Arts and Humanities Commons^™

Conversation In Woman In The Nineteenth Century: A Tool To Prepare Units For Union, Camille Pay

Criterion: A Journal of Literary Criticism

No abstract provided.

Like A "Caged Bird": Jane Eyre's Flight To Freedom Through Imagery In Jane Eyre, Rachel Rackham

Criterion: A Journal of Literary Criticism

No abstract provided.

On Symbols And Shadows: Flannery O'Connor's Jungian Concepts Of Grace, Joshlin Sheridan

Criterion: A Journal of Literary Criticism

No abstract provided.

Voluntary And Involuntary Isolation In Mary Shelley's The Last Man, Jessica Pope Mudrow

Criterion: A Journal of Literary Criticism

No abstract provided.

Contributors

Criterion: A Journal of Literary Criticism

No abstract provided.

Contents

Criterion: A Journal of Literary Criticism

No abstract provided.

Front Matter

Criterion: A Journal of Literary Criticism

No abstract provided.

Radical Words Then And Now: The Historical And Contemporary Impact Of Elizabeth Cady Stanton's The Woman's Bible, Erika Larsen

Criterion: A Journal of Literary Criticism

No abstract provided.

The Shadow's Symphony: Archetypal Awakening In Igor Stravinsky's The Rite Of Spring, Rebekah Hood

Criterion: A Journal of Literary Criticism

No abstract provided.

The Sexual Spectrum Of The Androgynous Mind In Virginia Woolf’S Mrs. Dalloway, Sylvia Cutler-Laboulaye

Criterion: A Journal of Literary Criticism

No abstract provided.

Criterion: A Journal Of Literary Criticism, Vol. 10: Iss. 2

Criterion: A Journal of Literary Criticism

No abstract provided.

Editors' Note, Chelsea Lee, Makayla Okamura

Criterion: A Journal of Literary Criticism

No abstract provided.

A Phantasmagoric Fairy Tale: “Zerinda” And The Doubling Of Wonder, Conor B. Hilton

Criterion: A Journal of Literary Criticism

No abstract provided.

Snicket And Poe: A Juvenile Mystery, Alex Hugie

Criterion: A Journal of Literary Criticism

No abstract provided.

Editors' Note

Criterion: A Journal of Literary Criticism

No abstract provided.

Poe's Gothic Soul In "Metzengerstein": An Invitation To Look Inside, Elizabeth Peek

Criterion: A Journal of Literary Criticism

The following paper examines Poe’s affair with German tradition, particularly Gothic and Romantic writing, through an analysis of his short story “Metzengerstein.” This short story is not only rich with the conventions of Gothic fiction, but also rings with an autobiographical tone. The added piece of Poe himself in this text implies his own Gothic origins. I imply that Poe was a natural Romantic, with the purpose of bringing his own terror to a larger audience. The German gloom in “Metzengerstein” was authentic, not an imitation. I come to the conclusion that Poe’s production of literary horror – in the …

The Star-Spangled Banshee: Fear Of The Unknown In The Things They Carried, Mckay Hansen

Criterion: A Journal of Literary Criticism

In this paper I discuss the nature of the fear that worked upon many of the soldiers of the Vietnam War, concentrating on a fear of the unknown. Drawing upon Tim O’Brien’s The Things They Carried as its central focus text, my analysis suggests that the fear of the unknown is a product of communities’ efforts to distance themselves from a cultural Other. As such, I posit that those in positions of societal influence employ fear to reinforce racial stereotypes and maintain domestic unity. Perceiving ethnic and linguistic misunderstandings as forces that cultural leaders often evoke deliberately, I claim that …

Front Matter

Criterion: A Journal of Literary Criticism

No abstract provided.

The Space In-Between: Exploring Liminality In Jane Eyre, Megan Clark

Criterion: A Journal of Literary Criticism

From Mrs. Reed’s house to Morton, Jane Eyre is always singled out as otherworldly. Throughout Jane Eyre, Charlotte Brontë creates different spheres and worlds through the means of social class, and the way people are thought of and treated. These worlds are presented in pairs and as a juxtaposition of each other, but Jane never belongs to either world. She remains in her own realm, always separated from the others. Throughout the text, she is compared to an elf or fairy, emphasizing the otherworldliness that defines her. While some look at Jane as a social outcast due exclusively to …

“Blame The Due Of Blame”: The Ethics And Efficacy Of Curses In Richard Iii, Alexandra Malouf

Criterion: A Journal of Literary Criticism

Language, particularly the language of cursing, plays a powerful role in determining the outcome of events in Shakespeare’s Richard III. Gender imperatives reflected in the speech of Richard III’s characters indicate where power lies and how it is exercised across gendered spheres. While male characters in the history plays typically obtain and exert power through violence, both in war and in secret, the primary source of power held by female characters in Richard III is their use of language. Consistently, the women seal the violent ends of their enemies with curses, and Richard is perpetually given cause to …

The Magic Of Yeats' "The Lake Isle Of Innisfree": Kabbalism, Numerology, And Tarot Cards, Genevieve Pettijohn

Criterion: A Journal of Literary Criticism

Yeats’ poem “The Lake Isle of Innisfree” contains occult symbols derived from Kabbalism, numerology, and tarot cards. Although the poem was published near the beginning of Yeats’ induction into Hermetic Society of the Golden Dawn, “Innisfree” demonstrates the magical prowess requisite to advance in the Society and thus further Yeats' ability to practice magic, for which he had an alleged natural ability. I assert that an understanding of Kabbalism, numerology, and tarot cards is essential not only in decoding the meanings behind “Innisfree” but in gauging Yeats’ own understanding of the Second Order of the Golden Dawn, which he was …

Forum Prompt: What Can Poe Do For You?, Scott Peeples

Criterion: A Journal of Literary Criticism

No abstract provided.

Writing In Suspense: A Critique On American Culture Through Objective And Subjective Reportage, Brittany Twigg

Criterion: A Journal of Literary Criticism

In the 1960’s, writers of news and fiction grew frustrated with the means through which they could communicate reality. Therefore, they began to experiment with a more unique genre that began to blur the lines between fact and fiction. As a result, journalism met the novel, giving birth to narrative journalism and the nonfiction novel. Truman Capote’s novel, In Cold Blood, marks the beginning of this genre as he claims to have coined the term ‘nonfiction novel’ himself. Through this style of reporting, Capote and other writers often inserted their own biases and personas in a way that allowed …

Developing A Feminist Pedagogy: A Look At Intersectionality And Poe's Women, Riley Haacke

Criterion: A Journal of Literary Criticism

Abstract

Edgar Allan Poe is one of the world’s most prolific writers and therefore has an immense capacity to influence and change how we, as a society, engage with literature. By developing a feminist pedagogy centered on the intersectionality of Poe’s diverse female characters we can begin to develop a value based education model that influences the critical conversations we have about women’s issues.

The Devil’S In The Details: A Characterization Of Montresor In Poe’S “The Cask Of Amontillado”, Audrey Saxton

Criterion: A Journal of Literary Criticism

The religious imagery present in Poe’s “The Cask of Amontillado” allow critics to read this short story as an allegory and demonstrate the ways in which Montresor and Fortunato reenact the biblical struggle between good and evil. However, the criticism surrounding Poe’s character Montresor is divided. Some critics, such as Donald Pearce and Jay Jacoby view Montresor as a fully devilish character while others, such as Philip M. Pittman, read Montresor as the Christ-figure. Because of this confusion, Montresor’s character becomes complicated. This paper strengthens the Mephistophelean reading of Montresor’s character through a close examination of religious imagery and symbols …

Contributors Page

Criterion: A Journal of Literary Criticism

No abstract provided.

Criterion: A Journal Of Literary Criticism, Vol. 10: Iss. 1

Criterion: A Journal of Literary Criticism

No abstract provided.

Raciocultural Union And "Fraternity Of Feeling": Ishmael's Redemption In Moby-Dick, Emily Butler-Probst

Criterion: A Journal of Literary Criticism

The process of redemption, or the complete transformation of an individual’s life that enables him to avoid personal destruction is precisely what Ishmael experiences as he embraces cultural pluralism over the course of Herman Melville’s Moby-Dick. Ishmael first begins Moby-Dick as a character who embraces isolation and abstract pondering in a manner that is similar to the obsessive, isolated madness of Captain Ahab. He is saved from the “madness” of absolutism by Queequeg, a South Pacific harpooner, in a process which not only expresses the nineteenth-century perception that cultural Others were less afflicted by madness, but also invokes a message …

The American Hero In A Hawaiian Myth: Convergence Of Cultures In London’S “Koolau The Leper”, Morgan Daniels

Criterion: A Journal of Literary Criticism

Jack London’s “Koolau the Leper” (1912) tells the story of a leprous Hawaiian who refuses to be reallocated to Molokai by the American government. During Koolau’s last stand, he keeps the American army at bay despite their superior weaponry. The story ends with Koolau dying from leprosy a free man on Kauai, his island home. Critics have long debated what this story reveals about London’s viewpoint on American imperialism and colonialism. I would like to augment this understanding by suggesting that London’s critique of American imperialism is in itself an act of imperialism. I propose that Jack London’s “Koolau the …

Metempsychosis In The Wizarding World, Hannah E. Degn

Criterion: A Journal of Literary Criticism

In studying Poe and what he can do for the modern reader, one comes to see literature in a new light. His influence reaches far beyond the continental United States and the time period he contributed to. One such connection is how his ideas have permeated contemporary literature. This article looks at the connection between J.K. Rowling and Edgar Allan Poe, focusing on his interpretation of metempsychosis and how it comes into play in the Harry Potter series.