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Food And Memory In Literature: A Folkloric Approach, Pola Schiavone

Dublin Gastronomy Symposium

This paper analyzes food as a memory device in the novel Doña Flor y sus dos maridos by the Brazilian author Jorge Amado. Set in San Salvador du Bahía in northern Brazil, the novel follows Doña Flor after her husband Vadinho dies. Food and drink – considered here as folkloric forms – play a central role not only in her exploration of memories of her husband but also in the broader bahiana society with its mix of different ethnicities (African, indigenous, European). Drawing on Felix Coluccio’s and Dan Ben-Amos notions of folklore and literature and Arjun Appadurai’s exploration of the …

Characterization And The Aesthetic Representation Of Violence In The Graphic Novel "Esperaré Siempre Tu Regreso", By Jordi Peidro, Deirdre Kelly

Books/Book Chapters

The graphic novel, Esperaré siempre tu regreso (2016, Desfiladero Ediciones) by the author and illustrator, Jordi Peidro (Alcoy, 1965), is a biographical and historical text that centres on the life in exile of Francisco Aura Boronat (or Paco Aura, Alcoy, 1918-2018), a Spanish communist and Republican who survived the horrors of the Mauthausen concentration camp in Austria. Drawing on comics studies and memory studies, the analysis will discuss how Peidro navigates ethical and aesthetic issues when representing traumatic and violent memories related to the Spanish experience of Civil War, exile and deportation to a Nazi concentration camp. Firstly, it will …

Bearing Witness: The Representation Of Francesc Boix (1920-1951) In Lea Vélez’S "El Jardín De La Memoria", Deirdre Kelly

Books/Book Chapters

This chapter focuses on the representation of the Catalan photographer, Francesc Boix, who was interned in a Nazi concentration camp, in the generically hybrid grief memoir, El jardín de la memoria, by the contemporary Spanish author, Lea Vélez. This chapter analyses Vélez’s text as a form of affiliative postmemory which revisits the underrepresented legacy of the Spanish concentration camp experience.

Aesth/Ethics Of Distance: (Un)Veiling Grief In Rosa Montero’S La Ridícula Idea De No Volver A Verte, Deirdre Kelly

Books/Book Chapters

This chapter analyses the generically hybrid auto/biographical grief memoir, La ridícula idea de no volver a verte (2013), by the well-known contemporary Spanish author and journalist, Rosa Montero (b. Madrid, 1951), as a singular text within the Spanish tradition of life writing. The book traces a number of parallels between Montero and her biographical subject, the Polish scientist and two-times Nobel prize winner, Marie Curie—particularly regarding their respective grieving processes in widowhood. This chapter contextualises Montero and her text within the Spanish tradition of life writing and discusses Montero’s ethics and aesthetics of distance and how she negotiates with the …

The Construction Of The Memory Of Italy In Argentina Through A Choice Of Translated Essays, Maria Belén Hernández-González

CALL: Irish Journal for Culture, Arts, Literature and Language

As a country of immigrants, Argentina assimilated several languages in its idiolect. The languages spoken by the majority of newcomers were amalgamated with Spanish. In this respect, the birth of Argentina as an independent nation is connected to migration and translation. In fact, in Argentina, exiled or immigrant Spanish and Italian writers earned their living primarily as translators for publishers and journals, and in many cases their work was of outstanding quality. As part of an ongoing research project entitled "Essay, cultural memory and translation in Sur (1931-1970)", this paper reveals a particular interpretation of Italian culture through the translations …

The Choral Intensification Of A Chronotope, Lluís Muntada Vendrell

CALL: Irish Journal for Culture, Arts, Literature and Language

According to an ancient constant, literature can be regarded as a struggle against oblivion, as an attempt to preserve individual and collective memory. On the grounds of the Pragmatics of Literature, we can consider that the processes of (re)construction of the literary memory of rootlessness, exile, persecution and imprisonment reveal two basic types of creative models: the objective description of reality and a plausible fictionality. This paper focuses on the first of these two creative models through the exploration and critical analysis of the book Allez! Allez!, which contains a set of texts by several authors compiled by Professor …

"Dad, Yo Soy Una Chica Americana": Migration, Identity And Language In Eduardo González Viaña's El Corrido De Dante, Fredrik Olsson

CALL: Irish Journal for Culture, Arts, Literature and Language

The focus of this article is the representation of language and identity in Hispanic immigrant literature. It provides a framework for the analysis of linguistic and cultural constructions of migrant identities in literary texts, on the basis of the exploration of the novel El Corrido de Dante, by Eduardo González Viaña. The most significant finding is that González Viaña applies linguistic homogenization in order to stress a common Hispanic identity without effacing cultural, national and ethnic differences, as these are stylistically marked by means of strategic (re)creations of different varieties of Spanish and instances of code-switching between Spanish and English …

Tributo A El Largo Adiós De Raymond Chandler En El Bandido Doblemente Armado De Soledad Puértolas, Paloma Pérez Valdés

Books/Book Chapters

En este artículo se analiza cómo en El bandido doblemente armado de Soledad Puétolas se hace un tributo a El largo adiós de Raymond Chandler.

Marlowe aparecía en El largo adiós como el verdadero protagonista que nos muestra su visión de la realidad más que nunca, permitiéndonos un mayor conocimiento de su interior. Del mismo modo, el narrador de El bandido doblemente armado, consigue una identidad propia al hacer que los encuentros y desencuetros con los otros personajes trasciendan.

El segundo personaje principal en las dos novelas tiene el mismo nombre, Terry Lennox. Si la similitud de los narradores …

La Recuperación Del Sujeto A Través De Los Personajes Femeninos En Tres Novelas Españolas Contemporáneas Escritas Por Mujeres, Paloma Pérez Valdés

Conference Papers

Mi presentación analiza la recuperación del sujeto en tres novelas españolas contemporáneas escritas por mujeres, Queda la noche de Soledad Puértolas, Azul de Rosa Regàs y Nubosidad variable de Carmen Martín Gaite. Debido a las prácticas modernistas en las que se presenta la esencia de un ser cuyos rasgos ya no aparecen como persistentes sino como cambiantes nace el personaje moderno y a continuación la tan cuestionada muerte del sujeto. Desde entonces han sido muchos los intentos de recuperación del sujeto y de alguna manera se han agotado las vías. No obstante, en la literatura contemporánea española se observan nuevas …

Intertextos Y Guiños Del Cine Negro De Hitchcock En Queda La Noche De Soledad Puértolas, Paloma Pérez Valdés

Books/Book Chapters

Intertextos y guiños del cine negro de Hitchcock en Queda la noche

En mi comunicación se analiza la incorporación de elementos de dos clásicos del cine negro, Vértigo y Extraños en un tren, de Alfred Hitchcock, en la novela contemporánea Queda la noche, de Soledad Puértolas. Mediante una serie de guiños al lector, la autora pone a su alcance un código reconocible que le permite ascender al plano de la creación del texto. Consigue de este modo, por un lado, la ruptura con la diferencia jerárquica entre lector y escritor, y por otro, la destrucción de la frontera …

Enhancing Listening And Spoken Skills In Spanish Connected Speech For Anglophones, Elena Paz Vizcaya

Doctoral

Native speech is directed towards native listeners, not designed for comprehension and analysis by language learners. Speed of delivery, or economy of effort, produces a speech signal to which the native listener can assign the correct words. There are no discrete words in the speech signal itself therefore there is often a linguistic barrier in dealing with the local spoken language.
The creation, development and application of the Dynamic Spanish Speech Corpus (DSSC) facilitated an empirically-based appreciation of speaking speed and prosody as obstacles to intelligibility for learners of Spanish. “Duologues”, natural, relaxed dialogues recorded in such a manner that …

No Man's Land: The Hybrid Stance Of The Cinema Of J.A. Bardem, Jesús Urda

Conference Papers

Just at a time when Spanish cinema is getting closer to Hollywood than ever – this year’s Goya winners Celda 211 and Agora illustrate how a Hollywood blockbuster can be made in Europe – revisiting the cinema of J.A. Bardem would certainly remind us that the practise of imitating Hollywood –whether in terms of genre and narrative conventions, the use of specific technical devices and tricks, or even the importance given to the star-system – is not only unique to post-modern European narratives.

In the 1950s, Bardem’ s early films were directly influenced by narratives and themes found in previous …

Baroque Glances At Society: The Appropriation Of Decoupage, The Long Take And Depth Of Field Photography In The Early Films By J.A. Bardem., Jesús Urda

Conference Papers

Bardem is often described as a Spanish Neorealist, as a director who followed closely the cinema of Italian directors like Fellini, Pietro Germi, Visconti and of course the early Antonioni. Except for Cómicos (1954), inspired by the reading of Joseph L. Mankievicz’s All About Eve (1950) all the films he made during the 1950s are inspired by an Italian source: Death of a Cyclist (1955) was inspired by Antonioni’s Cronnica di un Amore/Story of a Love Affair (1951); Calle Mayor (1956), shares similarities in plot and concept with Fellini’s I Vitelloni (1953); La Venganza (1957) with Pietro Germi’s Il Camino …

War Memories, Violence And Social Pathology In Saura’S La Caza, Jesús Urda

Conference Papers

The paper analyses the metaphorical visual and philosophical depiction of Spanish Civil war and its aftermath in Carlos Saura's La Caza.