Arts and Humanities Commons^™

A Call For Planetary Kinship: The Development Of New Forms Of Subjectivity In Jeff Vandermeer's Annihilation, Jennifer Kinne

Masters Theses

This thesis joins a vibrant conversation on the importance of storytelling in an age of climate change through an analysis of Jeff VanderMeer’s Annihilation, a strange and prophetic novel whose environments and characters are confronted with significant ecological devastation and transformation. It explores the ways in which VanderMeer opens liminal spaces between the human and nonhuman through his usage of the New Weird genre, uncanny and abcanny imagery, and monstrous characters.

In my first chapter, I will explore the emerging world of New Weird fiction and argue that this genre is uniquely suited to addressing climate change, namely because of …

"Cabined, Cribbed, Confined": Tyrannical Anxiety And Maternal Power In Shakespeare, Elle J. Nieuwsma

Masters Theses

The tyrannical king, a common trope in Shakespearean plays, is on the surface a powerful and confident character. He is motivated, though, by overwhelming anxiety and fear about losing his power and the freedom he experiences through it. In other words, he suffers from a metaphorical claustrophobia and is terrified of being confined to physical, social, and sexual inadequacy. In order to protect himself and maintain his freedom, the tyrant must project his anxiety onto someone else, and interestingly, the Shakespearean tyrants choose a shared target: mothers.

Through a series of close-readings and analysis, this article explores how several different …

Dismantling Dualisms: Jane’S Liminal Agency In Charlotte Brontë’S Jane Eyre, Nicole Baniukaitis

Masters Theses

Charlotte Brontë’s Jane Eyre is a complex and, at times, seemingly paradoxical novel. Through Jane’s journey, I argue that Charlotte Brontë offers possibilities that can be explained and understood through Val Plumwood’s ecofeminist lens of dismantling or escaping dualisms in order to make these crucial changes and rewrite the traditional story. Jane’s liminality throughout the novel empowers her, offers her access to alternative modalities, and allows her to notice the oppressive dualistic structures governing all aspects of life. Due to her unique liminal positioning, Jane is aligned with nature and fights against oppressive dualisms to shape her life in a …

Beyond All Worlds: George Macdonald, The Pre-Tolkienians, And The Forgotten Possibilities Of Fantasy, Ethan Patrick Stevens

Masters Theses

The history of modern fantasy has been powerfully shaped by the worldbuilding paradigm so successfully executed in J.R.R. Tolkien's 1954-55 trilogy The Lord of the Rings. However, there were nearly a hundred and fifty years of creative work between the birth of fantasy as a genre and Tolkien’s publication of The Lord of the Rings. By examining the pre-Tolkienian fantasists, we find that Tolkien's way of exhaustive consistency was not, and is not, the only way to write fantasy. Phantastes (1858), the first novel by the influential Victorian fantasist George MacDonald, defies contemporary worldbuilding standards almost constantly in …

“The Ugly Truth”: Examining War Trauma And Therapeutic Storytelling Through The Works Of Tim O’Brien, Meredith Ivy Fedewa

Masters Theses

Within this work, a close study on the relationship between trauma and storytelling is examined through three of Tim O’Brien’s works: The Things They Carried, Going After Cacciato, and In the Lake of the Woods. Through the application of psychoanalysis, specifically the work of Jacques Lacan, and modern trauma theory, the relationship between individual identity and the traumatizing encounter of the Real is examined through O’Brien’s concepts of Story Truth versus Happening Truth, as well as how those concepts work together to navigate one’s trauma story. Through weaving the aforementioned theory with each text, O’Brien is seen …

“Am I Wrong To Want Justice?”: How J. M. Coetzee’S Disgrace Forces Readers To Think Through The Problem Of Law, Nicholas Langenberg

Masters Theses

Since the publication of J. M. Coetzee’s first post-apartheid novel, Disgrace, a number of scholars have noted the ways that this text encourages its readers to re-think their understanding of law. Many other scholars have also noted the ways that Disgrace explores the ideas of French philosopher Gilles Deleuze. However, up until this point, there has been no analysis written that considers the legal explorations of Disgrace alongside the legal philosophies of Deleuze, and in this thesis, precisely such an analysis will be offered.

By considering these two bodies of work in light of one another, it will be …

Emily Dickinson, The Tyrant, And The Daemon: A Critique Of Societal Oppression, And The Significance Of Artistic Truth, Debra Kue

Masters Theses

This thesis argues that art, for Dickinson, was an alternative system of salvation which her society could not provide her. Unwilling to surrender herself to the mold of her society, the institutional practice of Christianity and gender expectations, Dickinson chose to take ownership of her life through art, which allowed her to develop a personal language to combat the oppressive forces of the world around her. As a conscious “revolutionist of the word” Dickinson embarked on a path of self-discovery that enabled her to conduct a life in self-imposed exile as a means to emancipate herself from the constraints of …

Innocent No More: How Child Vampires Challenge The Social Narrative Of Childhood, Ashley Quinn

Masters Theses

The inclusion of children within Gothic and horror fiction has always been regarded as untoward because children are vulnerable to misrepresentation. However, excluding children from transgressive genres eliminates a space where childhood can be critically analyzed. Fortunately, authors such as Stephen King, Anne Rice, and John Ajvide Lindqvist break the taboo through the inclusion of children in vampiric narratives. These narratives encourage readers to question the social narrative of childhood within the context of vampire stories. Through an examination of ‘Salem’s Lot (King, 1975), “Popsy” (King, 1987), Interview with the Vampire (Rice, 1976), and Let the Right One In (Lindqvist, …

A Wrinkle In Autism Literature: An Analysis Of Madeleine L’Engle’S A Wrinkle In Time And Hope Larson’S A Wrinkle In Time: The Graphic Novel, Marla Larson

Masters Theses

This literature review will examine Madeleine L’Engle’s classic intermediate novel A Wrinkle in Time, and Hope Larson’s A Wrinkle in Time: The Graphic Novel. Medical scholarship regarding autism, comics scholarship, and comments from online contributors are used to describe how a comparison of these two texts can provide positive representation of autism in literature. Consideration for how these texts can be used together in the Language Arts classroom to develop the comprehension skills of students on the spectrum is also considered. This thesis first examines the character Charles Wallace in L’Engle’s original text and how he represents a positive presentation …

“Not To Be Loved But To Lead”: Homosocial Soldiering In Tim O’Brien’S The Things They Carried, Cliffton M. Young

Masters Theses

This study explores the presence of homosocial bonds for Tim O’Brien’s characters in his short story collection, The Things They Carried, and examines the value of them for soldiers in and out of the war theatre. Their vulnerabilities and fragilities create for the soldiers false fronts of masculinity, and they attain comfort in and attach themselves to others with whom they share military experiences. Members of Alpha Company deal with both physical and mental burdens stemming from battle. Their timidity and emotional / physical ineptness complicate their being able to have honest and affectionate interactions with other men in …

Cormac Mccarthy’S Border Trilogy And The Modern American Identity Crisis, Michael G. Cox

Masters Theses

The narrative trope of the American western is a long-standing literary convention rooted in a convoluted history of conquest, exploration, settlement, and exploitation. At the heart of the western genre is the idyllic vision of self-reliance. From its inception, the United States developed westward, pushing the limits of self-governance into the farthest reaches of empty terrain. As a result, the frontier has long been a symbol of personal liberty, a place where travelers and homesteaders have the freedom to achieve private independence in its purest form. Hollywood has done much to nurture this nostalgic image of prairie life. Iconic silver …

“We Are The Walking Dead”: Morality In Robert Kirkman’S Comics Series, Amy L. Jacobs

Masters Theses

Despite widespread cultural success, Robert Kirkman’s comics series, The Walking Dead, has received little critical attention in the literary canon. The limited critical attention it has received fails to provide an in-depth examination of the work’s morality. This could be a result of the ever-present influence of Frederic Wertham’s claims in his 1954 work, Seduction of the Innocent. However, when viewed through the frameworks provided by John Gardner’s On Moral Fiction and Wayne C. Booth’s The Company We Keep, Kirkman’s zombie narrative exhibits morality in multi-layered and complex ways with every turn of the page. Through the …

Creation, Destruction, And The Tension Between: A Cautionary Note On Individuation In Tristan Egolf, W. G. Sebald, And Niall Williams, Nicholas Kanaar

Masters Theses

The modern individual faces a psychological disconnect between his conscious mind and unconscious due primarily to the outward attachments that dictate false tenets of ontological worth. This thesis investigates the benchmark of creation and destruction and narrows in on its utility in the individual’s pursuit for individuation. The creation and destruction paradox is used to penetrate liminal space where personal transformation occurs, and it is used within those spaces to strip away old, ego-centric ideals in the service of new ones. C. G. Jung’s “archetypes of transformation” are the main tools of the psyche for assisting the conscious mind to …

“Arriving At Your Own Door”: Transnational Identity Formation In Chimamanda Ngozi Adichie’S Americanah, Julie Oosterink

Masters Theses

Chimamanda Ngozi Adichie’s Americanah (2013) guides readers through the internal questions and external pressures that contribute to identity formation of her transnational characters. This paper examines the specific ways in which Adichie’s protagonist, Ifemelu, engages with both self-discovery and self-fashioning in order to shape the narrative of her past and make a plan for her future. Kwame Anthony Appiah’s The Ethics of Identity offers a philosophical framework to consider the many components of identity formation and the ways in which individuals form personal and collective identities. Adichie uniquely addresses personal and collective identities through the transnational experiences of her characters. …

Language Attitudes Of Writing Center Consultants: Perception And Expectation, Benjamin John Sparks

Masters Theses

This master’s thesis explores the results of research into the language attitudes of peer consultants working in a writing center at a large regional public university in the American Midwest. A survey was administered to writing center staff in which they were asked to evaluate the sociopolitical relationship between standard and nonstandard English dialects, the perceived relative grammaticality of these dialects, and the traditional concept of appropriateness in academic writing. Also included were questions pertaining to how consultants manage the practical responsibilities of their positions and the expectations of students and professors with the writing center’s stated policy of linguistic …

The Sandman: The Artifice Of Comics And Power Of Dreams, Nathan Teft

Masters Theses

Neil Gaiman’s Vertigo Series The Sandman is an exceptional artistic endeavor. From “Preludes and Nocturnes”(1988) to “The Wake” (1996), Gaiman worked alongside a team of talented artists and graphic designers to produce an indelible work of revisionist mythology. This thesis will attempt to establish the framework by which our modern literary canon has celebrated classical Western myths while relegating graphic or visual forms of literature or outright neglecting comic myths altogether. Scott McCloud’s Understanding Comics will frame the discourse for pictographic analysis of Neil Gaiman’s mythological revisionism of Milton’s Paradise Lost in Season of Mists, Italo Calvino’s Invisible Cities …

Annie Dillard: At The Altar Of Nature, Kelley A. Kasul

Masters Theses

This thesis intends to delve into Annie Dillard’s time spent at Tinker Creek. Why Dillard chose to go into nature is critiqued, as well as what she found. One of the things it appears Annie Dillard sought and found was a connection to the Divine. She had been searching for this connection in various churches but had not found what she needed there. There is another, perhaps more pressing, issue of the mystical journey Dillard went on as well. This was an internal journey, not a physical journey. Both of these topics are vetted for the purposes of furthering the …

Reaching The Sacred Through The Secular: Biblical Elements And The Superiority Of Divine Love In Three Of Marie De France’S Lais, Sarah J. Kooienga

Masters Theses

In the Prologue to her Lais, Marie de France hints that her text possesses multiple layers of meaning: “The custom among the ancients…was to speak quite obscurely / in the books they wrote, / so that those who were to come after / and study them / might gloss the letter / and supply its significance from their own wisdom” (9, 11-16). Critics who study the Lais agree that the tales overwhelmingly focus on romantic love, and most of the existing scholarship overlooks the fact that this theme is merely one layer of the text’s significance. To the contrary, …

“Who Has A Right To Say What Focus Is The Legitimate Focus?” Tennessee Williams And Julia Margaret Cameron’S Theatrical Portraits Of Women, Jennifer M. Klug

Masters Theses

In the production notes preceding The Glass Menagerie, Tennessee Williams said: “Everyone should know nowadays the unimportance of the photographic in art: that truth, life, or reality is an organic thing which the poetic imagination can represent or suggest, in essence, only through transformation, through changing into other forms than those which were merely present in appearance.” In spite of Williams’s emphasis on the limitations of literal representation, some of his most famous female characters were created in a tradition similar to that of portraits of women by the Victorian-era photographer Julia Margaret Cameron. Both Cameron and Williams made …

From Subject To Cyborg: Reframing Identity Within Female Spaces In Neil Gaiman's Black Orchid And A Game Of You, Mary A. Ruge

Masters Theses

Whether they are secret or whether they are household names, identities are paramount in superhero comics. Yet those that create these identities do so from a place of privilege in a hierarchy which results in inauthentic characters and repetitive plots. For the superhero genre, the misrepresentation of female characters (perhaps related to a severe underrepresentation of female creators) has resulted in highly patriarchal storylines that are reductive, stereotypical, and often violent toward women. To combat this trend, one must consider the ways in which a more complex female character violates the current framework and offer a solution. For superhero comics, …

Reckoning: Detroit’S Literary Crisis Of Conscience, Danielle E. J. Cope

Masters Theses

Once the industrial heavy-weight of the twentieth century, the city of Detroit is now plagued by a narrative of decay that is made obvious by its abandoned and neglected buildings and neighborhoods. In sensational reporting about Detroit’s misfortunes, a reductive brush is frequently applied to paint the city into a “before” and “after” picture of “success” and “failure,” fetishizing its decay while often ignoring the countless ways that socio-economic forces contributed to its decline. Addressing the unresolved wounds of class discrimination and structural racism, authors Angela Flournoy and Michael Zadoorian have provided a literary space in which fictional Detroiters reckon …

Religion, Science, And Truth In The Human Experience: Poetry As Living Synthesis In Walt Whitman’S Leaves Of Grass, Karen E. Luidens

Masters Theses

Walt Whitman’s great masterpiece Leaves of Grass stands out in the canon of nineteenth-century American poetry for both its innovations in form and its bold ventures into controversial subjects. One such subject is the role of science as opposed to religion in shaping the modern worldview. Whitman’s poetry alternately and at times simultaneously expresses both materialistic and metaphysical cosmologies, criticizing and casting away ancient traditions as often as he calls on them for inspiration.

In this paper I explore the influence of contemporary science on Whitman’s worldview, analyze how its theories shape the cosmology presented by his poetry, and discuss …

Chance, Chaos, And Chloral: Lily Bart Gambles It All In The House Of Mirth, Stacey L. Fitzpatrick

Masters Theses

Much of traditional literary study of Lily Bart’s struggles and social failures depicted in The House of Mirth focuses on her fear of losing her freewill, her reliance on fate or Fortuna, and her dislike of the options set before her. In this paper I will use several important scenes to illustrate that Lily’s penchant for gambling more accurately explains her behavior and rejection of social and cultural expectations. Preferring her freedom and weighing her options of marriage for power or a financially secure lifestyle, Lily considers them as a gambler, balancing her marriage prospects against her love for excitement …

“Such Night Till This I Never Passed” : How The Dreams Of Adam And Eve Lead To The Decision To Fall In Paradise Lost, Robert B. Chapman

Masters Theses

This thesis explores the idea that the Fall in Paradise Lost by John Milton is not a sudden event, but rather Adam and Eve's adherence to temptations that begin long before, specifically in Eve's vision and Adam's thoughts on Eve. This project begins by challenging the ways in which readers of the poem often overlook Eve as they focus solely on Satan or Adam. By looking at Eve's depiction as truly Adam's equal in the poem, this thesis then moves to the idea that temptations are an individual experience that begins first in the mind. Often, readers and scholars explore …

Reading Vice: The Christian Text In Geoffrey Of Monmouth's Historia Regum Brittaniae, Nancy S. Bell

Masters Theses

Geoffrey of Monmouth claimed his purpose for writing Historia regum Britanniae was to record a history of the British kings and their great deeds. On the surface, his book is indeed a chronicle detailing the reigns of several important kings and glossing over many more. However, below the surface, Geoffrey includes layers of Christian text to motivate his audience to avoid vice. To clue his readers into the Christian meaning, Geoffrey makes use of shared beliefs, such as that vices should be avoided, that a king’s behavior affects his people, that disease can be a manifestation of sin, and that …

Becoming Self: A Jungian Approach To Paradise Lost, Geoffrey Kishbaugh

Masters Theses

When addressing Paradise Lost, the reader is not encountering static characters but is interacting with and being acted upon by highly symbolic manifestations of the primitive condition of humanity‟s collective psyche. In dealing with the figures of Christianity‟s mythos, John Milton creates a text that stimulates the collective unconscious of the reader and draws out the primordial expressions of the self—archetypal manifestations. Subsequently, these manifestations are projected back onto the figures within the text and the reader engages in a dynamic relationship with the poem as both the reader and the figures of Adam and Eve experience the process of …

Madness, Death, And Civilization: Non-European Women Under Patriarchy And Imperialism, Mengying Li

Masters Theses

In light of Wide Sargasso Sea, through which Jean Rhys intends to provide the madwoman Bertha in Jane Eyre with a voice and a life, this thesis attempts to reread Jane Eyre from a postcolonial perspective, arguing that both texts can be read as critiques of the cruelty and inhumanity of European civilization. After the English beat the Spanish at sea, and complete the First Industrial Revolution, it establishes the country as the greatest imperialistic power in the world. The need of labor, raw material, and new market leads them to develop colonies in remote areas like the Caribbean. By …

“Struck With Her Tongue”: Speech, Gender, And Power In King Lear, Kate Downey Hickey

Masters Theses

My thesis addresses the supposed sexism in William Shakespeare’s King Lear through an examination of the power of speech in the play. Employing a variety of scholarship, I argue that Cordelia exerts power both through prudent speech and in her silence, adhering to Renaissance expectations for women but also defying the unreasonable behavior of her father. I explore how Cordelia’s values are recognized by and through other characters, especially Lear’s Fool. While Cordelia is often viewed as the opposite of her sisters Goneril and Regan, I provide a reading of the play that treats all three sisters as complex characters …

Metafiction, Fairy Tale, And Female Desire In A.S. Byatt‘S Possession: A Romance, Susan Marie Kieda

Masters Theses

Analysis of the novel Possession: A Romance by A.S. Byatt, in which Byatt contributes to a metamorphosis of the fairy tale genre through a reappropriation of individual tales and characters, such as the Grimm Brothers‘ Little Snow White and The Glass Coffin; Hans Christian Andersen‘s The Snow Queen; and the French fairy story Melusine. Analysis of the metafictional devices Byatt uses to achieve this reappropriation such as the writing and reading of letters, journals, and works of fiction within the novel, as well as an intertextuality created by repeating fairy tale allusions. Analysis of Byatt‘s character development …

Think Again: The Decision Making Process In King Lear And Jane Smiley's A Thousand Acres, Elizabeth Burgess

Masters Theses

This thesis is a feminist reading of Shakespeare‟s King Lear and Jane Smiley‟s Pulitzer Prize winning novel A Thousand Acres that applies psychological insights into human behavior to explain economic decision-making. Many of the traditional readings of King Lear, including the works of critics A. C. Bradley, Maynard Mack and Stephen Greenblatt, approach the play by accepting the patriarchal view of Lear as the rightful ruler, while Goneril and Regan are wicked for taking the kingdom from their father. Smiley‟s A Thousand Acres, however, approaches the text from what she imagines Goneril‟s perspective to be and includes the …