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Articles 10351 - 10380 of 58067
Full-Text Articles in Arts and Humanities
Introduction – Le Cinéma Militant Dans Le Monde Arabe (Des Années 1960 À Nos Jours), Joseph Korkmaz
Introduction – Le Cinéma Militant Dans Le Monde Arabe (Des Années 1960 À Nos Jours), Joseph Korkmaz
Regards
Le cinéma militant dans le monde arabe, des années soixante du siècle dernier à maintenant, est tributaire d’un contexte historique marqué par le conflit israélo-palestinien et, par induction, israélo-arabe. Ce contexte s’inscrit à son tour dans la Guerre froide et le bras de fer entre le bloc communiste, mené par l’URSS, et le bloc occidental, parrainé par les États-Unis...
Usages Du Ciné-Tract Dans Le Film « Demande À Ton Ombre », Camille Leprince
Usages Du Ciné-Tract Dans Le Film « Demande À Ton Ombre », Camille Leprince
Regards
Lamine Ammar-Khodja's first feature film, produced in 2012, Demande à ton ombre (Ask your shadow) is part of the so-called "creation" documentary. A diary and political chronicle, this film which runs from January to March 2011 plunges us into the news of the Arab uprisings seen from Algeria. While distinguishing itself in several respects from a militant cinema, Demande à ton ombre does not deny certain processes of the tradition of cine-tracts. In order to measure this distant, even distanced, proximity to the resources of militant and engaged cinema, it is proposed here to analyze their function and …
From Classroom To Gallery Floor: A Processual Exploration Of Rene Saheb’S (Meta)Physical Engagements With Clay, Kasper Tromp
From Classroom To Gallery Floor: A Processual Exploration Of Rene Saheb’S (Meta)Physical Engagements With Clay, Kasper Tromp
Regards
This article presents a case study detailing the creative process of Iranian artist Rene Saheb. It analyzes the various stages, developments, and challenges Saheb went through while she explored the medium of clay, which was new to her artistic repertoire. Rather than focusing on outward properties of ceramics such as style or technique, the artist’s inward experiences of her medium and creative process are foregrounded by means of interviews.
As Saheb frequently turns to Islamic mysticism and poetry as conceptual anchorage throughout her creative process, her engagements with the ceramic medium will be discussed in light of relevant Islamic discourses …
Liberating “Khatt” From Calligraphy: Samir Sayegh On Art, Religion And Spiritualit, Kristen Scheid, Hala Shoucair, Saleh Barakat
Liberating “Khatt” From Calligraphy: Samir Sayegh On Art, Religion And Spiritualit, Kristen Scheid, Hala Shoucair, Saleh Barakat
Regards
The eminent Samir Sayegh has contributed substantially to Arab modernism as a critic, historian, and artist himself.¹ His writings in Arabic are well known, through numerous journal articles, interviews, and most notably his 1988 book, Islamic Art: A Speculative Reading of Its Philosophy and Aesthetic Particularities.²
Further, his thinking impacted scores of students and colleagues in architecture or graphic design from the American University of Beirut, where he lectured from 2003 to 2007.
However, his voice has not been heard loudly in English. This transcript amalgamates multiple sittings with Sayegh, between 2009 and 2022. He kindly allowed us to …
History Or Project? The Double Life Of Islamic Art Since The 1970s, Hamed Yousefi
History Or Project? The Double Life Of Islamic Art Since The 1970s, Hamed Yousefi
Regards
This article argues that since the 1970s a duality divides the concept of Islamic Art. On the one hand, we have Islamic Art as the subject matter of a modern mode of historical inquiry, invented and developed in the colonial period in Europe but then taken up by scholars from around the world, including Muslim academics. This is the Islamic Art of Islamic Art History as a field of secular scholarship.
But then, in the decolonization period, and more pronouncedly since the 1970s, we witness the birth of another concept of Islamic Art that is not focused on the past. …
The Nonidentical Identical; Or, Notes On Violence And Escape In Basel Abbas And Ruanne Abou-Rahme’S "Oh Shining Star Testify", Ruslana Lichtzier
The Nonidentical Identical; Or, Notes On Violence And Escape In Basel Abbas And Ruanne Abou-Rahme’S "Oh Shining Star Testify", Ruslana Lichtzier
Regards
A review of Basel Abbas and Ruanne Abou-Rahme’s installation Oh shining star testify at the 12th Berlin Biennale (2022), where the artists present Palestinian lives and deaths by disrupting the progressive chronologies of Palestine’s ongoing obliteration.
The essay considers the representation of racist epistemologies through recourse to the work of Saidiya Hartman and Fred Moten, while also situating the installation within a lineage of cultural productions that respond to the histories of genocide.
"All Is Not Glitter" Review Of “Beirut And The Golden Sixties: A Manifesto Of Fragility” Berlin, Gropius-Bau, 25 March – 12 June 2022 Lyon, 14 September – 31 December 2022, Nadia Von Maltzahn
"All Is Not Glitter" Review Of “Beirut And The Golden Sixties: A Manifesto Of Fragility” Berlin, Gropius-Bau, 25 March – 12 June 2022 Lyon, 14 September – 31 December 2022, Nadia Von Maltzahn
Regards
The exhibition Beirut and the Golden Sixties: A Manifesto of Fragility highlights what the curators argue is the fragility of the narrative surrounding Beirut’s “Golden Age” – the period leading up to Lebanon’s civil war.
This review traces the genesis of the exhibition and presents its displays at Berlin’s Gropius Bau and the MAC Lyon. Several works are showcased to demonstrate how the curators constructed the exhibition’s five sections, which focus on place, body, form, politics, and the Civil War.
The review offers contextualization for an exhibition rich in diverse artworks and archival materials that contain a multitude of narratives.
Challenging Conventional Approaches To Teaching Creative Writing In Italy, Elena Traina
Challenging Conventional Approaches To Teaching Creative Writing In Italy, Elena Traina
Journal of Creative Writing Studies
This is an overview of how creative writing is currently taught in Italy and of the reasons why this discipline is struggling to establish itself in public universities. After investigating the relationship between Italian academia and creative arts, I will look at the private nature of these courses in relation to issues of inclusion and diversity; and will highlight some of the pedagogical concerns deriving from having imported the anglophone model. Looking at the wider cultural sector, I will present some reflections on the Italian book industry as a system which prioritises personal connections over literary value, a process often …
Pulpa, Guido A. Setton
Pulpa, Guido A. Setton
Toyon: Multilingual Literary Magazine
JUST WROTE THIS TEXT TWO WEEKS AGO. NOT PUBLISHED ANYWHERE.
The Queen Of My Heart, Walid Abdallah
Darnella, Patricia K. Mccutcheon Ms.
Darnella, Patricia K. Mccutcheon Ms.
Toyon: Multilingual Literary Magazine
None of these poems have been previously published
Pompeiian Pottery, Richard S. Spilman
A Father's Son, Sandeep Kumar Mishra
A Father's Son, Sandeep Kumar Mishra
Toyon: Multilingual Literary Magazine
UNPUBLISHED
None Of The Above / Ninguna De Las Anteriores, Alison Silver
None Of The Above / Ninguna De Las Anteriores, Alison Silver
Toyon: Multilingual Literary Magazine
No abstract provided.
The Fate Of The Earth, Dobby Morse
The Fate Of The Earth, Dobby Morse
Toyon: Multilingual Literary Magazine
No abstract provided.
Snowbound, Q. Noah Veil
The Sound Of Grief, Ashlee M. Murrieta
Mandala Deity, Ian Haight
Chaparrita, Cyerra Colomba Guzman
Primer Sorbo De Zumo De Naranja / First Sip Of Orange Juice, Angela M. Acosta
Primer Sorbo De Zumo De Naranja / First Sip Of Orange Juice, Angela M. Acosta
Toyon: Multilingual Literary Magazine
None of these pieces have been previously published and they are not under consideration elsewhere.
Examination Of Self, Robert T. Pegel
Strong, The Wind/E Forte Il Vento, Toti O'Brien
Strong, The Wind/E Forte Il Vento, Toti O'Brien
Toyon: Multilingual Literary Magazine
No abstract provided.
Hope On The Horizon, Andrew Graber
Hope On The Horizon, Andrew Graber
Toyon: Multilingual Literary Magazine
No abstract provided.
S Is For Sza, Justin A. Paduganan Mr
Concrete Sculptures - Personal Clothing (#1), Mario Loprete
Concrete Sculptures - Personal Clothing (#1), Mario Loprete
Toyon: Multilingual Literary Magazine
No abstract provided.
Thinking, Ernesto A. Iniguez
Thinking, Ernesto A. Iniguez
Toyon: Multilingual Literary Magazine
No abstract provided.
“My Woman’S Voice, My Sexual Voice, My Poet’S Voice”: Poetics Of Sensuality As Reclamation Of Memory And Self In Yesika Salgado’S Tesoro, Jessie C. Bullard
“My Woman’S Voice, My Sexual Voice, My Poet’S Voice”: Poetics Of Sensuality As Reclamation Of Memory And Self In Yesika Salgado’S Tesoro, Jessie C. Bullard
Toyon: Multilingual Literary Magazine
No previous publications.
Sprouts Of Green/Germogli Verdi, Toti O'Brien
Sprouts Of Green/Germogli Verdi, Toti O'Brien
Toyon: Multilingual Literary Magazine
I have written permission by the author for translation and publication of the original poems, which are presently unpublished.
Kutogunduwa (To Be Overlooked), Marc Eichen
Happy Birthday, Celeste T. Colmenares
Happy Birthday, Celeste T. Colmenares
Toyon: Multilingual Literary Magazine
No abstract provided.