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Full-Text Articles in Arts and Humanities
Senior Recital: Miriam Albin, Viola, Department Of Music, University Of Richmond
Senior Recital: Miriam Albin, Viola, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Student Recital: Nicole N. Richardson, Clarinet, Department Of Music, University Of Richmond
Student Recital: Nicole N. Richardson, Clarinet, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Currents: Haiku Music, Department Of Music, University Of Richmond
Currents: Haiku Music, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Student Recital: John Jorgensen, Cello, Department Of Music, University Of Richmond
Student Recital: John Jorgensen, Cello, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Student Recital: Mark Graves, Bass, And Blake Rainie, Soprano, Department Of Music, University Of Richmond
Student Recital: Mark Graves, Bass, And Blake Rainie, Soprano, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Hope Armstrong Erb, Piano, And Rebecca Carrington, Cello, Department Of Music, University Of Richmond
Hope Armstrong Erb, Piano, And Rebecca Carrington, Cello, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Senior Recital: Denise Roberts, Piano, Department Of Music, University Of Richmond
Senior Recital: Denise Roberts, Piano, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Junior Recital: Stephen Ahearn, Clarinets, And Kristen Alexander, Soprano, Department Of Music, University Of Richmond
Junior Recital: Stephen Ahearn, Clarinets, And Kristen Alexander, Soprano, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
James River Brass, Department Of Music, University Of Richmond
James River Brass, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Music Of The Renaissance, Department Of Music, University Of Richmond
Music Of The Renaissance, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Paul Hanson, Piano, Department Of Music, University Of Richmond
Paul Hanson, Piano, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
James Wilson And Joanne Kong, Department Of Music, University Of Richmond
James Wilson And Joanne Kong, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Richard Becker, Piano, Department Of Music, University Of Richmond
Richard Becker, Piano, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Kristi Reynolds, Piano, Department Of Music, University Of Richmond
Kristi Reynolds, Piano, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Jennifer Cable, Soprano, Jeffrey Riehl, Tenor, Joanne Kong, Harpsichord And Piano, And Ulysees Kirksey, Baroque Cello, Department Of Music, University Of Richmond
Jennifer Cable, Soprano, Jeffrey Riehl, Tenor, Joanne Kong, Harpsichord And Piano, And Ulysees Kirksey, Baroque Cello, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
A Fragment From Act Ii Of Giacomo Puccini's La Boheme, Linda B. Fairtile
A Fragment From Act Ii Of Giacomo Puccini's La Boheme, Linda B. Fairtile
University Libraries Faculty and Staff Publications
This manuscript transmits ten measures from the so-called "Sextet" in the opera's second act, corresponding to pages 207 (measure 2) through 210 (measure 1) of the current published orchestral score. The passage forms part of the middle section of a tripartite structure that begins and ends with the renowned "Musetta's Waltz" ("Quando m'en vo"). At this point in the plot, the inhabitants of Paris's Latin Quarter, gathering to celebrate Christmas Eve at the Cafe Momus, witness the spectacle of Musetta's successful attempt to win back her lover. The section as a whole presented a problem for Puccini's librettists, who had …
On The Jazz Musician's Love/Hate Relationship With The Audience, Bertram D. Ashe
On The Jazz Musician's Love/Hate Relationship With The Audience, Bertram D. Ashe
English Faculty Publications
An assistant professor of English at the College of the Holy Cross, Bertram D. Ashe discusses how the intersection of an African American cool style with a black vernacular tradition and multi-racial audiences complicates audience-performer relations. In the vernacular tradition, performers play not "to" but "with" an audience, drawing on the call-response patterns that characterize the black aesthetic. Ashe notes that the vernacular tradition is not racial but cultural, and class can be as important a marker as race in determining audience expectations. Differing cultural backgrounds create, in Ashe's words, "competing realities," distinct sets of expectations that can shape a …