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Articles 121 - 146 of 146
Full-Text Articles in Arts and Humanities
Quit, Kate Olp
[ ], Kate Olp
Litmus 3 2 1, Ryan Landolfi
The Wind, Alexandra Sugiri
Badlands, Randy Dilday
Clean Cut, Randy St. Clair
Tomorrow's Living Room, Jason Whitmarsh
Tomorrow's Living Room, Jason Whitmarsh
Swenson Poetry Award Winners
May Swenson Poetry Award Volume 13, with foreward by Billy Collins. Tomorrow's Living Room offers a pleasantly disorienting verbal territory. The collection is alternately wry and dark, hopeful and bleak, full of unexpected light and laugh-out-loud incongruities. We begin to see that the shape and the furniture of Jason Whitmarsh's world reflect our own world (and may in fact be universal), but we're considering them through completely new terms of engagement.
Gentle Fingers, John A. Mazzoni
Caution, Lauren R. Barrett
He Kisses His Pillow, Matthew W. Barrett
Getting Lost, Sarah R. Flynn
Education, Lee A. Blaser
Shanghai Suite And Other Poems, Glen Phillips
Shanghai Suite And Other Poems, Glen Phillips
Research outputs pre 2011
The Shanghai Suite was written during a two month period in early 2004 while I was a visiting professor teaching a course in 'Western' Culture' at the University of Shanghai for Science and Technology. This was also part of the research for my PhD in Creative Writing. During and after those months, I composed most of the poems about Shanghai and that region of China...
Mudskipper, Robbieana Leung
Mudskipper, Robbieana Leung
Global Tides
The "Journeyer's Journal" consists of short narratives describing international experiences by Pepperdine University undergraduate students. Here, Robbieana Leung shares her poem about Chinese heritage.
Past Due: A Collection Of Poems, Byron Lee
Past Due: A Collection Of Poems, Byron Lee
Theses
"Past Due" is a co1lection of poems written almost entirely in free verse and almost exclusively based on personal experience. I find, at least at this point in my growth as a writer, that when I try to adhere to poetic structure, I feel confined. My style is sparse because I feel that this aesthetic best cuts to the emotion I'm trying to convey. I also love playing with line breaks, since I find that doing so can give several lines in a poem their own statement, like each poem makes its own statement even when bound in a co1Iection …
Re-Enacting, Eric J. Kozlik
In Cold Bronze, Kathleen M. Flynn
Sitting, Kelly Bennett
How To Cope, Alyssa O'Keefe
1972, Caleb S. Baker
The Autumn Leaves Of Gettysburg, Rahul Sinha
The Bridge, Volume 6, 2009, Bridgewater State College
The Bridge, Volume 6, 2009, Bridgewater State College
the bridge
Volume 6 Staff
Sarah Haag, Editor-in-Chief
Tara M. Sullivan, Editor-in-Chief
Amanda Armas
Laura M. Bowen
Rachael Dunphy
Grant Ferro
Kyle J. Giacomozzi
Matthew Keogh
Jillian Moore
Lauren Rheaume
Shannon Rosenblat
Mary Dondero, Faculty Advisor
Jerald Walker, Faculty Advisor
Linda Hall, Alumni Consultant
Rosann Kozlowski, Alumni Consultant
Gods R Us, Alivelu Nagamani
Gods R Us, Alivelu Nagamani
UNLV Theses, Dissertations, Professional Papers, and Capstones
Around Grecian orchards. On Trojan battlefields. In Siva's realm. Inside Hanuman's heart. Of gods, demons, and others who love us, hate us, serve us, interfere with us. Of humans larger than life. When gods were not in hiding. About a space not reached via explanations. Poems in Gods R Us come from Greek/Roman and Indic myths, they retell myths, comment on myths, and refer to myths - they could not have been without myths. Distillation and attentiveness create the time needed to be one in the spirit of the poem. I range from reverential to playful.
Vision And Desire: Jim Morrison's Mythography Beyond The Death Of God, Ellen J. Greenham
Vision And Desire: Jim Morrison's Mythography Beyond The Death Of God, Ellen J. Greenham
Theses: Doctorates and Masters
The poetry of Jim Morrison, as opposed to his lyric verse, has been the subject of little critical examination. The aim of this paper is to open up an understanding and interpretation of a mythographic landscape developed by Morrison in his response to existence in a demythologised western culture. Through the use of the Greek myth of Oedipus in its entirety, as opposed to the two most universally known events of the adult Oedipus' life, discussion here will attempt to demonstrate that Morrison developed a cohesive, holistic vision of the human condition of existence in the world, and presented a …
Buelita Lupe, Heather James