Arts and Humanities Commons^™

Regarding Chopin: Visual Culture And Musical Genre In 1830s Paris, David Kasunic

David Kasunic

No abstract provided.

Before ‘Heehaw’: American Country Music 101, Jeanne Belfy

Jeanne M. Belfy

Presented in conjunction with the Museum on Main Street exhibition sponsored by the Smithsonion Institution Traveling Exibition Service and the Idaho Humanities Council.

Examining The Profession Through The Lens Of Social Justice: Two Music Educators’ Stories And Their Stark Realizations, Betty Anne Younker, Maud Hickey

Betty Anne Younker

How do issues of equity inform music teaching and learning? What does it mean to teach music through the lens of social justice with social consciousness? The two authors of this paper challenged each other to reflect on these questions and how they pertain, past and present, to their lives as performers, pedagogues, and researchers in various educational settings. In our examination, we explored evidence, if any, of social justice within spaces that typically define school-based music programs and classrooms, and Schools of Music practices.

I'M A Star, Get It': Yoko Ono Subverts Rock Masculinity, Wendy Hsu

Wendy Hsu

No abstract provided.

Guest Viola Recital, The University Of Memphis, Linda Lamar

Linda Kline Lamar

Works by Hindemith, Kodaly, Schumann and Beethoven.

Promises Fulfilled: Neighbour Notes In Some Late Works Of Schubert, Irene Girton

Irene Girton

No abstract provided.

Alakshaya, Doug Lofstrom

Doug Lofstrom

Recorded score commissioned and premiered by Natya Dance Theatre in 2007.

La Interpretacion De La Musica Contemproranea Vista Como Un Sistem Complejo, Marianella Machado

Marianella P. Machado

A partir del siglo XX, la creacion musical se ha enriquecido con una gran diversidad de tecnicas, multiplicidad de medios y facilidad de recursos expresivos.

The Moody Leprechaun (By Trillium), Doug Lofstrom, Mim Eichmann, Ed Hall, Paul Russell

Doug Lofstrom

Music performed by Trillium, released on Little Miracles Music from Downers Grove, Illinois in 2007. Trillium consists of: Mim Eichmann, hammered dulcimer & vocals; Ed Hall, guitar, banjo, background vocals; Doug Lofstrom, bass, keyboard; Paul Russell, fiddle & mandolin.

Composition And Analysis Of Music Using Mathematica, Marianella Machado, Christopher Kulp, Dirk Schlingman

Marianella P. Machado

In this paper we demonstrate how to create and analyze musical compositions using Mathematica. In §1, we begin by demonstrating how to create a musical composition for an orchestra based on the butterfly curve using traditional means. In §2, we then show how a computer generated piece based on any curve can be composed using Mathematica. Finally, in §3, we show how Mathematica can be used to analyze muscial compositions using the methods from nonlinear time series analysis.

The Merry Widow, Pre-Concert Lecture, Michael Porter

Michael Porter

No abstract provided.

Concertino For Trumpet And Orchestra, Doug Lofstrom

Doug Lofstrom

Premiered by the orchestra with Rick Kirgan, soloist, 2007.

Principal Guest Conductor, Mark Mandarano

Mark Mandarano

No abstract provided.

Tenor Soloist: St. Mary's Episcopal Church; Asheville, Nc, Michael Porter

Michael Porter

No abstract provided.

Hounds Of Spring (Geauga Wind Ensemble), Dan Rager

Dan Rager

Review: Alvin Lucier Festival @ Uva, Wendy Hsu

Wendy Hsu

No abstract provided.

Listening Guides, Irene Girton

Irene Girton

No abstract provided.

Music From Around The World (Geauga Wind Ensemble), Dan Rager

Dan Rager