature, ourselves, and our memories. Furthermore, living busy lives, we have lost the ability to appreciate and be grateful for our surroundings. Nonetheless, we can reconnect with what has been lost—nature, ourselves, and our memories— with a small shift in our mindset and a habitual practice of walking, which pulls our footsteps not toward a certain place but toward an understanding of the passage of time, the resonance of longing, and …

Art Beside A Single Handshake : Can You Believe It?, Tongji Qian

Masters Theses

Although I was familiar with works by both McKinzie and Phil, their prints still caught my attention during the Printmaking Graduate Biennial at Rhode Island School of Design in January 2019. In contrast to the numerous talented artists who employed strategies to affirm the relevancy of printmaking in a contemporary discourse, McKinzie and Phil seemed to desire something different. Their collaboration series of Ten Identical Prints was predictably “printerly” and perilously unexciting, betraying a fraught and commonplace relationship between an expressive artist and a scrupulous master printer. How could these two artists showcase such mundanity? What was the stake of …

Recycle Bin (Trashure), Eunhyung Chung

Masters Theses

I am inspired by painful and exhausting situations, fragile or impermanent things that break easily and do not last long, so most of my works are installation or performance which changes as time goes by. I think a lot about the sense of loss and there are two kinds of loss in my work. One is the loss of precious moments and emotions of the past. Since I have so many blissful memories of my childhood related to art, they are the driving force of my artwork and they form the core of my identity. The loss of direction and …

Wrung From Grave Architectures, Megan Solis

Masters Theses

Found or imagined findings... notes, diary entries, texts, prayers and poems

Disasters are avenues to gain intimacy glory is the constant

What is the skeleton made of, if not to be filled with meat to be piled and molded to bring back life.

pain and memory to be grave architectures, the stuctures that fall,

a plea for humanity: “Am I just a phantom waiting to be ripped from shady ground?”

desperate melancholy we realize that she is

I am

you are

tragic.

guilt to perform, to retraumatize is a punishment and is masochistic. to violently reenact, like haunted ghosts, to …

I - 0, Sanghyun Koh

Masters Theses

This pack of cards is a provisional collection of encyclopedic thoughts and knowledge selectively hoarded for the artist’s comprehension of the world. These cumulative writings, packaged in a distributive form for intellectual play, cover the artist’s past workings, current studies and dormant plans, amassed in the responsible attitude of selection as well as in the irresponsible method of organization. The content of this 144-card deck is basically oriented to the oscillating status of a self seeking the ‘Grasping Totality’ as a human desire and of the ‘Improbability of Reach’ as a human limitation, whether true or false, proven or unproven, …

Unbound, Changrui He

Masters Theses

For many years, I have been repeatedly trying to understand what the term “trauma” means to me. While invisible, my trauma is ever-present, and I have not been able to understand how it has trapped me and my inner feelings. At the same time, more recently I don’t feel helpless or abandoned. I have been trying to tap the potential of connecting with the world outside, thereby piecing together the broken bits and pieces and reconciling with my family, past sorrows and myself.

In my thesis collection, I pay homage to a garden I often visited as a child. The …

Strata : Lessons In Latency, Mukul Chakravarthi

Masters Theses

Every visual artifact, from a street sign to advertising commercials, is an event of culture, a cross-section of time. Crucial to my work as a designer is to build an interpretive understanding of these images as more than surface, more than banal. Embedded in their construction are dense, unseen contextual latencies— social, economic, and political forces — that combine to define a cultural moment.

This thesis offers a series of lessons in making visible visual infrastructure. It emphasizes design’s semiotic potential to examine and leverage a view on what these visual signs represent as ideological constructions. Through a conscious un-layering …

Binge [Fantasy Reality], Elena Foraker

Masters Theses

[My appreciation for mainstream pop culture is genuine, but I am not a passive consumer.]

[Drawing from embodied experience and contemporary feminist theory, I design as a participant, cultural surveyor, and critic.]

[From these vantage points, I binge-watch to discern the tropes of media such as reality TV romance and dead girl shows.]

[My data bingeing leads to a process of archiving, de/recoding, and making visible the algorithm structuring pop culture.]

[“Fantasy” is derived from the Greek phantazein, meaning “to make visible.”]

[In this thesis, I demonstrate that the reality-fantasy relationship is not an either/or.]

[Reality TV challenges this notion …

Re: Ornament, Aleks Dawson

Masters Theses

Re:Ornament calls for a rethinking of ornament within the history and practice of design, urging a broad reconsideration of ornament’s value and a complete reimagining of ornament’s future potential. Charting the arc of ornament in the Western tradition, this thesis reexamines the impact of modernism’s rejection of ornament—and, with it, its embedded culture, history, knowledge and craft.

Studying ornament’s structure as a language, I make the case for ornament’s inherent beauty and excess and speculate on how ornament could apply to thinking and making beyond design. Through graphic form, material exploration and pattern thinking, I …