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Full-Text Articles in Arts and Humanities
Creative Technologies: A Conversation With Roy Magnuson, Roy Magnuson, Maureen Russell
Creative Technologies: A Conversation With Roy Magnuson, Roy Magnuson, Maureen Russell
Faculty Publications - Music
[In lieu of an abstract, the introduction is provided.] Today I am speaking with Roy Magnuson, Associate Professor Creative Technologies in the School of Music at Illinois State University (ISU). (see Figure 1) His music has been performed throughout the United States and Europe at venues such as the World Saxophone Congress, WASBE, CBDNA, the RED NOTE New Music Festival, and the Robb Composers’ Symposium. Magnuson is also the creator of the virtual reality composition software solsticeVR and the conducting software RibbonsVR. He is a member of ASCAP, and his music is recorded on Albany Records and NAXOS.
Music As A Tool For Ecstatic Space Design, Pranav Amin
Music As A Tool For Ecstatic Space Design, Pranav Amin
Masters Theses
Music and architecture share a sacred bond across cultures. Their histories intertwine and together, they shape ritualistic, religious, and popular practices. As one of the few remaining avenues of universal transcendental experiences that have been so integral to humans, music’s ability to create ecstatic spaces is ever more necessary for the modern human. This thesis uses spatial, artificial intelligence, visual, and aural tools—while engaging in a dialogue between rationalist architecture and shamanic conceptions of spaces—to create an ecstatic space that seeks to reimagine the union of music and architecture. It reveals new ways in which this union can be experienced …
Music For Self-Attention, Jeffrey A T Lupker
Music For Self-Attention, Jeffrey A T Lupker
Electronic Thesis and Dissertation Repository
Creating an artificial intelligence aid for music composers requires a practical and modular approach that allows the composer to manipulate the technology as needed in the search for new sounds and ideas. Many existing approaches fail to capture the interest of composers as they are limited beyond their demonstrative purposes or allow minimal interaction with the composer. Score-Transformer (ST) demonstrates a practical integration of artificial intelligence to aid in the creation of new music by working seamlessly alongside any popular notation software. Furthermore, ST can be trained by the user with additional works (including their own compositions), fine-tuning it and …
Pauline Oliveros And The Quest For Musical Utopia, Hannah Christina Mclaughlin
Pauline Oliveros And The Quest For Musical Utopia, Hannah Christina Mclaughlin
Theses and Dissertations
This thesis discusses music's role in utopian community-building by using a case study of a specific composer, Pauline Oliveros, who believed her work could provide a positive "pathway to the future" resembling other utopian visions. The questions of utopian intent, potential, and method are explored through an analysis of Oliveros's untraditional scores, as well as an exploration of Oliveros's writings and secondary accounts from members of the Deep Listening community. This document explores Oliveros's utopian beliefs and practices and outlines important aspects of her utopian vision as they relate to three major utopian models: the traditional "end-state" model, the anarchical …
Rnn-Based Generation Of Polyphonic Music And Jazz Improvisation, Andrew Hannum
Rnn-Based Generation Of Polyphonic Music And Jazz Improvisation, Andrew Hannum
Electronic Theses and Dissertations
This paper presents techniques developed for algorithmic composition of both polyphonic music, and of simulated jazz improvisation, using multiple novel data sources and the character-based recurrent neural network architecture char-rnn. In addition, techniques and tooling are presented aimed at using the results of the algorithmic composition to create exercises for musical pedagogy.
On Improvised Music, Computational Creativity And Human-Becoming, Arto Artinian, Adam James Wilson
On Improvised Music, Computational Creativity And Human-Becoming, Arto Artinian, Adam James Wilson
Publications and Research
Music improvisation is an act of human-becoming: of self-expression—an articulation of histories and memories that have molded its participants—and of exploration—a search for unimagined structures that break with the stale norms of majoritarian culture. Given that the former objective may inhibit the latter, we propose an integration of human musical improvisers and deliberately flawed creative software agents that are designed to catalyze the development of human-ratified minoritarian musical structures.
Interactive Computer Music For Double Bass, Jeremy C. Baguyos
Interactive Computer Music For Double Bass, Jeremy C. Baguyos
Music Faculty Publications
The rise of the academy as patron of art music, the philosophical underpinnings of "futurists" like Russolo and Busoni, the increasing power and cost-effectiveness of computer-based systems and the new compositional directions of the Post World War II avant-garde have all contributed to establishing the genre of electroacoustic music in the United States. Composers have increasingly turned to electronics for new source material and as a result, there is an entirely new repertoire that was generated to take advantage of the emerging technologies and aesthetics. For the double bass, this new repertoire included compositions like Jacob Druckman's Synapse/Valentine (1969), Charles …