Arts and Humanities Commons^™

"The Blondest Of The Blondes", William Grange Prof. Dr.

Johnny Carson School of Theatre and Film: Faculty Publications and Creative Activity

The German theatre underwent a revolution of shattering magnitude in 1933 when the National Socialists assumed power. The Nazis had an avid interest in theatre as an expression of “the peoples’ will,” even as they viewed the theatre of the Weimar Republic as a Babylon of “hyper-modern, bolshevistic, mollusk-like, and neurasthenic aesthetics.”

Central European Theatres In Transition, Daniel Keyser

Daniel Keyser, Retired

No abstract provided.

The Western States Theatre Review, Volume 3, 1995

The Western States Theatre Review

No abstract provided.

Taylor Theatre 1995-96 Season, Taylor University

Season Announcements

The 1995-96 Taylor Theatre season announcement.

Grupo Ubú: El Edificio De La Identidad En Barriendo Sombras, Cesar Valverde

Scholarship

No abstract provided.

Front Matter

Inscape

No abstract provided.

The Absent One, Adam Blackwell

Inscape

No abstract provided.

Contributors

Inscape

No abstract provided.

Full Issue

Inscape

No abstract provided.

Bazi-Ha-Ye Nameyeshi: Iranian Women's Theatrical Plays, Anthony Shay

Pomona Faculty Publications and Research

Iranian women's comic improvised traditional theatre is a rich and important, but little-known, source of performative and textual material that has been rarely documented or discussed by serious students of folklore and dance, either in Iran or in the West. I argue that this amateur theatrical form performed and created by women for other women is the single most important source representing the multivocality of traditional Iranian women of all classes. Both in content and performance, these theatrical plays or games are a unique form of expression that needs several analytic approaches to elucidate its meaning and place in women's …

No Exit Playbill, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

No Exit by Jean-Paul Sartre

Director, Gwen Gelsinon

Cast: The Valet - Rodrick Cappiello; Joseph Garcin - F. Michael Scafati; Inez Serrano - Nicole Kempskie; Estelle Rigault - Rebecca Kupka

There Will Be Smoking On Stage During This Evening's Performance Of The Odd Couple, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

There Will Be Smoking On Stage During this Evening's Performance of The Odd Couple

Horizons, Volume 18, 1995, Sacred Heart University

Vistas (Horizons)

No abstract provided.

Ua12/2/2 Xposure - Rites Of Passage, Wku Student Affairs

WKU Archives Records

1995 Xposure yearbook.

• Contributors
• Dr. Martin Luther King, Jr. Day, 1996
• Frazier, Andy. My Cup Is the Cup of Life – Coffee
• Hinkebein, Dana. Behind the Curtains – Theatre & Dance
• Thomas, Kim. Rites of Passage – Mark Nethery, Jessica Nethery
• Cunnoe, James. College: Land of the Free & Home of Instant Pasta
• Thomas, Kim. The Search for Truth – Religion, Paul Miller, Native Americans, Clay Coleman, Candi Cabaniss, Atheism
• Meese, Ray. Confirmed in the Faith – Pam Page, Catholicism
• Broadbent, Stephanie. The Stigma Unearned: Virginity in College
• Davis, Amanda. Nontraditional Values – Nontraditional Students
• Spears, Brian. Turn On, Tune …

Eugene O'Neill International Conference 1995: O'Neill's People, Program, Eugene O'Neill Society

Frederick Wilkins Papers (MS 110)

This item is related to a series of Eugene O'Neill Conferences convened at Suffolk University by Suffolk Professor Fred Wilkins and the Eugene O'Neill Society in the 1980s and 1990s.

Eugene O'Neill International Conference 1995: O'Neill's People, Schedule Of Events, Eugene O'Neill Society

Frederick Wilkins Papers (MS 110)

This item is related to a series of Eugene O'Neill Conferences convened at Suffolk University by Suffolk Professor Fred Wilkins and the Eugene O'Neill Society in the 1980s and 1990s.

The Blondest Of The Blondes: National Socialist Paradigms For A New German Theatre, William Grange

William Grange

The National Socialists encountered little resistance in their campaign to demolish the German theatre and to reassemble it along revolutionary lines when they took over the reigns of political control in 1933. They had since 1925 promised to reform German cultural institutions upon assuming power, and high on their list of priorities was the wholesale extirpation of “bastardized mestizoism” in culture with the aid of a state bureaucracy. Their guide in that effort was a cultural theory resembling many other Nazi doctrines, because it was formulated to give the National Socialist German Workers' Party a patina of intellectual legitimacy. Adolf …

Emblem, Iconography, And Drama, Clifford Davidson, John Stroupe, Luis Emblem, Iconography, And Drama

Clifford Davidson

Rpt. of Comparative Drama, 29, No. 1 (Spring 1995).

Idol And Image In Late Medieval Art And Drama, Clifford Davidson

Clifford Davidson

The Marriage Of Tragedy And Comedy In Euripides' Ion, Katerina Zacharia

Katerina Zacharia

No abstract provided.

Grupo Ubú: El Edificio De La Identidad En Barriendo Sombras, Cesar Valverde

Cesar Valverde

No abstract provided.