Arts and Humanities Commons^™

The Mysterious Woman, Eno-Emem Okpokpo

be Still

While creating this image, I took these questions into account. What I love most about the process is that all of these questions can be answered by the viewers of this artwork. Based on our own experiences, we can come up with story lines for everything that we see. Therein lies the beauty of art. Its true meaning is left to the creative imagination of whomever appreciates it.

As healthcare professionals, we have to understand that each patient might be our “Mysterious Woman”. We have to appreciate the fact that our patients are emotional beings and not just a collection …

Untitled, Bhavik Upadhyay

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This picture was taken in a local school in Gujarat, India. These happy girls, who shied away from the camera, walk miles every day to attend their school that does not have a roof. This picture represents their commitment to a better future and my commitment to the people of the country of my birth as I continue my training.

Madonna And Child, Janie Packer

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Clay is such an exciting and responsive medium in which to work. Most often I only have a germ of an idea when I begin a project. I begin to build a form and before I know it, a wild dance has begun between me and the clay. It seems to know the steps and where we are headed, so I blithely follow along, taking my cues from a bend or an outcropping in the clay. Maybe it’s starting to look like a weeping woman, or a cat with a crown on its head. I just let the dance go …

Root Of Everything, Christina Mangiaracina

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This piece is entitled Root of Everything. A woman waters the soil like she nurtures her family and inspires our minds. She plants the seeds in our heads so we can explore and see paths blooming from the branch up north all the way to the branch down south. The female form is the nutrient of life.

The Bather, Paula Waziry

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What inspired me to work on the female form was the belief that our minds can create our reality. Most of my life I had suffered from morbid obesity - reaching at one point 288 lbs. Most likely my body weight reached higher numbers, but I refused to step on the scale after observing the dreaded 288! I was suffering from low self esteem, depression, severe low back pain, tendinitis, plantar fasciitis and several other "itis" when I realized that the most powerful tool that I had available was my brain. If I was going to turn my life around, …

Looking From Within, Phillip Berges, Berges Alvarez

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I made this with my father using a lateral chest X-ray superimposed under a quality control film. Together, we drew in the facial features, cut and pasted and enlarged the photographic image to produce this beautiful, strong assertive woman. We thought this image perfectly reflects the power, determination, and mystery contained within her gaze. Together and from within, women show their strength.

Birth Of Venus, Paula Waziry

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What inspired me to work on the female form was the belief that our minds can create our reality. Most of my life I had suffered from morbid obesity - reaching at one point 288 lbs. Most likely my body weight reached higher numbers, but I refused to step on the scale after observing the dreaded 288! I was suffering from low self esteem, depression, severe low back pain, tendinitis, plantar fasciitis and several other "itis" when I realized that the most powerful tool that I had available was my brain. If I was going to turn my life around, …

Sibyl, Paula Waziry

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What inspired me to work on the female form was the belief that our minds can create our reality. Most of my life I had suffered from morbid obesity - reaching at one point 288 lbs. Most likely my body weight reached higher numbers, but I refused to step on the scale after observing the dreaded 288! I was suffering from low self esteem, depression, severe low back pain, tendinitis, plantar fasciitis and several other "itis" when I realized that the most powerful tool that I had available was my brain. If I was going to turn my life around, …

Untitled, Ben Sokoloff

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In the outdated traditional view of women, spiders are associated with certain qualities and attributes. Beauty. Grace. Cunning. Homemakers. Skill with crafts. I tried to imagine these over-generalized features in another form that can be juxtaposed with this antiquated view. And I came up with the spider from the story of Arachne.

Cintya, Seher Chowhan

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This is a painting of a girl names Cintya from Huancayo, Peru. I went to Peru on a medical mission trip with the Foundation for the International Medical Relief of Children in 2012. Cintya was in an orphanage called Rosario that houses victims of sexual abuse. Another girl at the orphanage had gone around the orphanage taking pictures and this painting depicts one on those pictures. I’m not sure what it is about the photo, but I just love the expression on her face and she has a natural, relaxed happiness that can only come from a close friend taking …

Trichina, Krishna Suri

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Classical India provided a unique juxtaposition of art and life. One would readily see monasteries which extolled the values of asceticism and celibacy yet would display female sculptures that exuded sensuality. Such presentations are not hedonistic, but instead present the female form at its most divine and graceful. The tribhanga position was the epitome of this philosophy accentuating the curves and elegance of the sacred female.

Art offers me an avenue to decompress from school life and to use the knowledge I have gained in innovative ways. As a healthcare practitioner, I want to use this passion to develop new …

Cultivation, Erudition, Edification, Ariel Lee

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Cultivation, Erudition, Edification is an exercise of self-portraiture. Few careers are as all encompassing, and all consuming as that as a physician. Becoming a physician is a metamorphosis, it changes who you are and becomes an intrinsic part of who you become. As a medical student, I am measured first by my intellect, and then by my communication skills, social competence and responsibility. In a way, I am somewhat disembodied by my profession. Everyday life comes with a mask on your face, bulky scrubs obscuring your gender and the epochal white coat spilling over with notes, books and instruments. Gender …

To: Womanhood: All The Women Of Our Generations, Barbara Diana Gilbert

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No abstract provided.

Untitled, Sara Hartey

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Her work is inspired by a vision of medical equality and the magic within the intricacies of our bodies.

Every Woman, Jamie Eller

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I gave her a metallic outline to symbolize how women can be strong and resilient and simultaneously shiny and beautiful. Her core is painted the same as her surroundings and the color blue symbolizes fluid and flexibility that reminds us of the strength women possess while constantly adapting throughout their lives.

Volume 1, Issue 1, Be Still

be Still

No abstract provided.

Untitled, Bhavik Upadhyay

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Female First year medical students celebrate Black History month on the osteopathic campus of NSU as the backdrop. Inspired by Leonardo da Vinci’s Last Supper, I wanted to give this picture a strong perspective that would provide a solid foundation to the African American female students who would one day be future doctors of this country. I tried to contrast the man-made pillars on the left that appear to be steady but are temporary while on the right there is nature, often considered a female form, highlighted by branches of the tree; uncertain yet permanent.

Untitled, Bhavik Upadhyay

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This picture was taken on a medical mission trip to India in the winter of 2015. The steep hills of Saputara, Gujarat in the background represent the long and treacherous path to medical school. In the center, first year medical student, Rachel Salveson (pictured) is willing to accept these challenges with commitment reflected by her calm and steady posture.

Mind, Body, And Soul, Aimee Starr

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

A Tender Touch, Anonymous

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Untitled, Alexa Redlich

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Untitled, Joshua Churba

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Untitled, Alexa Redlich

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Beneath The Skin, Aimee Starr

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

I'M Withering Away, Erin Hunter

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

The Uncared For Child, Anonymous

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Emotional Strongholds, Gabby Leveillee

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Doll House, Joshua Churba

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

A Simple Wave, Joshua Churba

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Untitled, Alexa Redlich

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.