Arts and Humanities Commons^™

The Perils And Empowerments Of Mountain Literacies: Reading Loss And Shifting Identities In Appalachian Memoirs And Novels, Erica Abrams Locklear

LSU Doctoral Dissertations

This dissertation analyzes the literary portrayal of literacy events in memoirs and novels written by Appalachian women during the twentieth and twenty-first centuries. Drawing from contemporary literacy scholarship, my project engages several definitions of the term "literacy," including theories defining it as a technical skill, a social act, cultural knowledge, or a potent form of ideological power. In a region historically (and often inaccurately) stigmatized as illiterate, "literacy" is a loaded term, a concept doubly associated with cultural pride and with cultural loss. By applying literacy theories to Appalachian literature, I analyze the identity conflicts literacy attainment causes for several …

Charlotte Smith, Women Poets, And The Culture Of Celebrity.Pdf, Stephen C. Behrendt

Stephen C Behrendt

Sucking Salt: Caribbean Women Writers, Migration, And Survival By Meredith M. Gadsby (Book Review), Daryl Cumber Dance

English Faculty Publications

The folk will tell you that salt can either save you or destroy you. Toni Cade Bambara's Velma of The Salteaters realized that her survival depended on learning "the difference between eating salt as an antidote to snakebite and turning into salt, succumbing to the serpent." The lesson of similar folk wisdom is the subject of Meredith M. Gasby's Sucking Salt, where she propses as a new framework for the examination of Caribbean women's writing the survival techiniques implied in "sucking salt," techiniques suggested in her aunt's reflections on people she knew. Tantie expounded: "Little salt won't kill …

A Conversation With Velma Pollard, Daryl Cumber Dance

English Faculty Publications

Noted poet, novelist, linguist, and educator, Velma Pollard was Visiting Professor of English at the University of Richmond in Richmond, Virginia, during the fall semester of 2001 when I conducted the following interview. John Martin, my graduate assistant at the time, assisted me in videotaping and transcribing our conversation, which took place in her cottage at the University on December 3, 2001.

Mothering Modes: Analyzing Mother Roles In Novels By Twentieth-Century United States Women Writers, Preselfannie Whitfield Mcdaniels

LSU Doctoral Dissertations

For this dissertation, the following novels have been chosen as examples of the many issues that are involved in mothering in United States society: Chapter 1: Dorothy Allison’s Bastard Out of Carolina and Toni Morrison’s Beloved, Chapter 2: Toni Morrison’s Song of Solomon and Dorothy West’s The Wedding, Chapter 3: Amy Tan’s The Kitchen God’s Wife and Christina García’s Dreaming in Cuban, and Chapter 4: Betty Smith’s A Tree Grows in Brooklyn and Paule Marshall’s Brown Girl, Brownstones. For this study, the term “mothering” is specifically related to the rearing of children by the female parent. Rearing is defined as …

Narratives Of Survival, Linda Niemann

Linda G. Niemann

No abstract provided.

The Colored Girl In The Ring: A Guyanese Woman Remembers By Brenda Chester Doharris (Book Review), Daryl Cumber Dance

English Faculty Publications

Brenda Chester DoHarris's The Colored Girl in the Ring: A Guyanese Woman Remembers joins the company of some of the most memorable works of Caribbean literature, those classic accounts of coming-of-age, such as George Lamming's In the Castle of My Skin, V. S. Naipaul's A House for Mr. Biswas, Michael Anthony's The Year in San Fernando, Merle Hodge's Crick Crack, Monkey, Erna Brodber's Jane and Louisa Will Soon Come Home, Zea Edgell's Beka Lamb, Jamaica Kincaid's Annie John, and Beryl Gilroy's Sunlight on Sweet Water. Like most of the bildungsromans - and …

Beryl Gilroy: A Bio-Literary Overview, Daryl Cumber Dance

English Faculty Publications

In 1992 when I joined the faculty at the University of Richmond, I taught a class in black women's literature to a group of mainly white students who had previously read little or nothing in this body of literature. One young senior--a white male--did a paper comparing the sympathetic portrayal of the white male character in Beryl Gilroy's Stedman and Joanna and Bebe Moore Campbell's Your Blues Ain't Like Mine. His enthusiasm for the rich body of literature to which I had introduced him continued after he graduated, and he often wrote to me about books he was reading …

Plotting The Mother: Caroline Norton, Helen Huntingdon, And Isabel Vane, Elisabeth Rose Gruner

English Faculty Publications

The proper Victorian heroine neither acts nor plots. Heroines as disparate as Fanny Price of Mansfield Park and Gwendolen Harleth of Daniel Deronda prove their virtue by failing as actresses. When Fanny protests, “Indeed, I cannot act,” we know that it is because she cannot be other than what she is: virtuous. Gwendolen Harleth’s aborted attempt to make a career as an actress seems, in Daniel Deronda, to signal her essential difference from the Princess Halm-Eberstein, the mother who has abandoned Daniel in order to pursue her acting career. Gwendolen is flawed, but at least she is not an …

The Inner Voice, Janis Ruth Bagnall Cochrane

Institute for the Humanities Theses

The scope of this project is two-fold. The key purpose is to demonstrate the relationship between the voice of Lee Smith, a Southern writer from Appalachia and the voice of the author, another Southern writer from the Outer Banks. The foremost conclusion that has been drawn is that a writer's voice comes from deep inside the writer's unconscious. It is a product of generations of experiences that have embedded themselves in the writer's psyche. Some of the assumptions and prejudices surrounding southern women are discussed to some degree.

The second purpose is for this writer to show her work. This …

Mary Mccarthy, Mary Gordon, And The Irish-American Literary Tradition, Stacey Lee Donohue

Dissertations, Theses, and Capstone Projects

There is a distinct literary canon in the United States, composed of Irish-Catholic-American writers, which requires different modes of criticism or evaluation than other U.S. literatures, particularly the dominant, largely Protestant or Protestant-influenced, American literary canon. In addition, as a recently recognized literary tradition, many women writers have either been ignored or unnoticed because their works do not immediately fit into the evolving criteria of evaluation for the Irish-American literary tradition. My purpose in this study is not to survey the Irish-American literary canon, but to examine two women writers who have not always been admitted to an innately misogynistic …

Matriarchs, Doves, And Nymphos: Prevalent Images Of Black, Indian, And White Women In Caribbean Literature, Daryl Cumber Dance

English Faculty Publications

Universally, male writers have tended to create images of women which reveal the familiar male tendency to view women merely as functionaries whose role basically is determined by male needs, male motivations, male fears, and male fantasies. When woman is submissive, docile and pure, she is to be protected and revered; then, she is the virgin/goddess. When she is assertive and strong, she is to be avoided and despised; then, she is the bitch/shrew. When she is passionate and active, she is to be resisted and feared; she is the whore/temptress. While this genera] categorizing of women characters carries over …

Go Eena Kumbla: A Comparison Of Erna Brodber's Jane And Louisa Will Soon Come Home And Toni Cade Bambara's The Salt Eaters, Daryl Cumber Dance

English Faculty Publications

When I returned to Jamaica in July 1982, I took as gifts for friends some recent novels by black American writers, including Toni Cade Bambara's The Salt Eaters. Upon my arrival, Erna Brodber gave me a copy of her new book, Jane and Louisa Will Soon Come Home. As I read it, I was struck by another instance of how similar experiences (in this case, being black and female in the Americas of the civil rights, black awareness, Rastafarian, and feminist movements) had inspired such strikingly similar expressions in books published the same year (1980) by an American …

Bosom Buddies And Lonely Hearts, Daryl Cumber Dance

English Faculty Publications

In Ossie Davis' Purlie Victorius, Ol' Cap'n nostalgically reminisces about the good old days when he enjoyed what he recollects as close loving relationships with Blacks. He recalls to Gitlow "how you and me growed up together. Had the same mammy - my mammy was your mother." And Gitlow responds, "Yessir! Bosom buddies." Despite the satire and irony with which Ossie Davis consciously invests this scene, it suggest to me another irony - one which Davis certainly did not intend - and that is that one of the images of the Black woman which has frequently been shared by …

Zora Neale Hurston, Daryl Cumber Dance

English Faculty Publications

Some new information is occasionally being ferreted out that may help to cast additional light on some of these issues, but quite clearly Zora Neale Hurston will remain something of an enigma - too complex a figure to reach any easy conclusions about, except perhaps that she defies simple characterization. People responded to her (and still do) very emotionally: her detractors despise her bitterly; her defenders love her passionately. All agree that she was eccentric, colorful, entertaining, humorous, and unforgettable.

Perhaps the most crucial question to pose about her is why one of the most important figures in the Harlem …