Arts and Humanities Commons^™

Between Regional And National Identity: Spectacle And Festival In Modern Japan, Sean H. Mcpherson

2013 New England Association for Asian Studies Conference

Distinctive cultures of display and spectacle mark the regional diversity of Japanese festivals. At the same time, material and ritual links among these traditions speak to broader forces of cultural standardization and commodification. This paper examines the mobile architecture and wood sculpture of festival floats (dashi) in central Japan as discursive and material markers of the connections between local Shintō festivals (matsuri) and broader agendas of nationalism in modern Japan. The Chita peninsula in Aichi prefecture is famous for dashimatsuri, Shintō shrine festivals featuring the procession of huge, wheeled floats called dashi. I argue that the recurrent reinvention …

Painting Taiwan's Modern Identity, Shelley D. Hawks

2013 New England Association for Asian Studies Conference

Taiwan’s painters were dynamic contributors to a revolution in color that dramatically reshaped East Asian art. During the early twentieth century, new techniques of on-site sketching and the introduction of oil paint shook the foundations of Chinese and Japanese ink painting as it had been practiced for centuries. The Japanese colonization of Taiwan, a period when educators such as Ishikawa systematically introduced European painting methods, produced a cohort of painters in Taiwan professionally trained and committed to watercolor and oil painting. Building on international art trends like Impressionism and Fauvism, these painters developed a sense of color distinctly their own. …

Artful Networking: Art Collecting And Cultural Positioning In Early Qing China - The Case Of Gao Shiqi (1645-1704), Amy Huang

2013 New England Association for Asian Studies Conference

In this paper I analyze Gao Shiqi’s高士奇 (1645-1704) collecting practices in the context of early Qing politics. This paper argues that art collecting was used as an effective networking tool and played an significant part in defining Gao Shiqi’s cultural status in the court during the Kangxi reign (r. 1661-1722).

Gao Shiqi rose to prominence as Kangxi Emperor’s favorite courtier despite not having a jinshi degree. Because of his inferior background, Gao Shiqi was under pressure to assert his status within the circle of cultural elite—art collecting was his solution. Analysis of his private art inventory indicates that Gao had …

Proceed To Olympus: The Iconography Of The Return Of Hephaestus, Catherine Hensly

Hollins Student Conference (2012-2016)

The mythological story of Hephaestus’ return to Mount Olympus exists in fragmentary literary accounts which are augmented by a pictorial record. Working backward from Classical images of Hephaestus’ return, the François Vase manifests as the primary source of the depiction’s overall composition. Examination of sixty-three vases featuring the return as published in the Lexicon Iconographicum Mythologiae Classicae reveals certain themes cycling through over the course of the 6th and 5th centuries BCE. By creating a timeline of these images, deductive reasoning establishes the François Vase as the iconographic prototype. Later images expand or abbreviate its motifs as they simultaneously reflect …

Exploring The Problem We All Live With: The Motivation And Ambition Behind Norman Rockwell’S Civil Rights Depictions, Kelly Richman

Creative Activity and Research Day - CARD

Using Norman Rockwell’s The Problem We All Live With (1964) a Civil Rights-era depiction of the integration of black and white students in 1960, I argue that Rockwell chose to portray Civil Rights themes in order to make an altruistic plea for equality. To demonstrate my claim, I have researched academic sources, journal articles that explore Rockwell’s views and painterly approach to race, and documents of important political events of the Civil Rights Movement. Through this research, I use textual evidence to conclude that Norman Rockwell was genuinely committed to promoting Civil Rights in his work.

The Neue Frau And The Significance Of Beetle Imagery In The Photomontages Of Hannah Höch, Hannah C. Waara

Georgia State Undergraduate Research Conference

No abstract provided.

New Research In Modern And Contemporary Art, Vic Colaizzi

Undergraduate Research Symposium

Chair: Dr. Vic Colaizzi, Department of Art History

New Research In Renaissance And Baroque Art, Anne Muraoka

Undergraduate Research Symposium

Chair: Dr. Anne H. Muraoka, Department of Art History

The Pestilence Of London: Women, Hygiene, Prostitution And Pollution, Sophie Freestone

Northeast Popular Culture Association

Depictions of women and water during the Great Stink of London were bound up with moral and medical fears of the mid to late nineteenth century. Specifically, I will look at a paint by each of the following artists: Sir John Everett Millais, John Rodham Spencer Stanhope, and J.W. Waterhouse. The movement of respectable women into the public sphere meant that they became less controllable and also less distinguishable from disreputable women, specifically prostitutes. As a result there was a rising anxiety about the actions of women, which became shackled to fears of health and hygiene in relation to communicable …

The "Light Of The Intellect": Botticelli's Drawings For Dante's Divine Comedy, Kelsey Fox

Creative Activity and Research Day - CARD

Dante’s Divine Comedy had a substantial history of illustration before Sandro Botticelli (1444/5-1510) was commissioned by Lorenzo di Pierfrancesco de’ Medici to produce 102 drawings to accompany the text. Botticelli is often described as a studious, humanist artist, incorporating his understanding of classical texts and observational knowledge into his works. This research paper will explore the innovative nature of Botticelli’s series of drawings, especially as it relates to his graphic style, varying modes of composition, and conceptual priorities. It will also analyze the conceptual differences between the Inferno and Paradiso.

Modern Muses, Shanna Goodwin

Phi Kappa Phi Research Symposium (2012-2016)

Excerpt: "To understand the modern muse one must first look at the roles of ancient and classical muses."

"Show Me An Angel, And I'Ll Paint You A Lie," Gustave Courbet, The Man And His Myths Behind The Revolution, Shanna Goodwin

Phi Kappa Phi Research Symposium (2012-2016)

Excerpt: "This presentation will look into his works and examine if he really did try to understand the working-class. It will go beyond the name and into the heart of the man behind the revolution."

You Be The Judge: An In-Depth Look Into The History Of The Nacogdoches County Courthouse, Jacqulyn Subar

Undergraduate Research Conference

No abstract provided.

Seeing And Seen: Acts Of The Voyeur In The Paintings Of Francis Bacon, John G. Hatch

Research Day (Arts & Humanities, FIMS, and Education)

There are a number of characters in Bacon's paintings who seem strangely out of place, peeking in on intimate moments and sometimes turning their attention to us, the spectator of the works. These figures are the more literal representatives of a theme that runs throughout Bacon's work, namely that of the voyeur. My research looks at the numerous perspectives of the voyeur presented by Bacon in an attempt to better understand its rationale in his artistic production.

Convergences Between Art And Physics, John G. Hatch

Research Day (Arts & Humanities, FIMS, and Education)

No abstract provided.

Jewish Display Silver After The Age Of Exploration, Vivian Mann

Early Modern Workshop: Resources in Jewish History

Although there is literature on the impact of the discovery of the Americas on the European silver supply and the production works in silver, no one has examined its impact on the commissioning of silver by hevrot, particularly the Hevrah Kaddisha, both for their own use and as donations to the synagogue. This paper will examine in what ways Jewish patronage was similar to those of guilds and Christian confraternities and it what ways they differed.

This presentation is for the following object(s):

• Beaker of the Burial Society of Worms. Johann Conrad Weiss (active 1699-1751), Jewish Museum in New York, …

The Image Of The Jewish Wedding In The Works Of Eighteenth Century German Hebraists, Shalom Sabar

Early Modern Workshop: Resources in Jewish History

A relatively considerable number of images pertaining to the Jewish wedding survived from medieval to early modern Germany. These are to be found in Hebrew illuminated manuscripts, illustrated books of customs (Minhagim-Bücher), decorated Torah binders (Wimpeln), and selected wedding artifacts. However, the most captivating and curious visual evidence on the various stages and customs of the Jewish wedding in Germany is not found in Jewish sources but in the work of eighteenth century Christian Hebraists. Despite the clear anti-Semitic overtones in their work, the images inserted in their books provide rare and significant insights into Jewish practices, folk beliefs and …