Arts and Humanities Commons^™

2025-2026 Anthony De Mare: American Mavericks & Re-Imaging Sondheim, Anthony De Mare

Guest Recitals

No abstract provided.

Political Mediatization In The Digital Era: The Case Of Walhi West Sumatera’S Environmental Advocacy, Muhammad Thaufan Arifuddin, Ernita Arif, Yuliandre Darwis, Rinaldi Rinaldi, Muhammad Al-Amin Dalmenda

JURNAL KOMUNIKASI INDONESIA

This article examines how political mediatization operates at the local level through environmental civil society activism in post-authoritarian Indonesia. Focusing on the West Sumatra chapter of the Indonesia Forum for Environment (WALHI) as a critical case, the study argues that media logic is not merely imposed by political elites or mainstream media, but is strategically appropriated by local civil society organizations to contest oligarchic power, shape public agendas, and sustain democratic engagement at the subnational level. Using a qualitative case study approach, data were collected through participant observation, in-depth interviews with environmental activists and youth organizers, and an analysis of …

Carnets De Bord. Tables D’Orientation « Tariq Teguia », Pascale Cassagnau, Tariq Teguia

Regards

This interview by Pascale Cassagnau with Tariq Teguia puts into perspective the Algerian filmmaker’s work notebooks, which are both autonomous objects and working documents, linked to the film itself. A medium for thought, the notebook is a space for language, a score and a cartographic space that gives shape to the writing of the film in a graphic way. A discursive space parallel to the space of scriptwriting, the notebook accompanies the development of the film from its inception, collecting the writing of thought in no particular chronological order.

Résumé
Cet entretien de Pascale Cassagnau avec Tariq Teguia met en …

« Voi(E)X De L’Exil, Formes De La Pensée » : Le Cinéma-Essai De Borhane Alaouié », Elie Yazbek, Farah Alhashem

Regards

This article offers a comprehensive study of Borhane Alaouié’s work, a central figure in modern Lebanese cinema, situating it within the tradition of the essay film. Through an analysis of Lettre d’un temps d’exil, À toi où que tu sois and Khallas, it examines how exile, wounded memory, and fragmentary thought shape the filmmaker’s aesthetic and ethical approach. Exile is explored not only as a geopolitical condition but as an interior state, a persistent uncertainty that structures voices, narratives and images. The study highlights the importance of voice-over, fragmentation, memory-driven editing and epistolary address, while positioning Alaouié’s work …

The Personal Is Collective: Egyptian First-Person – Documentary Cinema As Post-Revolution Diary, Eman Elharmeel

Regards

The 2011 Egyptian revolution marked a watershed moment in the reconfiguration of individuality, autonomy and self-expression within Egyptian society. Challenging long-standing collectivist frameworks, the revolutionary moment opened new spaces for individual agency and subjective reflection. This paper examines how these shifts intersect with the rise of first-person documentary cinema as a powerful medium for articulating post-revolutionary subjectivity in Egypt.
Focusing on The Past Will Return (2015) by Dina Hamza, Happily Ever After (2016) by Nada Riyadh and Ayman El Amir, and Little Eagles (2016) by Mohamed Rashad, the paper analyzes how filmmakers negotiate personal desires, familial pressures and collective belonging …

Triste Souvenir Et Sombre Avenir, « Lettre À Ma Sœur » (2006) De Habiba Djahnine, Boualem Khelifati

Regards

This article explores how Letter to My Sister (2006), a film by director and poet Habiba Djahnine dedicated to her sister Nabila, a democratic and feminist activist who was murdered by Islamist terrorists in Tizi Ouzou in 1995, revisits the fate of the direct and indirect victims of Algeria’s dark decade of the 1990s and the repressive religious and state policies towards women. It employs a narrative structure that combines several film genres – film-letter, film-journey, film-poem, and film-archive – showing situations in which memories and pain are shared, as well as the necessary perpetuation of a struggle that is …

Beyrouth 1978-1982 : Le Fonds Photographique De Monica Maurer – Une Collection Contre L’Oubli Et La Destruction, Aude Fourel

Regards

It was while searching for unused film footage on the Palestinian struggle for a documentary essay that I discovered the filmography of German director Monica Maurer and her work restoring and preserving Palestinian films. For the past four years, we have been working together to digitise and catalogue the photographs and documents she still keeps at home.
I reflect on the paths opened up by the writing of a film in the making, on the formatting of Monica Maurer’s photographic collection, and on the initial prospects for visual and historical studies of this material in the particular context of the …

Sonorisation De L’Anarchive Ou La Palestine Comme Projet Politique – À L’Écoute De « A Fidai Film » De Kamal Aljafari Et De « Partition » De Diana Allan, Judith Abensour

Regards

Kamal Aljafari’s A Fidai Film draws on Palestinian archives confiscated by Israel in Beirut in 1982. Diana Allan created Partition using archives from Mandatory Palestine held at the Imperial War Museum in London. The film notebook not only refers to a type of fragmentary editing, but also allows us to revisit the relationship between sound and image, thus offering an exercise in remembrance in the present. By adding sound to images, the two filmmakers question the contradictions inherent in archives, their erasure or their resistance to authoritative or propagandistic discourse. Thus, under the guise of sensory and sound anthropology for …

Videotracts For Palestine : Images Et Contre-Images, Lola Maupas

Regards

This article examines the political and aesthetic gesture of Videotracts for Palestine, a collective founded on Instagram in November 2023 in the context of the Israeli offensive in Gaza. Heirs to the ciné-tracts of 1968 and, more broadly, to international militant cinema, these very short anonymous films also mobilize contemporary digital tools and produce what might be called a counter-visuality of resistance. The study highlights how the collective situates itself within a tradition of images as weapons of struggle while inventing its own forms, shaped by the massive circulation enabled by the Internet and social media. The videotracts deconstruct …

Des Sons Pour L’Histoire. Correspondance Avec Mohammed Yaghi, Aude Fourel

Regards

Sounds for History. Correspondence with Mohammed Yaghi
Mohammed Yaghi was born in 1992 and trained in sound engineering in Gaza. He has worked for UNRWA television and collaborated with Palestinian and international documentary film production companies.
These sound recordings for films, educational programs and interviews were the first step in the sound diary that he has kept on building on a daily basis.
[...]


Résumé
Mohammed Yaghi est né en 1992 et s’est formé aux métiers du son à Gaza. Il a travaillé à la télévision de l’UNRWA et collaboré avec des maisons de productions palestiniennes et internationales de films …

"By The Sweat Of His Brow"?: Master Mechanics And Class Position In Antebellum New Orleans, Caleb G. Roark

LSU Master's Theses

This thesis argues that New Orleans’s skilled laborers profited alongside or from enslaved laborers. Proponents of free labor ideology, largely relegated to the North, charged that the skilled mechanic was the prototypical “free laborer.” In contemporary and modern portrayals, the systems of free and enslaved labor were considered antithetical. This thesis posits that these views are incorrect. Free and enslaved labor flourished together in the Crescent City. Despite their absence in historical understandings of the antebellum South, skilled laborers succeeded in New Orleans. I track societal debates across Louisiana’s newspapers concerning the status and success of mechanics across the state. …

Rooted Wisdom Ecofeminist Tarot, Daniella Orias

Electronic Theses and Dissertations 2020 - Present

This dissertation explores the potential of applying tarot as a pedagogical tool in connection with ecofeminist theories in order to assess if tarot can be a meaningful pedagogical modality to improve learner comprehension. The dissertation is guided by six research questions, explored in the introduction section, in order to examine how tarot embodies ecofeminist critiques of dualistic Western thought. In Chapter 1, the dissertation begins by providing a foundational understanding of ecofeminism, tarot, and pedagogy in order to provide key background information and assess the current conversations around ecofeminism, queer and nature-based tarot decks, and the basis of critical pedagogy. …

The Diversity Band Presented By The Music Student Multicultural Association: March 2nd, 2026, Illinois State University School Of Music

School of Music Programs

This is the one hundred and fifteenth program of the 2025-2026 season.

Kemp Recital Hall

March 2nd, 2026

Monday Evening

7:30 p.m.

Lanthorn, Vol. 60, No. 12, March 2, 2026, Grand Valley State University

Volume 60, August 4, 2025 – April 20, 2026

Lanthorn is Grand Valley State's student newspaper, published from 1968 to the present.

Investigating The Viability Of A Shared Skill System Between Enemies And Players, Andrea Ng

Computer Science and Software Engineering

Over time, Japanese light novels and media inspired by it have been heavily influenced by RPGs in implementing skill systems, with one common trope arising from this being the ability to copy or steal others’ skills. However, there aren’t many games that implement this familiar trope despite how it takes advantage of an integral system to RPGs. Rather than treating enemies as simply obstacles, having to copy skills from enemies turns them into a resource. This project aims to implement the skill copy mechanic while also minimizing player-side specific handling so that skills are interchangeable between both players and enemies.

(Nuevo) Charla Pre-Bautismo, Elián Pérez

Bautismo

Charla pre-Bautismo

Killer Whales, River Alsalihi

The Lindenwood Review: a journal of literary prose

No abstract provided.

Lighthouse, Andie Brynn Weaver

The Lindenwood Review: a journal of literary prose

No abstract provided.

The Tellers, Kevin Loughrin

The Lindenwood Review: a journal of literary prose

No abstract provided.

Adhesive, Thomas Lowery

The Lindenwood Review: a journal of literary prose

No abstract provided.

Paper Ship Dreams, Adam Coulter

The Lindenwood Review: a journal of literary prose

No abstract provided.

Bruises, C. Z.

The Lindenwood Review: a journal of literary prose

No abstract provided.

“Alaskan Salmon”, Robert Terentieff

The Lindenwood Review: a journal of literary prose

No abstract provided.

Right-Handed, Ashley Greenhouse

The Lindenwood Review: a journal of literary prose

No abstract provided.

Keeping Time By Crickets, Dara Laine

The Lindenwood Review: a journal of literary prose

No abstract provided.

Dream Journalese, Chris Clemens

The Lindenwood Review: a journal of literary prose

No abstract provided.

Episode In Which I Outrun The News, Colette Parris

The Lindenwood Review: a journal of literary prose

No abstract provided.

At Dusk, Carol L. Gloor

The Lindenwood Review: a journal of literary prose

No abstract provided.

Everything Else You Left Behind, Anna Kate Daunt

The Lindenwood Review: a journal of literary prose

No abstract provided.

My Father’S War Story, Denis Bell

The Lindenwood Review: a journal of literary prose

No abstract provided.