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Articles 91 - 120 of 473
Full-Text Articles in Arts and Humanities
Que Vivan Los Estudiantes: Cycles Of Contention And The Chilean Student Movement (1906-Present), Jonah Watt
Que Vivan Los Estudiantes: Cycles Of Contention And The Chilean Student Movement (1906-Present), Jonah Watt
Honors Projects
[No abstract]
Seize The Memes: Community, Personal Expression, And Everyday Feminist Politics Through Instagram Memes, Tessa Westfall
Seize The Memes: Community, Personal Expression, And Everyday Feminist Politics Through Instagram Memes, Tessa Westfall
Honors Projects
No abstract provided.
On The Road To Nowhere: A Reading Of Franz Galich’S Managua, Salsa City (¡Devórame Otra Vez!), Kerri A. Muñoz
On The Road To Nowhere: A Reading Of Franz Galich’S Managua, Salsa City (¡Devórame Otra Vez!), Kerri A. Muñoz
Dissidences
On the Road to Nowhere:
A Reading of Franz Galich’s Managua, Salsa City (¡Devórame otra vez!)
This article examines how Franz Galich, in Managua, Salsa City (¡Devórame otra vez!), narrates the Central American neoliberal experience from the perspective of the underprivileged. I explore how, beginning with the title, the author positions his protagonists in the neoliberal, fragmented moment. From there, Galich proceeds to document a night in the life of the marginalized. Here, Beatriz Cortez’s concept of cinismo is used to understand how the role-playing, that is central to the novel, brings into question arbitrary social barriers. In so …
Pro Patria Mori: Las Alianzas Alegóricas En El Teatro De La Guerra De Los Diez Años En Cuba (1868-1878)., Jorge L. Camacho
Pro Patria Mori: Las Alianzas Alegóricas En El Teatro De La Guerra De Los Diez Años En Cuba (1868-1878)., Jorge L. Camacho
Dissidences
El 10 de octubre de 1868 Carlos Manuel de Céspedes (1819-1874), un hacendado criollo de la provincia de Bayamo, se alzó en contra el gobierno español, y así fue que comenzó la guerra de independencia de Cuba. Esta guerra duró diez años, al final de la cual, los cubanos no pudieron obtener su libertad. En este ensayo me propongo analizar varias obras del teatro independentista que muestran las diversas tensiones que acontecieron en el conflicto bélico. En especial, analizaré las obras escritas por Luis García Pérez, Francisco Víctor y Valdés, y Francisco Javier Balmaseda, en las cuales las mujeres ocupan …
Critical Ethics: Witnessing Otherness In La Última Niebla, Christine Garst-Santos
Critical Ethics: Witnessing Otherness In La Última Niebla, Christine Garst-Santos
Dissidences
La última niebla [The Final Mist] (1935) by María Luisa Bombal presents a female protagonist traumatized by the restrictive gender norms of 1930s Argentina. One would expect that the protagonist’s increasing alienation throughout the novel and her ultimate surrender to an identity that she loathes would generate a compassionate response from readers. However, the text has generated a significant body of notably unsympathetic—and even censorious—criticism from scholars. In an effort to analyze why Bombal’s novel and the protagonist’s performance have been problematic for critics, I turn from literary theory to philosophy. By combining Richard Rorty’s vision of a …
White Southerners Respond To Brown V. Board Of Education: Why Crisis Erupted When Little Rock, Arkansas, Desegregated Central High School, Abby Elizabeth Motycka
White Southerners Respond To Brown V. Board Of Education: Why Crisis Erupted When Little Rock, Arkansas, Desegregated Central High School, Abby Elizabeth Motycka
Honors Projects
What was the impact of Brown v. Board of Education on the United States and how did pro-segregationists in the South respond? In order to answer this question, I argue three key arguments over the course of three chronological chapters. In chapter one, I argue that segregationists from southern states responded to Brown by fighting to preserve segregation in order to protect a racial hierarchy they believed was essential. This racial hierarchy is magnified in the southern capital of Little Rock, Arkansas, which I argue in chapter two exposed segregationists’ political defiance and poor organization around racial integration of public …
This Is What You Want: Stories, Savannah Blake Horton
This Is What You Want: Stories, Savannah Blake Horton
Honors Projects
This is What You Want: Stories is a collection of nine stories exploring the role of humor in dark situations. It is a work of fiction.
The Scars Of War: The Demonic Mother As A Conduit For Expressing Victimization, Collective Guilt, And Forgiveness In Postwar Japanese Film, 1949-1964, Sophia Walker
Honors Projects
Contemporary American viewers are familiar with the vengeful and terrifying ghost women of recent J-Horror films such as Ringu (Nakata Hideo, 1998) and Ju-On (Shimizu Takashi, 2002). Yet in Japanese theater and literature, the threatening ghost woman has a long history, beginning with the neglected Lady Rokujo in Lady Murasaki’s 11th century novel The Tale of Genji, who possesses and kills her rivals. Throughout history, the Japanese ghost mother is hideous and pitiful, worthy of fear as well as sympathy, traits that authors and filmmakers across the centuries have exploited. This project puts together four films that have never before …
Stafford, Katherine O. Narrating War In Peace: The Spanish Civil War In The Transition And Today. New York: Palgrave, 2015., William Viestenz
Stafford, Katherine O. Narrating War In Peace: The Spanish Civil War In The Transition And Today. New York: Palgrave, 2015., William Viestenz
Dissidences
No abstract provided.
Carol Salus. Picasso And Celestina: The Artist’S Vision Of The Procuress. Newark, De: Juan De La Cuesta, 2015. 151 Pp., José Luis Gastañaga
Carol Salus. Picasso And Celestina: The Artist’S Vision Of The Procuress. Newark, De: Juan De La Cuesta, 2015. 151 Pp., José Luis Gastañaga
Dissidences
No abstract provided.
“The Hour Of The Furnaces: Collaborative Cinema’S Fragmentary Form”, Eunha Choi
“The Hour Of The Furnaces: Collaborative Cinema’S Fragmentary Form”, Eunha Choi
Dissidences
Cinematic structure remains constitutively collaborative. While critics like André Bazin have described cinema as mixed or impure, this article advances the concept of cinema as collaborative aesthetics. The conventional understanding of collaboration is that it represents aggregation, namely the gradual growth toward a total and completed whole. After all, collaborative practice generally works toward identifiable goals. Conversely, I argue here that The Hour of the Furnaces shows us how cinematic collaboration also operates by subtractions, unresolved dissonances, unfinished instances, and contradictions rather than syntheses or cohesive totality. Despite the filmmakers’ express intentions, I contend that their political documentary film lacks …
Espacio, Movimiento Y Afecto En Lumpérica Y Vaca Sagrada, De Diamela Eltit, Alberto Lopez Martin
Espacio, Movimiento Y Afecto En Lumpérica Y Vaca Sagrada, De Diamela Eltit, Alberto Lopez Martin
Dissidences
En este trabajo analizo dos de las novelas más significativas de la autora chilena Diamela Eltit, Lumpérica y Vaca sagrada. Presto especial atención a la forma en que la autora plasma en su prosa el uso del cuerpo como significante y la conceptualización del lenguaje como espacio, al tiempo que aporto ejemplos textuales de la noción de zonas de dolor, acuñada por la propia Eltit. Si bien la crítica se ha referido a sus novelas como ficciones elusivas de su cualidad representativa, ningún trabajo hasta la fecha las ha estudiado desde la teoría no-representacional de Nigel Thrift, sumamente relevante …
Figuras De Carlos En Missing (Una Investigación), De Alberto Fuguet: Nuevas Declinaciones De La Novela Latinoamericana, María-José Furió Sancho
Figuras De Carlos En Missing (Una Investigación), De Alberto Fuguet: Nuevas Declinaciones De La Novela Latinoamericana, María-José Furió Sancho
Dissidences
Una exploración de las figuras simbólicas que encarna el personaje Carlos, protagonista de la novela Missing, de Alberto Fuguet: el huérfano, el desaparecido, el abandonado, lo abyecto, el cimarrón blanco, el loser...
En Missing. Una investigación, el escritor y cineasta chileno Alberto Fuguet desarrolla una variación sobre el tema de la búsqueda del progenitor desaparecido. Al principio, dice, se proponía novelar la conflictiva relación con su padre; al encontrar a su tío Carlos encuentra simultáneamente la historia de la relación de éste con su progenitor (el abuelo del novelista), y del mismo con esa otra autoridad suprafamiliar que …
Survey On Italian Studies & Digital Humanities, Crystal Hall
Survey On Italian Studies & Digital Humanities, Crystal Hall
DCS Faculty Publications
A survey distributed in English and Italian to collect information about the intersection of the fields of Italian Studies and Digital Humanities. The goals are to describe the kinds of work being done by scholars in this space of intersection, identify successful professional pathways that combine methods or content from the two fields, and inform next steps for organizations that support this work. Results will be discussed at the Wellesley "State of the Discipline" event on October 1, 2016 and the MLA Roundtable on the topic, January 5, 2017. The survey is provided here in case other fields are interested …
"This People Which I Made": The Character Of King Arthur As A Mechanism Of Unification In Medieval Arthuriana And The Idylls Of The King, Hallie Schaeffer
"This People Which I Made": The Character Of King Arthur As A Mechanism Of Unification In Medieval Arthuriana And The Idylls Of The King, Hallie Schaeffer
Honors Projects
No abstract provided.
"One Never Knew": David Foster Wallace And The Aesthetics Of Consumption, Jesse Ortiz
"One Never Knew": David Foster Wallace And The Aesthetics Of Consumption, Jesse Ortiz
Honors Projects
Increasingly, David Foster Wallace is becoming a cult figure among literary enthusiasts. His novels, essays, and short stories are all known for their poignant critiques of modern culture. Since his 2008 suicide, Wallace’s name has come to represent a way of thinking that rejects – and perhaps transcends – the hegemonic power of late capitalism.
Wallace had a problem with pleasure. His writing often seemed to deflate or deconstruct what many people enjoy. For him, so much was “supposedly fun.” To understand Wallace’s relationship with pleasure, we must see how pleasure incorporates aesthetics and consumption.
Wallace takes issue with the …
Karina Miller. Escrituras Impolíticas. Anti-Representaciones De La Comunidad En Juan Rodolfo Wilcock, Osvaldo Lamborghini Y Virgilio Piñera. Pittsburgh, Pa: Instituto Internacional De Literatura Iberoamericana - Universidad De Pittsburgh, 2015., Pilar Cabrera Fonte
Dissidences
No abstract provided.
Page, Joanna. Creativity And Science In Contemporary Argentine Literature. Between Romanticism And Formalism. Calgary: University Of Calgary Press, 2014., Miguel Rivera-Taupier
Page, Joanna. Creativity And Science In Contemporary Argentine Literature. Between Romanticism And Formalism. Calgary: University Of Calgary Press, 2014., Miguel Rivera-Taupier
Dissidences
No abstract provided.
Luis H. Castañeda. Comunidades Efímeras. Grupos De Vanguardia Y Neovanguardia En La Novela Hispanoamericana Del Siglo Xx. New York: Peter Lang, 2015., Jose Miguel Herbozo
Luis H. Castañeda. Comunidades Efímeras. Grupos De Vanguardia Y Neovanguardia En La Novela Hispanoamericana Del Siglo Xx. New York: Peter Lang, 2015., Jose Miguel Herbozo
Dissidences
No abstract provided.
Saona, Margarita. Memory Matters In Transitional Peru. New York: Palgrave Macmillan, 2014., Stephenie Young
Saona, Margarita. Memory Matters In Transitional Peru. New York: Palgrave Macmillan, 2014., Stephenie Young
Dissidences
No abstract provided.
Price, Brian L., César A. Salgado, And John Pedro Schwartz, Eds. Translatin Joyce: Global Transmissions In Ibero-American Literature. New York: Palgrave Macmillan, 2014., Ana Rodríguez Navas
Price, Brian L., César A. Salgado, And John Pedro Schwartz, Eds. Translatin Joyce: Global Transmissions In Ibero-American Literature. New York: Palgrave Macmillan, 2014., Ana Rodríguez Navas
Dissidences
No abstract provided.
Soler, Abel. El Corsari Jaume De Vilaragut I La Donzella Carmesina. El Cavaller Que Inspirà El “Tirant Lo Blanc.” València: Edicions Alfons El Magnànim (“Estudis Universitaris,” Núm. 133), 2014. 2 Vols., Enric Mallorqui-Ruscalleda
Soler, Abel. El Corsari Jaume De Vilaragut I La Donzella Carmesina. El Cavaller Que Inspirà El “Tirant Lo Blanc.” València: Edicions Alfons El Magnànim (“Estudis Universitaris,” Núm. 133), 2014. 2 Vols., Enric Mallorqui-Ruscalleda
Dissidences
No abstract provided.
Padilla, José Ignacio. El Terreno En Disputa Es El Lenguaje: Ensayos Sobre Poesía Latinoamericana. Madrid: Iberoamericana/Vervuert, 2014. 280 Pp., Javier García Liendo
Padilla, José Ignacio. El Terreno En Disputa Es El Lenguaje: Ensayos Sobre Poesía Latinoamericana. Madrid: Iberoamericana/Vervuert, 2014. 280 Pp., Javier García Liendo
Dissidences
No abstract provided.
Susan Byrne. Law And History In Cervantes’ Don Quixote. Toronto: University Of Toronto Press. 2012., José-Luis Gastañaga
Susan Byrne. Law And History In Cervantes’ Don Quixote. Toronto: University Of Toronto Press. 2012., José-Luis Gastañaga
Dissidences
No abstract provided.
Russek, Dan. Textual Exposures. Photography In Twentieth-Century Spanish American Narrative Fiction. Calgary: University Of Calgary Press, 2015., Luis H. Castañeda
Russek, Dan. Textual Exposures. Photography In Twentieth-Century Spanish American Narrative Fiction. Calgary: University Of Calgary Press, 2015., Luis H. Castañeda
Dissidences
No abstract provided.
Indigenous Trauma In Mainstream Peru In Claudia Llosa’S The Milk Of Sorrow., Rebeca Maseda
Indigenous Trauma In Mainstream Peru In Claudia Llosa’S The Milk Of Sorrow., Rebeca Maseda
Dissidences
Despite winning several international awards and being praised by the critics, the Peruvian film La teta asustada (The Milk of Sorrow, Claudia Llosa, 2008) was deemed racist by some blogospheres and critics. The indigenous peoples have not traditionally controlled their own representations, and thus have been subject to misrepresentations; exoticization, criminalization, infantilization, etc. This paper offers a nuanced multivalent analysis that regards not only images and stereotypes, but also voices, points of view, music and mise-en-scène, in order to argue that The Milk of Sorrow provides an ethnocentric view. Several trauma authors speak of the moral obligation of …
Political Polupragmones: Busybody Athenians, Meddlesome Citizenship, And Epistemic Democracy In Classical Athens, Harry D. Rube
Political Polupragmones: Busybody Athenians, Meddlesome Citizenship, And Epistemic Democracy In Classical Athens, Harry D. Rube
Honors Projects
The figure of the πολυπράγμων, the overactive, over-engaged, or meddlesome democratic citizen, is a literary trope that emerges in Classical Athenian literature in the 5th and 4th centuries B.C. This project seeks to use the πολυπράγμων as an entry point into understanding Athenian attitudes toward citizenship and socially acceptable political behaviors in Athens’ democratic era.
I explore the history and usage of the term πολυπράγμων, and the associated characteristic of πολυπραγμοσύνη (meddlesomeness), and its synonyms and antecedents. I demonstrate that to be labeled πολυπράγμων is a term of social restraint—one is named a πολυπράγμων if they do not …
Memoria Que Tortura: Violencia De Estado, Memoria Y Metaficción En El Vano Ayer (2004) De Isaac Rosa., Enrique Téllez Espiga Dr.
Memoria Que Tortura: Violencia De Estado, Memoria Y Metaficción En El Vano Ayer (2004) De Isaac Rosa., Enrique Téllez Espiga Dr.
Dissidences
Durante los últimos quince años la sociedad española ha experimentado un boom por la memoria de la Guerra Civil y de la dictadura franquista. En este fenómeno, la literatura ha tenido una gran relevancia al abrir el debate sobre este pasado traumático. No obstante, también ha existido una mercantilización que ha tenido consecuencias negativas como la postergación de la violencia de estado a un segundo plano. Este artículo analiza la representación de la tortura en El vano ayer (2004) de Isaac Rosa en relación a las nociones de la representación de la violencia de Jacques Rancière en el ensayo The …
Female Artists And The Spanish Pavilion In The International Exhibition In 1937, Carmen Gaitán Salinas
Female Artists And The Spanish Pavilion In The International Exhibition In 1937, Carmen Gaitán Salinas
Dissidences
This article aims to elucidate why the majority of Spanish female artists did not participate in the Spanish Pavilion of the International Exhibition in 1937. Only two of them took part in this event. However, there were a lot of female artists in that period. In fact, some artists had a promising career, but it seems that they did not dare to be involved in this exhibition in the Spanish Pavilion. In some cases, the no participation of some female artists could have been a simple coincidence, although it should be pointed out that there could be other reasons related …
La Poética Del Pecio De Rafael Sánchez Ferlosio: Una Lectura Desde La Forma Ensayo, Gerard Torres Rabassa
La Poética Del Pecio De Rafael Sánchez Ferlosio: Una Lectura Desde La Forma Ensayo, Gerard Torres Rabassa
Dissidences
El género ensayístico ha sido caracterizado por sus principales teóricos como vehículo de una forma específica de conocimiento basada en el perspectivismo y en la autoconsciencia irónica de sus propias limitaciones epistemológicas. Este artículo interpreta algunos pecios de Rafael Sánchez Ferlosio entablando un diálogo con las aportaciones de teóricos del ensayo como Georg Lukacs, Max Bense, Theodor W. Adorno o Edward Said, sin olvidar el referente fundamental que constituyen los Essais de Montaigne para toda escritura ensayística.
Además, veremos que los libros Vendrán más años malos y nos harán más ciegos (1993) y La hija de la guerra y la …