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Full-Text Articles in Arts and Humanities
Visions: “If You See Her Face You Die”: Orientalist Gothic And Colonialism In Bithia Croker’S Indian Ghost Stories., Preeshita Biswas
Visions: “If You See Her Face You Die”: Orientalist Gothic And Colonialism In Bithia Croker’S Indian Ghost Stories., Preeshita Biswas
ABO: Interactive Journal for Women in the Arts, 1640-1830
This paper analyzes Bithia Mary Croker’s ghost stories of the British Raj to argue that Croker in her texts reframes the eighteenth-century Orientalist Gothic writing tradition to critique British imperial presence in India. I specifically discuss two of Croker’s short stories, namely “To Let” (1893) and “If You See Her Face” (1893) published in her anthology of Indian ghost fiction To Let (1893). The paper traces how Croker uses two distinct characteristics of eighteenth-century colonial Indian society–-the tradition of nautch performances and the architectural space of the dak bungalows–-which continued into early-nineteenth century British India under the vigilance of …
Woolf As Window: A View Into Martín Gaite’S Treatment Of Alienation In El Cuarto De Atrás, Elizabeth Cornick
Woolf As Window: A View Into Martín Gaite’S Treatment Of Alienation In El Cuarto De Atrás, Elizabeth Cornick
Dartmouth College Master’s Theses
In this article, I explore the Spanish writer Carmen Martín Gaite’s affinity with Virginia Woolf’s modernism. In particular, I analyze the modernist theme of alienation so prominent in Woolf’s To the Lighthouse that Martín Gaite expresses in her novel El cuarto de atrás (The Back Room). To do so, I provide historical analysis of Woolf’s and Martín Gaite’s respective cultures to contextualize the ways in which the writers treat modernization as an alienating condition of modernity in the novels. I focus on Woolf’s depiction of estrangement experienced by the characters Mrs. Ramsay and Lily Briscoe from To the …
Material Interactions: Early Modern Women’S Textual Embodiments, Olivia R. Tracy
Material Interactions: Early Modern Women’S Textual Embodiments, Olivia R. Tracy
Electronic Theses and Dissertations
Material Interactions: Early Modern Women’s Textual Embodiments claims that early modern women writers present embodied constructions of the sensory-domestic—the bodily practices of herbal and culinary labor, which were shared with medical and scientific practices—to locate an ethos at the intersection of medical, scientific and literary discourse communities. Drawing from approaches including ethos-as-location, rhetorical genre, and early modern ecofeminism, my articulation of a sensory-domestic ethos offers new ways to explore the ways writers construct ethos by navigating their individual standpoint, their writing context, and their “acceptable” social labor. My first section argues that early modern women engaged ingredients as agents in …