Arts and Humanities Commons^™

Idéalisme Et Matérialisme Dans Le Journal Des Goncourt: Esquisse D'Un Contour, Pamela Warner

Pamela J. Warner

No abstract provided.

Primary Organizer And Moderator, "Manet, L'Inventeur Du Moderne", Pamela Warner

Pamela J. Warner

Primary organizer and moderator for a study-day for "Manet, l'Inventeur du Moderne," at the Musée d'Orsay for members of AHNCA (Association of Historians of Nineteenth-Century Art), with speakers from the University of Pennsylvania, State University of New York at Stony Brook, and the Université de Reims.

Negotiating The Boundary Between Monastic Seclusion And Apostolic Mission In The Bishopric Of Chur Around The Year 800, Jenny Ataoguz

Jenny Kirsten Ataoguz

By virtue of their lifestyle and learning, early medieval monks were particularly well-suited to serve a pastoral role, yet at the turn of the ninth century, Carolingian efforts at reform reveal a discomfort with monastic engagement with the secular world through the establishment of clerical precedence in matters concerning the laity. But just as reform characterized Carolingian monasticism, so too did diversity, and in a region immediately adjacent to the Bishopric of Chur we have direct evidence of monks playing a pastoral role.

In the Bishopric of Chur itself, the evidence may be less direct, but it is mounting. The …

Altering The Tradition: The Traditio Legis At The Monastery Of Saint John, Jenny Ataoguz

Jenny Kirsten Ataoguz

The main church of the Monastery of Saint John in Müstair, Switzerland preserves on its walls an extensive program of wall painting dating to around the year 800. The half-dome of one of its three apses presents a Traditio legis, a theme that had originated in Rome in the fourth century. Although the composition was firm during the first centuries of Christian art, with Paul on Christ’s right side and Peter on his left, early medieval versions more often reverse their placement. The basis for the privileging of Paul – his reception of the law of the spirit in counterpoint …

Organizer, "Who's Eighteenth-Century? Critically Evaluating Diderot And The Goncourt Brothers", Pamela Warner

Pamela J. Warner

Organized an on-site seminar at the Musée du Louvre for members of the Deutsches Forum für Kunstgeschichte.

La Politique Identitaire Du Japonisme: Edmond De Goncourt And Hayashi Tadamasa, Pamela Warner

Pamela J. Warner

No abstract provided.

Modern Earthworks And Their Cosmic Embrace, John Hatch

John G. Hatch

No abstract provided.

Das Sakramentar Von Beauvais: Vollständige Faksimile-Ausgabe Der Handschrift Ms. Ludwig V 1 Aus Dem J. Paul Getty Museum, Los Angeles, Elizabeth Teviotdale

Elizabeth C Teviotdale

A facsimile of a ten-leaf fragment of an illuminated sacramentary. The commentary includes a close examination of the object itself (physical properties, text, writing, and painting), considers the fragment's place in the oeuvre of the main scribe, and evaluates the artistic comparanda. A new understanding—anticipated in the work of Guy Lanoë—of the probable circumstances of the manuscript's creation is offered: that the sacramentary was made almost certainly at the behest of Roger, bishop of Beauvais from 998 to 1016, for his cathedral church of Saint Peter.

The Competing Dialectics Of The Cabinet De Travail: Masculinity At The Threshold, Pamela Warner

Pamela J. Warner

No abstract provided.

From Stone Circle To Transit Hall. Law And Art In The District Court Buildings In Ängelholm And Helsingborg, Martin Sunnqvist

Martin Sunnqvist

No abstract provided.

Hayashi Tadamasa Et Le Language Universel Des Beaux-Arts, Pamela Warner

Pamela J. Warner

Translation by Pamela J. Warner from English to French of "Hayashi Tadamasa et le Language Universel des Beaux-Arts."

Review Of The Orient Expressed: Japan's Influence On Western Art, 1854-1918, By The Mississippi Museum Of Art, Pamela Warner

Pamela J. Warner

Book review of:

The Orient Expressed: Japan's Influence on Western Art, 1854-1918. Edited by Gabriel P. Weisberg. Seattle: University of Washington Press. February 2011. 192 pp., 178 color illus. Hardcover $34.95. ISBN: 9781887422192. Distributed for: Mississippi Museum of Art.

Edmond And Jules De Goncourt's Brush With Death: The French Revolution, La "Nouvelle Histoire", And Benjaminian Jetztzeit, Pamela Warner

Pamela J. Warner

No abstract provided.

Interior Portraiture And Masculine Identity In France, 1789-1914, Temma Balducci, Heather Jensen, Pamela Warner

Pamela J. Warner

Focusing specifically on portraiture as a genre, this volume challenges scholarly assumptions that regard interior spaces as uniquely feminine. Contributors analyze portraits of men in domestic and studio spaces in France during the long nineteenth century; the preponderance of such portraits alone supports the book's premise that the alignment of men with public life is oversimplified and more myth than reality.

Review Of Félix Régamey's Le Carnet Rose De Madame Chrysanthème, Critical Ed., By Christopher Reed, Pamela Warner

Pamela J. Warner

Book review of:

Christopher Reed. The Chrysanthème Papers: The Pink Notebook of Madame Chrysanthème and other Documents of French Japonisme. Honolulu: University of Hawai'i Press, February 2010. 176 pp. Cloth - Price: $35.00. ISBN: 978-0-8248-3345-9.