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Articles 61 - 79 of 79
Full-Text Articles in Arts and Humanities
Split Infinities: The Comedy Of Performative Identity In Maxine Hong Kingston's *Tripmaster Monkey*, Jonna Mackin
Split Infinities: The Comedy Of Performative Identity In Maxine Hong Kingston's *Tripmaster Monkey*, Jonna Mackin
Dr. Jonna C Mackin
The article discusses a quarrel between Frank Chin and Maxine Hong Kingston regarding Chinese American Identity and goes on to analyze Kingston's novel *Tripmaster Monkey, His Fake Book* as a case where an analysis of the comedy leads to questions about her professed multiculturalism. Kingston's jokes reveal hidden aggression in the text and a tendency to obscure or erase African American cultural icons.
Marriage, Melanie Sumner
Embodied Literacies Project, I, Jenn Fishman
Embodied Literacies Project, I, Jenn Fishman
Jenn Fishman
Itc Faculty First Grant Application, Jenn Fishman
Review: Ideological Variations And Narrative Horizons: New Perspectives On The Arabian Nights. Special Issue Of Middle Eastern Literatures (Incorporating Edebiyat), Bonnie Irwin
Bonnie Irwin
No abstract provided.
Travel Narrative, Jan Wellington
An Urn, A Teapot, And The Archaeology Of Romantic Reading.Pdf, Stephen C. Behrendt
An Urn, A Teapot, And The Archaeology Of Romantic Reading.Pdf, Stephen C. Behrendt
Stephen C Behrendt
Reginald Shepherd's The Iowa Anthology Of New American Poetries, Michael Theune
Reginald Shepherd's The Iowa Anthology Of New American Poetries, Michael Theune
Michael Theune
No abstract provided.
Bringing The Rhetoric Of Assent And The Believing Game Together - And Into The Classroom, Peter Elbow
Bringing The Rhetoric Of Assent And The Believing Game Together - And Into The Classroom, Peter Elbow
Peter Elbow
Resistance To The Resistance To Poetry On The Resistance To Poetry, Michael Theune
Resistance To The Resistance To Poetry On The Resistance To Poetry, Michael Theune
Michael Theune
James Longenbach’s previous book of criticism, Modern Poetry after Modernism (Oxford: Oxford UP, 1997), opens by reworking Randall Jarrell’s claim in the essay "The End of the Line" that "Romantic poetry holds in solution contradictory tendencies which, isolated and exaggerated in modernism, look startlingly opposed to each other and to the earlier stages of romanticism." Replacing the references to romanticism with modernism, and the reference to modernism with postmodernism, Longenbach begins his argument against the continued use of the "breakthrough narrative," a faulty critical construct based on an overly simple idea of a too-easy distinction between modernism and postmodernism, suggesting …
Summer Gra Application (2005), Jenn Fishman
Summer Gra Application (2005), Jenn Fishman
Jenn Fishman
Mark Twain And Nation, Randall Knoper
Frances Burney, Jan Wellington
Review: The Places Where Men Pray Together: Cities In Islamic Lands, Seventh Through The Tenth Centuries, Bonnie Irwin
Review: The Places Where Men Pray Together: Cities In Islamic Lands, Seventh Through The Tenth Centuries, Bonnie Irwin
Bonnie Irwin
No abstract provided.
"A Friendly Challenge To Push The Outcomes Statement Further", Peter Elbow
"A Friendly Challenge To Push The Outcomes Statement Further", Peter Elbow
Peter Elbow
No abstract provided.
"How To Enhance Learning By Using High-Stakes And Low-Stakes Writing", Peter Elbow, Mary Deane Sorcinelli
"How To Enhance Learning By Using High-Stakes And Low-Stakes Writing", Peter Elbow, Mary Deane Sorcinelli
Peter Elbow
No abstract provided.
Autumn Equinox (First Published In Chapbook "Migrations"), Deborah D. Fleming
Autumn Equinox (First Published In Chapbook "Migrations"), Deborah D. Fleming
Deborah D. Fleming
No abstract provided.
Magical Realism And Gender Variability In Orlando, Jill Channing
Magical Realism And Gender Variability In Orlando, Jill Channing
Jill Channing
Do You Believe In Magic? Literary Thinking After The New Left, Sean Mccann, Michael Szalay
Do You Believe In Magic? Literary Thinking After The New Left, Sean Mccann, Michael Szalay
Sean McCann
Toward the end of the 1960s, the New Left and the counterculture developed a libertarian theory of politics that emphasized symbolic action and self-realization. A concomitant suspicion of formal political institutions and a turn to cultural politics have since become common to intellectual discourse within the humanities. This essay argues against these attitudes, while tracing them from the protest movements of the late sixties to contemporary fiction and literary theory. The authors conclude by detailing the strong affinities between this vision of radicalism and the interests of professional labor within the present-day university.