Arts and Humanities Commons^™

Latasha, I Love You, Kumari Ananda Devidasi Billings

LMU Theatre Arts Annual New Works Festival

Latasha and Shawn revisit their romantic, tumultuous past, engaging in tense discussions about the value of sex work, the exploitation and brutalization of black and brown sex workers, misogynoir, and the lack of accountability -- socially, politically, and criminally -- given to perpetrators who have been socialized to believe they have a right to unleash rage on women in sex work due to the hypocritical minimal value society places on the existence of women in the oldest form of professional service work.

A Dupe Death, Bradley M. Ash

LMU Theatre Arts Annual New Works Festival

'A Dupe Death' is a 10-minute play written by Bradley Ash for LMU's 2026 New Works Festival. The comedy follows a young man who lies to his boss about his mom's death--he is then forced to keep his secret from the two after his boss arrives unannounced to express his heartbreak. The play is inspired by many classic sitcoms, as well as lots of modern Gen-Z-like humor; sorry in advance.

Pouring Grease Down The Sink, Mateo Tomas Hercules Gonzalez

LMU Theatre Arts Annual New Works Festival

Meet two half-siblings named Scab and Trash! One is the embodiment of pain and stress, and the other is the embodiment of disorder and loneliness! Follow them as they come to terms with how they feel about being half-siblings while a certain vistor is present! Fun for the whole family...!

This Play Is About Bugs, Zachary Scrima

LMU Theatre Arts Annual New Works Festival

A dung beetle attempts to talk a mosquito out of entering a human home. A ten-minute play that reimagines the ancient fable 'The Ant and the Grasshopper' in a contemporary context, exploring the nature of lateral violence within a marginalized community.

Egg Tarts For Evie, Hannah Ko

LMU Theatre Arts Annual New Works Festival

A mother and daughter struggle to connect, facing barriers such as differences in language, culture and personality, ultimately proving that love is a compromise.

Should Tomorrow Mark The Start Of Forever?, Rodrigo Zoratto Assis

LMU Theatre Arts Annual New Works Festival

Should Tomorrow Mark the Start of Forever? is a play about family, memory, love, and the strange performance of becoming yourself. The work follows characters who are trying to tell the truth, even when truth becomes painful, theatrical, funny, or impossible. At its center, the show explores how children inherit stories from their parents, and how those stories shape faith, identity, desire, and belonging. The piece moves between humor and emotional intensity, using performance itself as a way to reveal what people cannot say directly. Brazilian culture, love, spirituality, and the fear of disappointing the people we love all live …

Use Your Voice, St. Mary's University Theatre Department

Theatre

Use Your Voice is a play devised by Dr. Grace Edgar and her students in the Theatre for Change & Social Justice course at St. Mary's University during the Spring 2026 semester. Acts: Lower the Ceiling; Did You Love Him?; Dad, Let Me in; Cartel Assassination; Two Towns; Paperball of the Past; Whale Noise; The Alysa Liu Moment; Since I Was Little; Lake House; The Dow Right Now; Cobbler

Ai Literacy Framework, Beronica Avila, R. Jordan Crouser, Katherine Elkins, Lisa Morrison, Jenna E. Nolt

Instructions, Forms, and Toolkits

No abstract provided.

Ai Tool Assessment Framework, Beronica Avila, R. Jordan Crouser, Katherine Elkins, Lisa Morrison, Jenna E. Nolt

Instructions, Forms, and Toolkits

A resource to assist with making decisions about purchasing AI tools

Remain: An Exhibit By L. Renee Downtown Library, L. Renée

Artist Residency Exhibit

This PDF includes a portion of 2026 WVU Art in the Library and West Virginia and Regional History Center Mountain Artist in Residence, L. Renée's resulting works.

Remain is an interdisciplinary poetry project by L. Renee, the West Virginia University Libraries' 2.02.6 Mountain Artist in Resident. Developed in collaboration with the West Virginia & Regional History Center (WVRHC), this exhibit serves as a poetic activation of archival records concerning mountaintop removal mining in Appalachia. Through the residency, L. Renee accessed the environmental, geological, and community archives. In her work, she examines the endurance of both human and non-human life following …

Ein Überblick Über Den Schwäbischen Dialekt In Bayern, Gabriel Sullivan

KU Inspires! Undergraduate Research Day

No abstract provided.

The Indian River Lagoon Through The Lens Of An Artist: Examining The Impact Of Growth And Development On The Lagoon's Water Quality, Lisa K. Skelly

Theses

This project investigates the ecological degradation of the Indian River Lagoon, a vital estuary on central Florida’s east coast. The research focuses on the intersection of habitat loss and water quality degradation, specifically as they relate to anthropogenic factors such as land development and nutrient pollution. Furthermore, the study evaluates the effectiveness of environmental art in fostering environmentally conscious behavior. I translated these findings into a cohesive body of work, including ceramics, fiber arts, and oil painting, utilizing site-specific materials sourced from the lagoon. By integrating these organic elements, the work aims to showcase the estuary’s natural beauty while highlighting …

Gendered Discourses And Classed Access Routes For Feminist Djs In Irish Subcultural Scenes, Andrea Cleary

Irish Communication Review

This article examines feminist collectives in Ireland’s electronic/dance music (E/DM) and music technology (MT) scenes, focusing on how gender and class intersect to shape access and participation. Drawing on thematic analysis of interviews with five collective members active between 2016 and 2025, it traces paths to participation from "musical homes" to instrument education to university DJ societies. To do this, it examines the overlapping family, cultural and subcultural capitals which shaped their journeys. Finally, this article considers the role of feminist collectives in creating alternative educational spaces and networks for women and gender minority participation in E/DM cultures.

‘It’S The Best Person For The Job’: Gendering Logic And The Hiring Practices Of Music Organisations In Ireland, Yvonne Kiely Dr

Irish Communication Review

Despite calls for reform in the allocation of jobs in music industries, little is known about how music organisations operate internally and the day-to-day realities that male and female workers must navigate. Findings of bullying and harassment in the arts sector by the Irish Theatre Institute prompted the Irish government in 2022 to issue a set of recommendations aimed at reforming the working conditions and gender divisions of labour of arts sector organisations under its remit. These recommendations were made in the absence of academic studies of music organisations in Ireland, and in the absence of centralised data about these …

“This Play Has Become Something That Isn’T For Us”: Working Class Identity, Canonical Inheritance, And The Girlo On Stage In That’S Sooo Povo!, Ciara L. Murphy Dr

Irish Communication Review

That’s Sooo Povo! was first produced in 2025 as part of the Dublin Fringe Festival by D’Girlos Theatre Company. The play follows Chantelle and Croía, two working class Dublin drama students who, when faced with partnering up to perform a scene from Sean O’Casey’s The Plough and the Stars (1926), end up summoning the “drag-drenched larger-than-life entity” Queen Povo (That’s Sooo Povo! | Fringe Festival, 2025). This companion piece firstly aims to examine how O'Casey's The Plough and the Stars has made a journey from subversive class critique to nostalgic institutional property, and what it means for working class women …

Made In Ireland: A Postcolonial Analysis Of Irish Cultural Revival And Its Impact On Ireland’S International Relations, Emma Boyd

Political Science Student Papers and Posters

This thesis examines the impact of how British colonial rule led to the decline of Irish cultural components, such as Gaelic (Gaeilge), and how postcolonial revival efforts have shaped Ireland’s modern identity and its use of soft power in international relations. Drawing on mobilization and postcolonial theories, this paper defines key concepts, mobilization, remobilization, and postcolonial identity, to provide an analytical foundation. The analysis explores how colonial policies eroded Irish culture and language, intensified by the Great Famine, and how the Irish Diaspora serves as a global network for remobilizing Irish identity abroad. The ongoing conflicts in Northern Ireland will …

Identidad Flamenca: Formation Of And Negotiations With The Flamenco Identity, Kayla Lyall

Theatre & Dance ETDs

The core of this dissertation is an inquiry into belonging in flamenco. Expanding beyond the personal, it examines how flamenco identity is constructed through embodiment and practice. Challenging dominant narratives of purity and authenticity, I argue that identity in flamenco emerges through multiple pathways—including inheritance, training, cultural proximity, and artistic inquiry—and is continually reshaped by social, political, and aesthetic forces. Through phenomenology and practice-as-research, I position the body as an archive of knowledge and a site of meaning-making. My creative project, NUDE, serves as an embodied investigation into vulnerability, lineage, and self-definition, demonstrating identity as something enacted rather than …

Grand Valley Magazine, Vol. 25, No. 2, Spring 2026, Grand Valley State University

Grand Valley Magazine

Grand Valley Magazine is a quarterly publication about Grand Valley State University produced by University Communications since 2001.

Challenging Patriarchy: Female Agency Through Religious Roles In Ancient Babylonian Societies, Emily Wilson

2026 Awards for Excellence in Student Research and Creative Activity - Documents & Media

In ancient Babylonian societies, gender roles were shaped by patriarchal structures that prioritized male authority in just about every sector. However, women created spaces for themselves that gave them influence and autonomy, particularly through religious institutions. Temple complexes like the Shamash temple in Sippar and the Esagil temple in Babylon were not only centers of worship but also powerful economic and administrative hubs, and women who served them occupied positions of privilege. The nadītu of Sippar, for example, lived in separate quarters where they were not only expected to remain celibate but were also allowed to own property, lend money, …

I Won't Wait For Another Man, Jason Marecki

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Sedimentary, Patrick Mcnees

Diamond Line Undergraduate Literary Magazine

No abstract provided.

The Lovecats, James Johnson

Diamond Line Undergraduate Literary Magazine

No abstract provided.

A Tiny House Is In My Wine But I Still Feel Obliged To Drink It, Aly Hubbard

Diamond Line Undergraduate Literary Magazine

No abstract provided.

All's Well That Ends Well, Etta Salzman

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Penance, . Anonymous

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Oh Honey, E Trout

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Fawn, Keeli Fleming

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Translation Of Catullus 83., Ella Hendricks

Diamond Line Undergraduate Literary Magazine

No abstract provided.

Wormeater, Levi Hoffman

Diamond Line Undergraduate Literary Magazine

No abstract provided.

A Doctor's Note, Emma Shiltz

Diamond Line Undergraduate Literary Magazine

No abstract provided.