Arts and Humanities Commons^™

Why Art And Design Matters, Leah J. Berkowitz

WWU Honors College Senior Projects

This capstone is an exploration of the history and development of art and design within China, from the beginnings of drawing and printing from over 2500 years ago, all the way to the Tiananmen Square Protests of 1989 and the current day Covid-19 lockdown protests. We look at how art and design both shaped society and was itself shaped during these pivotal moments in Chinese history. Through this research we can begin to understand the power and influence of art and design worldwide, and the incredible importance of nationwide art funding and education within our own society.

Worcester Public Art For Esl Students, Eleanor Rueffer

Visual and Performing Arts

Funded by the Steinbrecher Fellowship, "Worcester Public Art for ESL Students" are original teaching materials (a 28-page booklet and worksheets) that utilize simple English to introduce some of Worcester's iconic public artworks. While the intended audience is English learners, the focus is on the content and is encouraged for use by anyone looking to enjoy and learn about Worcester history and art.

The booklet includes descriptions and histories of six Worcester artworks (Burnside Fountain, Soldiers' Monument, Major Taylor Statue, Mechanics Hall Mural, Rogers-Kennedy Memorial, and Chamberlain Fountain) with technical terms or difficult words bolded and explained in a glossary.

Eleanor …

History Of Fashion Installations As Art Exhibitions And Their Impact On The Public’S Perspective On Culture And Community, Arabella Riley

MA Theses

The current study targeted the problem of the relationship among the notions of fashion, art, and culture. The study aimed to determine the potential role of fashion brands and artists in the transformation of modern culture. Additionally, the study sought to analyze the forms of collaboration between fashion and arts, and their commercial and conceptual value. As to the research methods, qualitative secondary data review using thematic analysis methodology was utilized. The research findings included the recognition of the significant role of modern fashion and arts in the transformation of the public culture. Furthermore, it was revealed that different formats …

"The Christ Chosen Emperor": Representation Of Emperors As Divine Figures In Byzantine Art, Aly Hutchinson

BYZANTIUM: Trade, Treasure, Tradition

The concept of power has been evident throughout Byzantine culture, whether in its aristocratic and bureaucratic politics, textiles, architecture, or minted coinage. Consequently, the arts were frequently utilized to represent imperial and religious power with various renderings of symbols, colors, and icons. In addition, images portrayed significant visual and spiritual value as the viewers looked to them for knowledge, guidance, and prayer. The ruling emperors were held in high regard, and imperial families were dominant over Byzantine society. The emperor was created in God's image, given the responsibility to rule on earth and carry out the ten commandments. This essay …

The Face Of Power: A Chronological Comparison Of Byzantine Coinage, Emma Duffin

BYZANTIUM: Trade, Treasure, Tradition

Coinage was an effective tool for representing imperial power in the Byzantine Empire. This short essay focuses on the evolution of power representation in coinage and argues that Byzantine emperors displayed power by employing classical Roman elements in their coinage. This argument is communicated through a chronological comparison of five coins ranging in date from 288 to 1425 C.E. These coins are a small example of the transition from imperial iconography to Christian iconography in which we see how classical forms are preserved even among a drastic change in style and narrative.

The Vienna Genesis And The Evolution Of Christian Book Illumination, Samantha Castro

BYZANTIUM: Trade, Treasure, Tradition

In this essay, I argue that the Vienna Genesis influenced future Christian manuscripts by pushing the idea that higher status and holiness were linked. The Vienna Genesis' expensive creation and classically-influenced illustrations, which were seen by some as conspicuous, would be imitated by the Paris Psalter, only differentiating in the subject matter. The Melisende Psalter would take a turn in its style, mimicking Byzantine icons rather than classical works, but it continued the high-cost production and ruler-appealing narrative of King David. And unlike the other two, the Melisende Psalter cements the initial bias, with signs hinting at possible royal/imperial ownership.

Utility, Liturgy, And Luxury, Olivia Brock

BYZANTIUM: Trade, Treasure, Tradition

The material legacy of medieval Byzantium is one of intricate luxury objects made of precious materials. As was evident in many cultures and periods, including the Byzantine, high-quality luxury materials were used to promote the status of individuals and institutions. The Attarouthi Treasure out of the Church of St. Stephen in Syria presents an excellent case study of luxury liturgical objects used to promote the social status of the church, as well as imbed the church in a series of complex social networks that both enhanced and retracted from the church’s social role. These objects were also physically dynamic as …

Case Study Of Byzantium, Shelby Johnson

BYZANTIUM: Trade, Treasure, Tradition

The Byzantine Empire (395-1453 CE) was a large cultural center that included a meshing of different societies in terms of trade. Located along the Mediterranean Sea, the empire had a monopoly of sea trade, leading to their multiple years of success under many different ruling emperors. Many different countries brought with them pieces of their culture and textile materials to the Byzantine Empire.

Around 500 A.D. China was known for their silk making textiles, holding the secret of their creation for many years until a group of traveling monks in Europe were able to smuggle out silkworm eggs from China, …

The Constantine And Zoe Mosaic, Lilly Jones

BYZANTIUM: Trade, Treasure, Tradition

In this case study I will go over the history behind the Constantine and Zoe mosaic in the Hagia Sophia, why it was hidden for so long, and the multiple theories behind its alterations. I will also cover the history of Zoe and her many husbands and why altering the mosaic would have been necessary to show history and they wanted it to be remembered. There is not the same record of events in Byzantium like we have today, history was written by the powerful and important to write to narrative they wanted. Because of the clues left behind we …

Un Modernisme Méditerranéen? Usages Du Voyage De Klee En Tunisie, Dominique Jarrassé

Artl@s Bulletin

Parler de « modernisme méditerranéen » ne serait-il pas déguiser d’oripeaux bien-pensants le maintien de l’hégémonie dogmatique occidentale, donc « nordique » ? Le Sud revendique un rôle dans l’émergence de la modernité à travers le mythe de l’artiste qui y connaît une révélation, de la couleur ou du primitif. Le voyage de Klee en Tunisie en 1914, contrairement à celui de Kandinsky et Munter dix ans plus tôt, a donné lieu à une mythification (Klee n’y est pas étranger). Son récent centenaire à Tunis le montre : on a même parlé de kleeification. Il ne s’agit pas ici …

Painting Outside Of The Lines: How Race Assignment Can Be Rethought Through Art, Giovanni Mella-Velazquez

Gettysburg Social Sciences Review

For centuries art has been used to make us think about our own human experiences. Unfortunately, works usually reflect the era which they were painted in; this has led to various artists showing, maintaining, and therefore reinforcing racist thoughts in our cultures. Art can be used to create a new narrative for our race assignments and their meanings. The idea of loving one's roots has been prevalent in many cultures, but in art form a disconnect between history and the everyday experience can arise which could miss the mark in helping us redefine our own race. Therefore, artwork which empowers …

2+2=Cake: A Book Of Conversations About Possibilities In Business And Art, Elizabeth Ann Alspach

Graduate Theses and Dissertations

2+2=CAKE is a toolkit for people interested in creating their own economic container to support their livelihood. Calling upon the entrepreneurial experience of artists and creatives who founded or run organizations, the book and accompanying workbook and motivational posters serve as an incubator, buoy, and affirming resource for those looking to build the economic container in which they make their livelihood.

The Understanding Of The Other In Orientalist And Primitivst Art, Jasmine Groves, Jasmine A. Groves

Honors College Theses

In 1978, Edward Said published Orientalism, a seminal book that shed light on one of the “leftovers” of European colonialism. In it, he describes the West’s attempts to exotify and romanticize the non-Western world. While the Near East, the Far East, and East/Southeast Asia are geographic terms that correspond to specific countries and cultures, the “Orient” is a Euro-American fantasy that only exists to contradict the West. The term is intentionally vague in order to satisfy any and all exotic desires that a consumer may have.

A great deal of European and American artists found inspiration in the exotic …

In-Between Spaces, Trinity Kai

Graduate Theses and Dissertations

In-between Spaces is a paper based in personal narrative that uses Critical Race Theory and art to analyze the history of photography and systems of discrimination facilitated by hegemonic culture. Body is at the center as a symbol of the physical and psychological impacts systemic inequalities have on people that are classified as other and how one can be absent and present in institutional and public spaces.

Optimistic And A Little Flawed, Christian Schultz

Graduate Theses and Dissertations

The accompanying exhibition to this paper, Optimistic and Flawed is a body of drawings and objects that explores the liminal space between playful and intended actions. Inspired by the landscape of the yard and the actions that take place within, the goalless play of a child and the laborious maintenance of an adult. The value of play exists within labor and labor exists within play. The drawings observe this through the theoretical framework of telic and paratelic motivational states as they relate to drawing. Abstracted yards and landscapes provide a space for the labor of the hand. A history of …

Art And Aids: Viral Strategies For Visibility, Stephen Baylor Pillow

Honors Theses

“Art & AIDS: Viral Strategies for Visibility” examines the complex relationships between social stigma, healthcare, homophobia, and mortality, and how these impacted the lives of Western artists and manifested in their works. Most of the art discussed in this thesis was produced during the height of the AIDS crisis (late-1980s to mid-1990s). During this period, gay artists and their allies employed new strategies in their work to inspire activism, and convey intense emotions –– predominantly frustration, grief, and anxiety –– associated with HIV/AIDS. In the U.S., the inaction of the Reagan administration was largely due to widespread homophobia kindled by …

Race To The Finish: An Obstacle Course With A Biological Twist, Kayli Fagan

Art & Art History Student Scholarship

Major: Business Management and Studio Art
Faculty Mentor: Professor James Janecek, Art and Art History

The Button Bash: A Minigame, Miranda Balossi Ventre

Art & Art History Student Scholarship

Major: Psychology
Faculty Mentor: Professor James Janecek, Art and Art History

Consumer, Catherine Romsey

Art & Art History Student Scholarship

Faculty Mentor: Professor James Janecek, Art and Art History

Colonialism, Cohabitation, And Charismatic Llamas: Representations Of Animals In Felipe Guaman Poma De Ayala's El Primer Nueva Corónica Y Buen Gobierno, Laura Varela Mejia

Art History Theses and Dissertations

This thesis analyzes the role of animals, specifically llamas, in El primer nueva corónica y buen gobierno, a manuscript that dates to 1615-16, and was hand-written and illustrated by the Andean author Felipe Guaman Poma de Ayala. Through the lens of animal studies, I analyze the manner in which Poma represented llamas to convey greater ideas surrounding the nature of colonial life under the Spanish empire, as well as the nostalgic remembrance of Inca practices before the conquest.

My study focuses on three of the Corónica’s drawings: “The second age of the world: Noah,” and how its reinterpretation …

The Last Prisoners Of War: How Nazi-Looted Art Is Displayed In U.S. Museums, Monica May Thompson

Geifman Prize in Holocaust Studies

How art museums approach NLA is important today because much of the public relies on museums for their education. NLA cases are especially controversial because they are not only legal battles, but ethical ones so museums have to be extra careful approaching them. Even if the museum has won the legal battle the public may not see them as winning the ethical one therefore they might want to avoid displaying this information to the public. However, as we can see with the previous websites, it actually looks worse for museums not to be open and honest about their NLA pieces …

Gut Feeling, Shelby Fleming

Graduate Theses and Dissertations

Through curated space and abstracted sculptures that reference the viewer’s body, Gut Feeling, acknowledges the viewer’s experience as the focal point of the exhibition. I designed the whole gallery as an art object using both positive and negative space. The sculptures act as one unified system that guides the viewer through the exhibition in a counterclockwise rotation inward. The viewer follows the forms as they puncture through the walls of the gallery, while considering their own body’s relationship to the forms being seen. The viewer directly engages with the scale of the forms, sculptural placement, and sensory experience; these elements …

Imaging The Great Irish Famine: Representing Dispossession In Visual Culture, Preface & Introduction, Niamh Ann Kelly

Books/Book Chapters

‘Niamh Ann Kelly's lavishly illustrated book throws new light on the visual culture commemorative of hunger, famine and dispossession in mid-nineteenth-century Ireland. Located within the discipline of International Memorial Studies, the text and images both challenge and extend our understanding of Famine history. Examining the visual culture since the time of the Famine until the present, Kelly asks, how do we view, experience and represent the past in the present? To what extent does the viewer insert themselves in this complex process? Is there such a thing as ethical spectatorship? Kelly’s sophisticated yet sympathetic study of the “grievous history” …

Contemporary Handicraft, Textile Art, And Feminist Social Critique, Kaitlynn Blow

Honors Theses

My thesis looks at the work of female contemporary artists who use what has historically been considered “women’s craft” such as embroidery, knitting, stitching and other various textile arts. Since the Women’s Art Movement of the 1970s, women have used these creative outlets to express discontent and injustice in their lives revolving around gender and identity. In my research, three main themes emerged as addressed in each chapter. The first theme addresses the topic of domesticity and memory including unseen female labor, such as domestic chores and motherhood, and how fabric holds memories. Chapter two covers gender politics- specifically the …

Requisitioned: American War Art Of The Second World War, Spenser Carroll-Johnson

War, Diplomacy, and Society (MA) Theses

The United States requisitioned artists to assist with military objectives and servicemen requisitioned art as a form of rhetoric. This research reexamines the role of “official artists” and thereby extends its definition to include the multitude of art they produced during the Second World War. The underpinnings of this thesis reside during the economic crises of the 1930s that brought about American emergency relief initiatives for artists under the direction of Holger Cahill and, by extension, Edward Bruce. For the first time in history, the American public engaged with state-sponsored art. Due to a symbiotic relationship that formed between the …

Paper Making: Finding The Scaffold, Tino Ward

Art Theses and Dissertations

Paper making combines my proclivity towards using found materials and the need to produce my own painting supports. This first part of this thesis chronicles the reasons I arrived at paper as my chosen medium, the objects I began to produce, and the projects that stemmed from those early experiments. The second half outlines my final work, a 1:4 scale model in paper of the 1966 exhibition 10, held in New York at the Dwan Gallery, which showcased the early minimal works of Carl Andre, Jo Baer, Dan Flavin, Donald Judd, Sol LeWitt, Agnes Martin, Robert Morris, Ad Reinhardt, …

Digital Landscapes Of The Mind, Ashley M. Dicaro

Art & Art History Student Scholarship

Major: Health Policy and Management
Minor: Italian and Studio Art
Faculty Mentor: Professor James Janecek, Art & Art History

For my independent study, I used Photoshop extensively. The software allows me to use digital imagery to maintain a specific color palette that translates to the time of day. This color theme is extracted from my personal photographs of favored landscapes, after which I build in layers to create whimsical landscapes. They are whimsical for their non-uniform distortions of perspective and viewing angle, a combination that is amplified by the painterly application of color. Technology allows me to paint, cut, collage …

Mid 20th Century America Through The Words And Lens Of Allen Ginsberg, Lily M. Conover

Art & Art History Student Scholarship

Major: Art History and American Studies
Faculty Mentor: Dr. Deborah Johnson, Art and Art History

Allen Ginsberg began producing provocative poetry in 1955 when he first devoted his life to writing. There was even a court case in 1957 to decide whether or not his most famous piece, Howl, should be banned for its content. All of this press made Ginsberg a famous poet; however, he also had what he called an “amateur hobby,” his photography.

In the same way he wrote, Ginsberg photographed the world around him: members of the Beat Movement, his friends, lovers, etc. Most of the …

Seductive Sacrality: Questioning The Nature Of Seduction Through Golden Age Spanish Paintings Of The Virgin Mary, Nicole V. Jozwik

Art & Art History Student Scholarship

Major: Art History
Minor: Spanish, Latin American Studies, and Business and Innovation
Faculty Mentor: Dr. Deborah Johnson, Art and Art History

"Seduction is traditionally understood to have a sexual undertone, but this investigation aims to prove that the seduction of the female nude is not just a manifestation of carnal sexuality, but rather, can be ignited by the qualities of power, motherhood, and salvation.

Spanish Marian images by Zurbarán, Morales, and Machuca will be used to analyze how nudity allures the viewer, but allows the religious message to remain the central force. By referencing John Berger and Laura Mulvey and …

Art And Terror: Vergangenheitsbewältigung In Relation To The Red Army Faction, Joanie Lange

Calvert Undergraduate Research Awards

Advanced Undergraduate Winner

The Red Army Faction, active from 1970-1998, was an infamous West German far-left terrorist group. Its ideology and numerous terrorist acts not only left a lasting impact upon the politics and culture of Germany, but noteworthy is also the fact that the group inspired the creation of countless works of art. This research paper seeks to understand and explain this phenomenon. It argues that the artworks inspired by the RAF are a form of Vergangenheitsbewältigung, a peculiarly German concept “coming to terms with the past,” most often used in relation to fiction and art exploring the …