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Articles 2551 - 2580 of 8530
Full-Text Articles in Arts and Humanities
Eng 1002g-011-030: Composition And Language, Lynanne Page
Eng 1002g-011-030: Composition And Language, Lynanne Page
Spring 2012
No abstract provided.
Eng 5502-001: Mentored Teaching, Daiva Markelis
Eng 1002g-039: Composition And Literature, Marjorie Worthington
Eng 1002g-039: Composition And Literature, Marjorie Worthington
Spring 2012
No abstract provided.
Eng 3803-001: Renaissance And Seventeenth English Literature, J Campbell
Eng 3803-001: Renaissance And Seventeenth English Literature, J Campbell
Spring 2012
No abstract provided.
Eng 2007-001: Creative Writing, Fiction, R Gay
Eng 4750-001: Studies In African American Literature-Bluesology: The Blues And Its Literary Legacy, Michael Loudon
Eng 4750-001: Studies In African American Literature-Bluesology: The Blues And Its Literary Legacy, Michael Loudon
Spring 2012
No abstract provided.
Eng 2003-001: Poetry Writing, D Carpenter
Eng 1002g-012, Ned Huston
Eng 2011g-002: Literature, The Self, And The World, Francine Mcgregor
Eng 2011g-002: Literature, The Self, And The World, Francine Mcgregor
Spring 2012
No abstract provided.
Eng 3001-004: Advanced Composition, Jad Smith
Eng 3801-001, Timothy Shonk
Eng 3705-001: American Multicultural Literature, Christopher Hanlon
Eng 3705-001: American Multicultural Literature, Christopher Hanlon
Spring 2012
No abstract provided.
Eng 1092g-096: Composition And Literature, Stephen Swords
Eng 1092g-096: Composition And Literature, Stephen Swords
Spring 2012
No abstract provided.
Eng 1001g-003, Robert Zordani
Eng 1002g-007: Composition And Literature, Debra Valentino
Eng 1002g-007: Composition And Literature, Debra Valentino
Spring 2012
No abstract provided.
Eng 1002g-005: Composition And Literature, Rachel Panepinto
Eng 1002g-005: Composition And Literature, Rachel Panepinto
Spring 2012
No abstract provided.
Eng 1002g-010-023-033, Carol Jean Dudley
Eng 1002g-024, Ned Huston
Eng 1092g-097: Composition And Literature, Honors, Richard Sylvia
Eng 1092g-097: Composition And Literature, Honors, Richard Sylvia
Spring 2012
No abstract provided.
Eng 2009-002: Literature And Human Values: Race, Age, Gender, Robert Martinez
Eng 2009-002: Literature And Human Values: Race, Age, Gender, Robert Martinez
Spring 2012
No abstract provided.
Eng 1001g-006: Composition And Language, Rachel Panepinto
Eng 1001g-006: Composition And Language, Rachel Panepinto
Spring 2012
No abstract provided.
Eng 1002g-002-021, Dan Tessitore
Eng 3001-005: Advanced Composition: Writing, Race, Class, And Gender In The Professional Workplace, Tim Engles
Eng 3001-005: Advanced Composition: Writing, Race, Class, And Gender In The Professional Workplace, Tim Engles
Spring 2012
No abstract provided.
Eng 1002g-046: Composition And Literature, Mary Maddox
Eng 1002g-046: Composition And Literature, Mary Maddox
Spring 2012
No abstract provided.
Eng 3807-001: Victorian Literature, Duangrudi Suksang
Eng 3807-001: Victorian Literature, Duangrudi Suksang
Spring 2012
No abstract provided.
Eng 2760-001: Introduction To Professional Writing, Terri Fredrick
Eng 2760-001: Introduction To Professional Writing, Terri Fredrick
Spring 2012
No abstract provided.
Eng 4775-001: Studies In Literary And Cultural Criticism And Theory: Feminist Theory, Marjorie Worthington
Eng 4775-001: Studies In Literary And Cultural Criticism And Theory: Feminist Theory, Marjorie Worthington
Spring 2012
No abstract provided.
Eng 3703-001: American Literature, 1900-1950, Marjorie Worthington
Eng 3703-001: American Literature, 1900-1950, Marjorie Worthington
Spring 2012
No abstract provided.
Eng 5011-001: Genre Theory & Pedagogy, Donna Binns
Time In Television Narrative: Exploring Temporality In 21st Century Programming, Melissa R. Ames
Time In Television Narrative: Exploring Temporality In 21st Century Programming, Melissa R. Ames
Faculty Research & Creative Activity
This collection analyzes twenty-first-century American television programs that rely upon temporal and narrative experimentation. These shows play with time, slowing it down to unfold the narrative through time retardation and compression. They disrupt the chronological flow of time itself, using flashbacks and insisting that viewers be able to situate themselves in both the present and the past narrative threads. Although temporal play has existed on the small screen prior to the new millennium, never before has narrative time been so freely adapted in mainstream television. The essayists offer explanations for not only the frequency of time play in contemporary programming, …