Arts and Humanities Commons^™

Harvesting Memory, Preserving Home: A Cookbook Of The Painted Turtle Farm/Cosechando Memoria, Preservando El Hogar: Un Libro De Cocina De La Granja De La Tortuga Pintada, Ricardo Aguilar, Juliet Aguilera Gonzalez, Aldair Bacilio, Ashley G. Barreiro, Anna H. Bochenek, Liam P. Carroll, Isabella Clemens, Theodore J. Davis, Harrison Combs, Ana L. Geddes, Gussie W. Goldman, John R. Graham, Emma Groff Groff, Emma Hedgepeth, James P. Krumsiek, Amy N. Marigliano, Jarek D. Mccluff, Kaley M. Michael, Molly A. O'Shea, Tessa G. Panero, Taylor I. Paulin, Janet Rodriguez, Elizabeth A. Rousseau, Hope R. Rutter, Daniel B. Sachenik, William M. Schmidt, Lajuan A. Sydney Jr., Nishat Tasnim, Jayleen N. Velez, Daegan H. Wilcox, Cole H. Wirth, Yihan Wu

Student Publications

About this Project

In the fall of 2018, 14 of the families and 32 students from two first-year seminars, Crossing Borders: Immigration, Identity, and Development and Immigrant Stories, worked together to create this cookbook. Families submitted their favorite dishes and then invited students to their homes to demonstrate the preparation. As they cooked and ate together, students recorded the steps to make the recipe and listened as connections between food, memory, family, migration, traditions, and religion emerged.

Harvesting Memory, Preserving Home: A Cookbook of the Painted Turtle Farm is the product of this undertaking. In it, we offer the …

Death Of The Emissary: Language, Metonymy, And European Complicity In Juan Diego Botto’S “La Carta”, Jeffrey K. Coleman

Spanish Languages and Literatures Research and Publications

Juan Diego Botto’s 2005 monologue “La carta” explores the real-life death of Yaguine Koita and Fodé Tounkara, two Guinean boys who in 1999 died attempting to reach Europe with a letter addressed to European officials. A close reading of Botto’s monologue illustrates how the letter by Yaguine and Fodé functions as an archive that explores and redefines the liminal spaces, and therefore the relationship, between Europe and Africa. The monologue and the letter elucidate the boys’ position as emissaries who seek to reconcile the European continent with its complicity in the state of Africa.