Open Access. Powered by Scholars. Published by Universities.®
- Discipline
- Institution
- Publication
- Publication Type
Articles 1 - 5 of 5
Full-Text Articles in Arts and Humanities
Visions: “If You See Her Face You Die”: Orientalist Gothic And Colonialism In Bithia Croker’S Indian Ghost Stories., Preeshita Biswas
Visions: “If You See Her Face You Die”: Orientalist Gothic And Colonialism In Bithia Croker’S Indian Ghost Stories., Preeshita Biswas
ABO: Interactive Journal for Women in the Arts, 1640-1830
This paper analyzes Bithia Mary Croker’s ghost stories of the British Raj to argue that Croker in her texts reframes the eighteenth-century Orientalist Gothic writing tradition to critique British imperial presence in India. I specifically discuss two of Croker’s short stories, namely “To Let” (1893) and “If You See Her Face” (1893) published in her anthology of Indian ghost fiction To Let (1893). The paper traces how Croker uses two distinct characteristics of eighteenth-century colonial Indian society–-the tradition of nautch performances and the architectural space of the dak bungalows–-which continued into early-nineteenth century British India under the vigilance of …
Figures Of Virtue: Margaret Fell And Aemilia Lanyer's Use Of Decorum As Ethical Good Judgment In The Construction Of Female Discursive Authority, Kirsten Marie Osmani
Figures Of Virtue: Margaret Fell And Aemilia Lanyer's Use Of Decorum As Ethical Good Judgment In The Construction Of Female Discursive Authority, Kirsten Marie Osmani
Theses and Dissertations
Understanding how the Renaissance rhetorical curriculum taught style as behavior makes it possible to unite the study of women writers' identities with formal criticism. Nancy L. Christiansen shows that early modern humanists built on the Isocratean tradition of teaching rhetoric as an ethical practice because they adopted and developed lists of rhetorical figures so extensive as to encompass all human discourse, thought, and behavior. For them, knowing, selecting, and applying these various forms was the ethical practice of good judgment, also called decorum. This type of decorum plays an important role in the rhetorical function of two key texts by …
Jane Anger Her Protection For Women And The Emergence Of A Radical Female Voice In Late Sixteenth Century England, Ashley M. Wessel
Jane Anger Her Protection For Women And The Emergence Of A Radical Female Voice In Late Sixteenth Century England, Ashley M. Wessel
USF Tampa Graduate Theses and Dissertations
This thesis explores how women authors responded to masculine discourses of dominance in late sixteenth-century England. Directly, it concentrates on the pamphlet Jane Anger her Protection for Women, written in 1589 and published under the pseudonym Jane Anger. I argue Anger’s pamphlet was a radical voice within Elizabethan print culture which lends a view into gender politics of the time in which this piece was produced. I also argue that though Anger’s target audience was the gentlewomen of England, she crafted her pamphlet for a broad audience that included any literate man or woman across social station. The importance …
Woolf As Window: A View Into Martín Gaite’S Treatment Of Alienation In El Cuarto De Atrás, Elizabeth Cornick
Woolf As Window: A View Into Martín Gaite’S Treatment Of Alienation In El Cuarto De Atrás, Elizabeth Cornick
Dartmouth College Master’s Theses
In this article, I explore the Spanish writer Carmen Martín Gaite’s affinity with Virginia Woolf’s modernism. In particular, I analyze the modernist theme of alienation so prominent in Woolf’s To the Lighthouse that Martín Gaite expresses in her novel El cuarto de atrás (The Back Room). To do so, I provide historical analysis of Woolf’s and Martín Gaite’s respective cultures to contextualize the ways in which the writers treat modernization as an alienating condition of modernity in the novels. I focus on Woolf’s depiction of estrangement experienced by the characters Mrs. Ramsay and Lily Briscoe from To the …
Material Interactions: Early Modern Women’S Textual Embodiments, Olivia R. Tracy
Material Interactions: Early Modern Women’S Textual Embodiments, Olivia R. Tracy
Electronic Theses and Dissertations
Material Interactions: Early Modern Women’s Textual Embodiments claims that early modern women writers present embodied constructions of the sensory-domestic—the bodily practices of herbal and culinary labor, which were shared with medical and scientific practices—to locate an ethos at the intersection of medical, scientific and literary discourse communities. Drawing from approaches including ethos-as-location, rhetorical genre, and early modern ecofeminism, my articulation of a sensory-domestic ethos offers new ways to explore the ways writers construct ethos by navigating their individual standpoint, their writing context, and their “acceptable” social labor. My first section argues that early modern women engaged ingredients as agents in …