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Music Performance

1972

Articles 151 - 158 of 158

Full-Text Articles in Arts and Humanities

Ua37/39 Guidelines For Audition & Tour Application, David Livingston, United Service Organizations Jan 1972

Ua37/39 Guidelines For Audition & Tour Application, David Livingston, United Service Organizations

Faculty/Staff Personal Papers

USO information brochure used by David "Doc" Livingston in preparing for tours with the Gemini jazz bands.

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School Of Music Recital Programs From 1972-1973, Wright State University School Of Music Jan 1972

School Of Music Recital Programs From 1972-1973, Wright State University School Of Music

School of Music Printed Programs

This is a collection of programs from a variety concerts, recitals, and other performances previously held at Wright State University during the 1972 to 1973 school year.

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Stabat Mater : Opus 7, J. Timothy Kolosick Jan 1972

Stabat Mater : Opus 7, J. Timothy Kolosick

University of the Pacific Theses and Dissertations

No abstract provided.

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Department Of Music Programs 1971 - 1972, Department Of Music Jan 1972

Department Of Music Programs 1971 - 1972, Department Of Music

School of Music: Performance Programs

Includes the program music flyers for the year 1971 - 1972.

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Beethoven Mini-Festival, 1972, Illinois State University School Of Music Jan 1972

Beethoven Mini-Festival, 1972, Illinois State University School Of Music

School of Music Programs

In Conjunction with Professor Tong-Il Han's Summer Session Seminar
1972

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Romanzen Aus Magelone: Characteristics Of Style, Benjamin Fredrick Hammack Jan 1972

Romanzen Aus Magelone: Characteristics Of Style, Benjamin Fredrick Hammack

All Master's Theses

Brahms' Romanzen aus Magelone serves as an excellent model for the German lied. Although other musical elements are important, Brahms never sacrifices his melodic lines, which progress diatonically in a wide range. Complex rhythms, with such devices as hemiola and holding over the measure line, are frequent. Although some songs are ternary or strophic, a free-sectional form is generally employed. The textures vary; one song may be both homophonic and polyphonic. A complex piano accompaniment always enhances the text and requires an accomplished pianist.

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The Structure Of Paul Creston's Narrative No. 2, Op. 79 No. 2 For Piano, Myrna Evelyn Johnson Jan 1972

The Structure Of Paul Creston's Narrative No. 2, Op. 79 No. 2 For Piano, Myrna Evelyn Johnson

All Master's Theses

This paper presents an analytical discussion of the structure of Paul Creston's Narrative No. 2. An explanation of Mr. Creston's approach to composition is followed by a general description of the free-sectional form. Next, each section is investigated separately according to its rhythm, harmony, and melody. However, at the same time relationships between the sections are mentioned also. Some characteristics of Mr. Creston's style which are revealed in this study are his use of various rhythmic structures, pantonality, the lydian mode, and tangential variation.

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Ua3/9/4 Scrapbook Iii, Wku President's Office - Downing Jan 1972

Ua3/9/4 Scrapbook Iii, Wku President's Office - Downing

WKU Archives Records

Scrapbook regarding WKU administration, history, faculty, staff and students for period August 1971 through August 1972 compiled by the president's office.

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