Arts and Humanities Commons^™

Effect Of Selective Memory And Use Of Triangulation To Critique Songwriting, Maxwell A. Ramsey

Recital Papers

The cowriting of three successful popular songs is reconstructed through blind interviews with each of the contributors. In addition to insights into the actual compositional aspects, the interview questions were designed to reveal what role music industry executives may have played in arranging, inspiring, or promoting the songs throughout their journey to find success. The process of triangulation was applied to the interview answers in accordance with previous successful qualitative research methods to uncover the decisions and techniques that proved pivotal in best serving the respective song idea. The ultimate success of the songs is examined through chart and sales …

The Roles Of Academic Libraries In Shaping Music Publishing In The Digital Age, Kimmy Szeto

Publications and Research

Libraries are positioned at the nexus of creative production, music publishing, performance, and research. The academic library community has the potential to play an influential leadership role in shaping the music publishing life cycle, making scores more readily discoverable and accessible, and establishing itself as a force that empowers a wide range of creativity and scholarship. Yet the music publishing industry has been slow to capitalize on the digital market, and academic libraries have been slow to integrate electronic music scores into their collections. In this paper, I will discuss the historical, technical, and human factors that have contributed to …

Keeping Score, Digitally, Kimmy Szeto

Publications and Research

How does a music score behave in the cloud? As music software moves to the cloud, the integrated interface for editing, engraving, and instantaneous publishing sparks innovative music practices. Artists can now create new works not only using notation and instruments, but also by way of physical gestures, movements, and live coding. The result brings audio, video, lighting, and visual design into a single artistic product. While traditional music making will continue to demand traditional scores, multimodal and multimedia integration will ultimately be reflected in its documentation, which will undoubtedly test our understanding of a “score,” and what roles libraries …

Ruling The Market: How Venice Dominated The Early Music Printing World, Elizabeth M. Poore

Musical Offerings

This paper attempts to prove that Venice was the main geographical center of music printing and publishing from the 1300s to the late 1500s using several economic, legal, and cultural factors. The primary research method was examining secondary sources on music printing, publishing, and European and Venetian history.

From the 1300s to the late 1500s, Venetian commercial trade and activity, including book publishing, reached unheard of levels. Venice held a powerful position in the European economy and its merchants were able to leverage this to great advantage when the new technology of printing became available. The specialized business of music …

Psappha By Iannis Xenakis: Developing Multiple Percussion Literacy, Owen Phillip Rockwell

Dissertations

Psappha by Iannis Xenakis was written for a solo percussionist in 1975, and since then has been performed almost exclusively by elite musicians. The work suffers from broad neglect by students and professionals alike, because the structure and notation are difficult to access. Through Psappha, Xenakis created an alternative approach to serialist and chance compositional techniques that enabled him to communicate what he believed was rhythm in its purest form. The notation is unconventional and challenges the performer to approach Psappha in a similar manner. The main thrust of this project was to re-imagine the work in a more …

Ruling The Market: How Venice Dominated The Early Music Printing World, Elizabeth M. Poore

Music and Worship Student Presentations

This presentation attempts to prove that Venice was the main geographical center of music printing and publishing from the 1300s to the late 1500s using several economic, legal, and cultural factors. The primary research method was examining secondary sources on music printing, publishing, and European and Venetian history.

From the 1300s to the late 1500s, Venetian commercial trade and activity, including book publishing, reached unheard of levels. Venice held a powerful position in the European economy and its merchants were able to leverage this to great advantage when the new technology of printing became available. The specialized business of music …

Ruling The Market: How Venice Dominated The Early Music Printing World, Elizabeth M. Poore

The Research and Scholarship Symposium (2013-2019)

This presentation attempts to prove that Venice was the main geographical center of music printing and publishing from the 1300s to the late 1500s using several economic, legal, and cultural factors. The primary research method was examining secondary sources on music printing, publishing, and European and Venetian history.

From the 1300s to the late 1500s, Venetian commercial trade and activity, including book publishing, reached unheard of levels. Venice held a powerful position in the European economy and its merchants were able to leverage this to great advantage when the new technology of printing became available. The specialized business of music …

Harmon, Arlis Odell, 1905-1992 (Mss 153), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Collection 153. Poems, 1934-1991, obituaries, 1964-1990, written by Arlis Odell Harmon, a gospel song writer and enthusiast, of Allen County, Kentucky. Includes correspondence about gospel music, genealogical data, photos, etc.

Stravinsky's Serial "Mistakes", Joseph N. Straus

Publications and Research

In 1952, after the completion of The Rake's Progress, Stravinsky embarked on a remarkable voyage of compositional discovery. His late works differ from his earlier ones in striking and profound ways. During the final two decades of his life, every major work was almost shockingly new, right down to original, and ever-changing, principles of structural formation. The works in this period describe a succession of compositional firsts, including his first works to use a series (Cantata [1952], Septet [ 1953], Three Songs from William Shakespeare [1954]); his first fully serial work (In Memoriam Dylan Thomas [1954]); his …

Volume 07, Number 03 (March 1889), Theodore Presser

The Etude Magazine: 1883-1957

Leading Thoughts

Shall We Have Sentiment?

Crabbed Criticisms from the Old World

Some Requisites of True Teaching of Piano Playing

Contemporary Pianoforte Compositions

German and American Students Contrasted

Quicksilver Music Pupils

Sentimental Pianists

Cultivation of Musical Memory

On the Ring Finger Questions

Volume 07, Number 01 (January 1889), Theodore Presser

The Etude Magazine: 1883-1957

One-Sided Piano Teachers

Oliver Ditson

In the Teacher's Studio

Pernicious Sentiment

Tempo Rubato

Technicon in England

About Studying Music

Is the Piano a Doomed Instrument?

Current Phases of Piano Teaching

Purity of Tone in Piano Playing

Thought and Emotion in Piano Playing

Surgery for Pianoforte Players