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Full-Text Articles in Arts and Humanities

Acting Different – Using Drama Workshops And Seminars To Promote Reconciliation, Anti Racism And Anti-Sectarianism, Mary Moynihan, Freda Manweiler Jan 2011

Acting Different – Using Drama Workshops And Seminars To Promote Reconciliation, Anti Racism And Anti-Sectarianism, Mary Moynihan, Freda Manweiler

Books/Book Chapters

This booklet contains a documentation of the project Acting Different which was implemented by Smashing Times and Corrymeela Community/Irish Peace Centres and consisted of a series of drama workshops and seminars conducted on a cross-community and cross-border basis with several groups in the Lisburn and Castlereagh area of Northern Ireland and County Leitrim in the Republic of Ireland. The aim of the project was to use high quality theatre processes to promote peace building and reconciliation. Professional theatre practitioners from Smashing Times Theatre Company conducted the workshops. The booklet contains a description of three drama workshop models used in the …


The Engagement Practices Of Performing Arts-Makers: A Phenomenological Case Study Of Prometheus Bound, The Rock Musical: A Dissertation, Peter J. Cormier Jan 2011

The Engagement Practices Of Performing Arts-Makers: A Phenomenological Case Study Of Prometheus Bound, The Rock Musical: A Dissertation, Peter J. Cormier

Educational Studies Dissertations

This phenomenological case study explored the lived experiences of performing arts-makers, who participated in the engagement practices utilized in Prometheus Bound, the rock musical produced by the American Repertory Theater in 2011. Engagement practices are actions employed to deepen the impact of the artistic experience, which may involve the creative use of physical space, choreography, physical contact, social justice, community collaboration, and other aspects of a live performance. Engagement practices occur in the liminal zone; the neutral space between performing arts-makers and audience members that is conducive to deep empathetic reflection since the boundary between arts-maker and audience is transformed …