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Full-Text Articles in Arts and Humanities

"The Tide Of The Unconscious" Jung, Bosch And The Archetypes Of The Garden Of Earthly Delights, Andrea R. Peck Oct 1981

"The Tide Of The Unconscious" Jung, Bosch And The Archetypes Of The Garden Of Earthly Delights, Andrea R. Peck

Institute for the Humanities Theses

Many scholars have discussed the meaning of Hieronymous Bosch's The Garden of Earthly Delights concluding that Bosch's works were of a conscious nature relating to the real world. By contrast, this study, using the theories of Carl Jung, fragments Bosch's work and sees the milieu of his art through the eyes of the collective unconscious. Accordingly, a number of explanations of Jungian ideas are presented with the view to better understanding Bosch: Jung's theory of the archetypes, his view of Christianity, his analysis of medieval alchemy, as well as matrix archetypes and symbolic forms relating to The Garden. Through this …


Games And Gaming Of The Stuart Aristocracy, Vicky Ann Sanderlin Apr 1981

Games And Gaming Of The Stuart Aristocracy, Vicky Ann Sanderlin

History Theses & Dissertations

Games and gaming provide insight into the lives of the people of the past. This thesis analyzes the games and gaming patterns of the aristocracy of Stuart England. This examination of gaming concentrates on the place of leisure games in the world of the elite. The study focuses on games suitable for inclement weather and includes both children's and adult's games from the period.

This thesis addresses three basic questions: 1) who were the gamesters, 2) when and where did they game, and 3) what games did they play and how did they play them? Answers to these questions have …


Thomas Sully (1783-1872): Beginning Portraitist In Norfolk, Beth N. Rossheim Apr 1981

Thomas Sully (1783-1872): Beginning Portraitist In Norfolk, Beth N. Rossheim

Institute for the Humanities Theses

An examination of the Register of Paintings and Journal of Activities written by Thomas Sully reveals his attempt to begin a painting career in Norfolk, Virginia, 1801-1803. A discussion of portraiture in America in the early 19th century precedes the investigation of the Sully family, their theatrical background and influence on Thomas Sully. Descriptive material on Norfolk is provided as background to a close study of Sully's earliest patrons Several early portraits are presented to demonstrate a progressive sophistication.