Arts and Humanities Commons^™

Inventing The Wicked Women Of Tudor England: Alice More, Anne Boleyn, And Anne Stanhope, Retha M. Warnicke

Quidditas

In Tudor histories, perhaps more than in other histories, writers have failed to distinguish, as Judith Shapiro has pointed out with reference to anthropological literature, "consistently between the sex bias emanating from the observer and the sex bias characteristic of the community under study.” The sex and gender bias of early modern society was, of course, pervasive and ubiquitous. Prescriptive works instructed women to confine their activities to domestic and family matters. Even as litigators in the courts of law, they were disadvantaged. Generally defining women as the inferior sex, their male contemporaries judged women’s worth by their chastity, silence, …

Playing The Waiting Game: The Life And Letters Of Elizabeth Wolley, Elizabeth Mccutcheon

Quidditas

Almost fifty years ago Wallace Notestein, an English historian, commented that while both the men and the women of late-sixteenth- and early-seventeenth-century England remain "strangers" and “shadowy figures” to us, the women are “much more shadowy.” Pointing out that “Our knowledge of women comes largely from the incidental mention of them by men who seldom took pains to characterize and individualize them,” he insisted that “It is as individuals that we must know them, if we are to understand them as members of a sex.” Obviously a great deal has changed for the better. We know much more about the …

Learning To Be Looked At: The Portrait Of [The Artist As A] Young Woman In Agnès Merlet’S Artemisia, Sheila Ffolliott

Quidditas

Agnès Merlet's 1997 film Artemisia opens with a full-screen, tight close-up of an eye, under a sepia veiling effect that prevents its appearing overly clinical. The image provides an effective introduction to issues this film about a seventeenth-century woman-artist explores. We might expect a film about a visual artist to concern that person’s eye. We also expect film, itself a visual medium, to fascinate the eye of the spectator. But rather than simply confirm such expectations, this filmic eye unsettles. First, because of the extremity of the close-up, we see only part of the eye. Then, although it stares directly …

“There Is Nothing More Divine Than These, Except Man”: Thomas Moffett And Insect Sociality, Monique Bourque

Quidditas

When Thoomas Moffett wrote in the Theater of Insects that "there is nothing more divine than these, except Man," he asked his readers some pointed questions about insects, and made some blunt statements:

where is Nature more to be seen than in the smallest matters, where she is entirely all? for in great bodies the workmanship is easie, the matter being ductile; but in these that are so small and despicable, and almost nothing, what care? how great is the effect of it? how unspeakable is the perfection? ... Do you require Prudence? regard the Ant; Do you desire Justice? …

“Sad Stories Of The Death Of Kings”: Lyric And Narrative Release From Confining Spaces In Shakespeare’S Richard Ii, Jennifer C. Vaught

Quidditas

The relation of Shakespeare's plays to other literary forms like lyric and narrative is a topic that continues to invite speculation. A number of his plays contain songs and sonnets, reported stories and winter’s tales. In this essay I examine lyrics and narratives in Richard II and their dialogic relation to the surrounding text. In a play about a self-enclosed King these utterances tend to occur in enclosures: Richard delivers lyrics while immured at Flint Castle and the dungeon at Pomfret, whereas his Queen laments in an enclosed garden and promises to tell the King’s story during her exile in …

The Changing Understanding Of The Making Of Europe From Christopher Dawson To Robert Bartlett, Glenn W. Olsen

Quidditas

Two books with the same title, The Making of Europe, published sixty-one years apart, may help us assess profound shifts that have taken place in the understanding of Europe over the last two-thirds of the twentieth century. Both books were or are by master, if quite dissimilar, historians. Though the books share the same title, profound differences, perhaps the program of each author, is revealed in their subtitles. For Christopher Dawson (1889–1970), arguably the most eminent Catholic historian of the twentieth century, The Making of Europe was An Introduction to the History of European Unity (London, 1932). As a …

Review Essay: Jean Renart: The Romance Of The Rose Or Of Guillaume De Dole (Roman De La Rose Ou De Guillaume De Dole), Kathy M. Krause

Quidditas

Jean Renart: The Romance of the Rose or of Guillaume de Dole (Roman de la Rose ou de Guillaume de Dole). Ed. and trans. Regina Psaki. Garland Library of Medieval Literature 92A. New York: Garland Publishing, 1995. xli + 280 pp.

Review Essay: Jeffrey Powers-Beck. Writing The Flesh: The Herbert Family Dialogue, Owen Staley

Quidditas

Jeffrey Powers-Beck. Writing the Flesh: The Herbert Family Dialogue. Pittsburgh: Duquesne University Press, 1998. 290 pp. incl. bibliography, 3 appendices, and index. $54.50 cloth. ISBN 0–8207–0283–5.

Review Essay: David Wallace. Chaucerian Polity: Absolutist Lineages And Associational Forms In England And Italy, Stanley Benfell

Quidditas

David Wallace. Chaucerian Polity: Absolutist Lineages and Associational Forms in England and Italy. Stanford: Stanford University Press, 1997. xix + 555 pp.

Full Issue

Inscape

No abstract provided.

Contributors

Inscape

No abstract provided.

Parting The Veil: The Visions Of Joseph Smith, Alexander L. Baugh

BYU Studies

God granted to the Prophet Joseph the gift of visions. Joseph received so many that they became almost commonplace for him. The strength and knowledge Joseph received through these visions helped him establish the Church.

Atticus, David, And Raymond: Role Models For Ya Males, Chris Crowe

Faculty Publications

I can't listen to Bob Carlisle's "Butterfly Kisses," a sentimental song about a father and his daughter without crying. Every time I hear it, I want to pull my nearest daughter onto my lap, hold her tight, and bury my face in her shoulder while I cry about the eventual loss of my little girl. Unfortunately—or fortunately, if you're one of my daughters—my maudlin reaction to the song prompted my three teenage daughters to ban the recording from our home, so I rarely got to listen to it—and weep—anymore.

When Winter Dies, N. Andrew Spackman

Inscape

No abstract provided.

Ken Bishop 4, Ken Bishop

Inscape

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The Fruitcake I Bury In My Backyard Each January, Q. Woodward

Inscape

No abstract provided.

The Sincere Body: The Performance Of Weeping And Emotion In Late Medieval Italian Sermons, Lyn Blanchfield

Quidditas

In 1493 the well-known and controversial Franciscan preacher Bernardino of Feltre gave a series of Lenten sermons to the people of Pavia. On March 11 he dedicated an entire sermon to the necessity of contrition—or perfect sorrow over sin—in the rite of confession. Speaking to a large audience of both men and women, rich and poor, and the local ecclesiastical and civic authorities, Bernardino discussed how one should behave when contrite: “If you cannot feel sorrow of the body, then at least [feel it] in [your] heart, and if you cannot weep with [your] bodily eyes, then at least [weep] …

Minerva! The Story Of An Artist With A Mission Elaine Cannon And Shirley A. Teichert, Robert C. Freeman

BYU Studies

Elaine Cannon and Shirley A. Teichert. Minerva! The Story of an Artist with a Mission. Salt Lake City: Bookcraft, 1997. 156 pp. Index. $19.95.

Part 1, Byu Studies

BYU Studies

No abstract provided.

Breakfast Catechism, Jared Pearce

Inscape

No abstract provided.

Man Silently To His Wife At The Meat Counter, Alma Christl Call

Inscape

No abstract provided.

Front Matter

The Bridge

No abstract provided.

Contents

The Bridge

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The Founding Vision Of Byu Studies, 1959-1967, Clinton F. Larson

BYU Studies

Time is a little consequence when an Event is near. In a rush and emphasis of time, three of us stood in a field to the north of Temple Hill. Darrel Taylor said, "I want to establish a language training center for missionaries of the Church. I want it to be part of the department of foreign languages so that the beauties of the languages can be seen with the Truth that is in them." And I thought of the possibility of a magazine for the university, as it might e, drawing its breath from the influence of ages past, …

Byu Studies From 1967 To 1983, Charles D. Tate Jr.

BYU Studies

In my editorial in the first issue of BYU Studies that I edited, I noted that from its inception the journal was to be a "Voice for the Community of LDS Scholars." Since there are enough scholarly journals that will publish secular scholarly studies by LDS authors, BYU Studies was distinctively to be the journal in which faithful Latter-day Saint scholars could publish articles that explored the correlation of their secular studies and their religious convictions. As most of the rest of the world does not believe in modern revelation as a viable medium of scholarly information, none of the …

Off On The Right Foot, John W. Welch

BYU Studies

When I was appointed editor of BYU Studies in 1991, I was keenly aware of the sterling, scholarly reputation that this journal had won for itself since its inception in 1959. My hope was to build on that solid foundation, which had been put clearly in place right from the journal's earliest days.

Part 2, Byu Studies

BYU Studies

No abstract provided.

From A River Road, Dixie Partridge

BYU Studies

No abstract provided.

A Touch Of Refinement: Pioneer Graining, Doris R. Dant

BYU Studies

Visitors to the Salt Lake Tabernacle are often stunned to learn that the pillars supporting the gallery are not marble but are pine painted to look like marble and that the "oak" benches and organ case are also pine with simulated oak graining. The Tabernacle woodwork and furniture are the most visible reminders of the practice of graining, a technique widely used in Utah Territory's furniture to imitate the look of marble, hardwood, and even leather.

Refusing To Die: Financial Crisis At Brigham Young Academy, 1877-1897, Jed L. Woodworth

BYU Studies

Led by a committed principal and dedicated board of trustees, the Brigham Young Academy survived twenty financially difficult years without solid fiscal resources.