Arts and Humanities Commons^™

The Eudemonic And Hedonic Impacts Of Attending Live And Virtual Music And Art Events, Philippa Kirwan, Samantha Morris

Articles

This paper examines the under-investigated well-being impacts of arts and music events attendance, in both a live and virtual capacity. Using eudaimonia and hedonia as a measure for well-being, three objectives were investigated; 1) Do live arts and music events meet attendees eudemonic and hedonic needs? 2) Do virtual arts and music events meet attendees eudemonic and hedonic needs? 3) How do live and virtual music and art events compare in meeting attendees eudemonic and hedonic needs? The study focused on attendee’s experiences having attended both live and virtual events. Using nine semi-structured interviews this research found that live music …

“800 Years We Have Been Down”: Rebel Songs And The Retrospective Reach Of The Irish Republican Narrative, Seán Ó Cadhla

Articles

From the glamorous, cross-dressing “Rebel, Rebel” of David Bowie, to the righteous Trenchtown “Soul Rebel” of Bob Marley and The Wailers, both varied and various musical articulations of cultural and socio-political rebellion have long enjoyed a ubiquitous presence across multiple soundscapes. As a musicological delineator in Ireland, however, ‘rebel’ conveys a specifically political dynamic due to its consistent deployment as an all-encompassing descriptor for songs detailing events and personalities from the Irish national struggle. This paper sets out to examine the specific musical delineator of “rebel song” from both musicological and politico-ideological perspectives with a view to interrogating its appropriateness …

Dit/Prog/Lt: Dit Lunchtime Recital Programmes 1977-1999, Sharon Hoefig

Finding Aids

No abstract provided.

Death Of A Local Scene? Music In Dublin In The Digital Age, Caroline O'Sullivan

Books/Book chapters

This chapter reflects on the Dublin indie and dance music scenes from 2000 to 2017 and examines the everyday reality of being a musician or DJ and the pathways to becoming a regular performer in Dublin over that same period. In the climate of declining gig attendance, closing venues and music piracy, I trace the digitally shaped economic reality for musicians in Dublin over the period 2000–2017. I extrapolate how musicians have made money to pay for the expense of sustaining a career as a musician, such as equipment and production costs, and I investigate how they earned money to …

In Process And Practice: The Development Of An Archive Of Explicit Stylistic Data For Irish Traditional Instrumental Music, Martin Tourish

Doctoral

The study of style in Irish traditional music is very much in its infancy. Although current authors locate its beginnings in the 1980s, valuable information can be found from as far back as the eighteenth century. While style is a much-discussed topic, to date it has not been the subject of a major study. Through what is termed ‘the oral tradition’, much of the genre’s stylistic features are transmitted as implicit knowledge. This type of knowledge is difficult to measure, consciously use and share and while these difficulties have been highlighted in one EU-level report, they are also well known …

Woodwind Extension Through The Systematic Use Of Microtonality And Electronic Manipulation Of The Instrument, Seán Mac Erlaine

Conference papers

This research questions how the expressive range of the saxophone / bass clarinet can be extended in new ways by employing both a systematic use of microtonality and electronic manipulation of the instrument.

The use of digital signal processing (DSP) is well advanced among certain music practitioners, most notably electric guitarists, extending that instrument’s expressive powers considerably. Woodwind instrumentalists have a huge unexplored potential to engage with new technologies, furthering the range, polyphonic voicings, loops, reverbs and general signal manipulation.

The marraige of these two disciplines with conventional woodwind practice greatly deepens the expressive range of the instrument while offering …

Harmonically Combined Contour Icons For Concurrent Auditory Display, Charlie Cullen, Eugene Coyle

Conference papers

This paper considers the harmonic combination of basic melodic shapes known as contour icons in concurrent auditory displays. Existing work in the field (such as that concerning earcons) has considered the combination of patterns designed using low level cognitive features, and so effective streaming is difficult. This work investigates means by which musical patterns with high level cognitive features (such as contour) representing data values can be rendered concurrently, so that multiple data sets can be effectively conveyed using an auditory display. The detection and comprehension of harmonically combined contour icons was tested in comparison to those combined uniquely (non …

Musical Pattern Design Using Contour Icons, Charlie Cullen, Eugene Coyle

Conference papers

This paper considers the use of Contour Icons in the design and implementation of musical patterns, for the purposes of detection and recognition. Research work had endeavoured to deliver musical patterns that were both distinct and memorable, and to this end a set of basic melodic shapes were introduced using a Sonification application called TrioSon that had been designed for the purpose. Existing work in the field (such as that concerning Earcon design) has considered the mechanisms by which patterns may be made distinctive, but it is argued that separate consideration must be given to the method of making such …

Information Delivery On Mobile Devices Using Contour Icon Sonification, Charlie Cullen, Eugene Coyle

Conference papers

This paper examines the use of musical patterns to convey information, specifically in the context of mobile devices. Existing mechanisms (such as the popularity of the Morse code SMS alert) suggest that the use of musical patterns on mobile devices can be a very efficient and powerful method of data delivery. Unique musical patterns based on templates known as Contour Icons are used to represent specific data variables, with the output rendering of these patterns being referred to as a Sonification of that data. Contour Icon patterns mimic basic shapes and structures, thus providing listeners with a means of categorising …

Trioson: A Graphical User Interface For Pattern Sonification, Charlie Cullen, Eugene Coyle

Conference papers

The TrioSon software allows users to map musical patterns to input data variables via a graphical user interface (GUI). The application is a Java routine designed to take input files of standard Comma Separated Values (CSV) format and output Standard Midi Files (SMF) using the internal Java Sound API. TrioSon renders output Sonifications from input data files for up to 3 user-defined parameters, allocated as bass, chord and melody instruments for the purposes of arrangement. In this manner each parameter concerned is distinguished by its individual instrumental timbre, with the option of rendering any combination of 1 to 3 parameters …

Information Delivery On Mobile Devices Using Boolean Sonification Patterns, Charlie Cullen, Eugene Coyle

Conference papers

Sonification is the means by which non-speech audio can be used to convey information. Existing work has produced methods for delivering information in a wide range of fields, and recent work has considered the huge potential of mobile devices for Sonification. Boolean Sonification is a method of defining two related musical patterns as boolean conditions (true/false, yes/no etc.), such that one is considered contrary to the other by the listener. The final pattern set ideally comprises of two musical events that are closely enough related as to be considered a group, yet distinct enough to be perceived as separate entities. …

Analysis Of Data Sets Using Trio Sonification, Charlie Cullen, Eugene Coyle

Conference papers

Recent advances in technology have suggested that sound and audio play a far greater part in our daily working lives than ever before. Mobile phone ring tones are now based upon polyphonic music sequences that allow relatively complex audio to be generated from a handset by way of conveying information (i.e. a call or message is incoming). This real world example of sonification suggests that far more could be made of sonification techniques for analysis- particularly in the business environment. One advantage of sonification is its relatively hands free nature in that once a sequence is being played it does …

Orchestration Within The Sonification Of Basic Data Sets, Charlie Cullen, Eugene Coyle

Conference papers

The use of sonification as a means of representing and analysing data has become a growing field of research in recent years and as such has become a far more accepted means of working with data. Existing work carried out as part of this research has focused primarily on the sonification of DNA/RNA sequences and their subsequent protein structures for the purposes of analysis. This sonification work raised many questions as regards the need for sequences to be set to music in a standard manner so that different strands could be analysed by comparison, and hence the orchestration and instrumentation …

Music Copyright Via The Internet, Damian O'Regan

Masters

This thesis will ask if it is possible to use the Internet as a means of copyrighting music. At present, the Internet is not used for the copyrighting of music and furthermore no studies have been carried out to see if this is feasible. Digital technology is used in the composition, recording, playing and downloading and storage of music and the author will research if and how these existing technologies can work in conjunction with the Internet to create a music copyright system. This thesis will research existing copyright requirements, the current technologies used in music that have potential copyright …

Rhythmic Parsing Of Sonified Dna And Rna Sequences, Charlie Cullen, Eugene Coyle

Conference papers

Sonification allows existing mathematical data to be used as the model for audio output, notably that the audio produced is related to or representative of that data in some way. Existing work in the field has been largely focused on the aesthetic tailoring of the output audio for compositional benefit rather than as a framework for audio representation and analysis. It is the goal of this research to apply existing techniques for pitch substitution to an analytical method that seeks to define and represent patterns within existing data sets (primarily DNA and RNA sequences). It is often the case that …