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Articles 1 - 6 of 6
Full-Text Articles in Arts and Humanities
Modernity And The Water Calligraphy Experience, Maddie Oprica
Modernity And The Water Calligraphy Experience, Maddie Oprica
Chinese Language Teaching Methodology and Technology
This article explores how Chinese calligraphy has evolved in the modern world, utilizing one particular focus: water calligraphy. Water calligraphy is a fascinating, non-invasive, and communal form of street art. It recontextualizes traditional calligraphy and offers insight into modern Chinese society and the concepts of art and creation. The simple trade of ink and paper for water and the ground has produced one highly intriguing practice. The following article will go through water calligraphy's link to modernity, its general appeal, and my own personal experience attempting it.
“She Didn’T Know I Was In The Room”: The Effects Of Hatfield’S Illustrations On Readers’ Interpretations Of “The Yellow Wallpaper”, Mason Repas
The Downtown Review
When Charlotte Gilman's short story, "The Yellow Wallpaper," was first published in New England Magazine in 1892, staff illustrator Joseph Hatfield created three realistic-style images to accompany the text. Research suggests that Gilman had no control or influence over these images, which altered readers' perception of her story about the dangers of the rest cure for female hysteria. While Hatfield faced artistic limitations and his intentions are not discoverable today, the choices and details in his illustrations support interpretations of the short story as a piece of horror fiction in which his cohesive series of images is a more reliable …
Art Spiegelman's Maus As A Heteroglossic Text, Dane H. Minich
Art Spiegelman's Maus As A Heteroglossic Text, Dane H. Minich
ETD Archive
According to philosopher Mikhail Bakhtin, the modernist novel is the best literary form to exploit heteroglossia, or the coexistence of two or more voices within a text. It incorporates the speeches of the author, narrators, and characters, as well as languages that are indicative of social status, employment, epochs, and so on. In this essay, heteroglossia is applied to Art Spiegelman's graphic novel Maus to demonstrate that the comics medium is also a prime candidate for heteroglossic exploitation. Voice and dialect are examined in the first portion of the essay, including generational differences between the characters' language, the presence and …
The Transformation Of Tibetan Artists' Identities From 1959-Present Day, Michelle Elizabeth Meno
The Transformation Of Tibetan Artists' Identities From 1959-Present Day, Michelle Elizabeth Meno
ETD Archive
The notion of Tibetan art as a preservation of the Shangri-La culture that existed before Chinese occupation is a pervasive ideology among western scholars. Buddhist thangka paintings were and still are an important aspect of Tibetan heritage and sense of identity. This paper, however, focuses on the shifting roles of Tibetan artists from the onset of the Chinese "liberation" of Tibet in 1959 to present day. The tremendous lack of scholarship on contemporary Tibetan artists, including both those who still live in the Tibetan Autonomous Region and those who have traveled abroad, has served as a catalyst for the research …
The Leprous Christ And The Christ-Like Leper: The Leprous Body As An Intermediary To The Body Of Christ In Late Medieval Art And Society, Jenna Noelle Ogden
The Leprous Christ And The Christ-Like Leper: The Leprous Body As An Intermediary To The Body Of Christ In Late Medieval Art And Society, Jenna Noelle Ogden
ETD Archive
I will argue that the leprous body was an intermediary to the body of Christ in the minds of late medieval viewers. They could utilize this accessible body as a tool to cultivate a closer relationship with Christ. I will explore imagery of Christ and lepers created in England, Flanders, France, Germany, and Italy from 1300 through 1500 to demonstrate my argument. I will compare representations of the Flagellation of Christ and Christ as the Man of Sorrows to images of Christ healing lepers in order to show that the leprous body could be understood as a substitute for the …
Aesthetics In Culture, Dan Rager
Aesthetics In Culture, Dan Rager
Music Faculty Publications
This article examines the role of aesthetics in art, music, non-art objects, and activities in daily life. It shows that recognition is vital to our understanding of art and art-objects and sometimes creates conflicts which ask, what does one do with art? The question becomes more confusing when we think about non-art objects and activities which concern our everyday experiences from eating, clothing, cleaning and dealing with life's natural elements. The author points out that Western cultures have a distinct artworld that is usually limited for special occasions set aside for that purpose. He suggests that aesthetics in culture is …