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Full-Text Articles in Arts and Humanities
Introduction To Creative Writing, Shamecca A. Harris
Introduction To Creative Writing, Shamecca A. Harris
Open Educational Resources
This introductory creative writing course asks students to explore their literary interests and proclivities through regular reading and writing activities designed to promote an in-depth understanding and appreciation for the craft of writing. Students will intellectually engage with both contemporary and classic authors within the main genres of creative writing and use the craft elements discussed in class to compose their own original poetry, fiction, and creative nonfiction work. While studying various forms of creative writing, emphasis will be placed on the creative process of writing while encouraging students to find their writing voice. Student responsibilities include workshop participation, several …
Amazing Stories: Science Fiction’S Inception In Interwar Pulp Magazines, Zachary Doe
Amazing Stories: Science Fiction’S Inception In Interwar Pulp Magazines, Zachary Doe
Theses and Dissertations
This thesis explores the creation of the science fiction genre through the pulp magazines of the 1920s. Hugo Gernsback, the creator of Amazing Stories is the first to title the budding genre as science fiction. Through his editorials, one can see a desire to create a wide community heavily involved in genre creation. By exploring these initial stories and editorials we can better understand how science fiction began as well as evolved into what it is today.
Introduction To Creative Writing, Sheila Y. Maldonado
Introduction To Creative Writing, Sheila Y. Maldonado
Open Educational Resources
English 220 Introduction to Creative Writing - readings and exercises in fiction, drama, and poetry
Hard As Kerosene, Aaron Barlow
Hard As Kerosene, Aaron Barlow
Publications and Research
This novel is set in West Africa during the 1980s and concerns one man's trip through Peace Corps, war and alcoholism.
The Gen Z Zombie: Ya Takes On The Undead, Jason Mccormick
The Gen Z Zombie: Ya Takes On The Undead, Jason Mccormick
Theses and Dissertations
After the terror attacks of 9/11, zombie stories experienced an unprecedented boom, or for some critics, a renaissance. Fears of mass death, infiltration by the Other, and life before and after the apocalyptic moment were played out through zombie stories. The longevity of the boom also saw the zombie myth move into strange new places including Young Adult novels, resulting in what I refer to as the “Gen Z zombie.”
In his discussion of the sympathetic zombie, Kyle William Bishop mentions YA zombie texts including Carrie Ryan’s The Forest of Hands and Teeth and Isaac Marion’s Warm Bodies but groups …
Straight Record And The Paper Trail: From Depression Reporters To Foreign Correspondents, Magdalena Bogacka-Rode
Straight Record And The Paper Trail: From Depression Reporters To Foreign Correspondents, Magdalena Bogacka-Rode
Dissertations, Theses, and Capstone Projects
Straight Record and the Paper Trail: From Depression Reporters to Foreign Correspondents engages with Martha Gellhorn's The Face of War (1959), Virginia Cowles' Looking for Trouble (1941) and Josephine Herbst's The Starched Blue Sky of Spain and Other Memoirs (1991) as documentaries of struggle. Documentary as a mode of writing and image making reveals dissonance, contradictions and varied perspectives which undermine the official historical record. The three writers, I argue, by republishing their Spanish Civil War (SCW) journalism in book form intended to set their record straight. This was motivated by their commitment to the 1930s struggle and the need …
Fulcrum, And Other Stories, Thomas Heyman
Fulcrum, And Other Stories, Thomas Heyman
Dissertations and Theses
No abstract provided.
The Cut Of A Suit, Shea Taylor
Trauma And The Representation Of The Unsayable In Late Twentieth-Century Fiction, Katina Rogers
Trauma And The Representation Of The Unsayable In Late Twentieth-Century Fiction, Katina Rogers
Publications and Research
This dissertation explores the ways in which several fiction writers from France, the U.S., and Latin America experiment with the form of their works in writing about traumatic experience, as they navigate the tension between a propulsion toward expression and toward silence. Some of these traumas are vast, as in Edmond Jabès’ Le livre des questions (1963-1973), which addresses not only the Holocaust, but also questions of exile and identity. Others are on a smaller scale, such as Jacques Roubaud’s Quelque chose noir (1986), Julio Cortázar's Los autonautas de la cosmopista (1983), and Macedonio Fernández’s Museo de la Novela de …