Arts and Humanities Commons^™

“Deliberate Voluptuousness”: The Monstrous Women Of Dracula And Carmilla, Judith Bell

Graduate Theses and Dissertations

Vampire women play a culturally significant role in films and literature by revealing the extent to which deviation from Socially accepted behavior is tolerated. In this thesis, I compare the vampire women of Bram Stoker’s Dracula and J. Sheridan Le Fanu’s Carmilla to their depictions in recent adaptations. In Stoker’s Dracula, the vampire sisters are representative of the shortcomings of 19th century gender roles, especially in regard to women’s communities. In recent adaptations, the vampire sisters’ revealing clothing, promiscuity, and lack of characterization are still closely connected with villainy, and as in Stoker’s novel, the women’s violent deaths in the …

Whitewashing Blackface Minstrelsy In Nineteenth-Century England: Female Banjo Players In 'Punch', Laura Vorachek

Laura Vorachek

Blackface minstrelsy, popular in England since its introduction in 1836, reached its apogee in 1882 when the Prince of Wales took banjo lessons from James Bohee, an African-American performer. The result, according to musicologist Derek Scott, was a craze for the banjo among men of the middle classes. However, a close look at the periodical press, and the highly influential Punch in particular, indicates that the fad extended to women as well. While blackface minstrelsy was considered a wholesome entertainment in Victorian England, Punch's depiction of female banjo players highlights English unease with this practice in a way that male …

Dangerous Women: Vera Caspary’S Rewriting Of 'Lady Audley’S Secret' In 'Bedelia', Laura Vorachek

Laura Vorachek

Considering Vera Caspary's Bedelia as a reimagining of Mary Elizabeth Braddon's Lady Audley's Secret allows for a new critical interpretation that refutes the typical view of Bedelia as reinforcing traditional gender roles. Instead, Caspary critiques World War II America by bringing Victorian concerns with female roles into the twentieth century.

Turning Into A Shadow: Textual Management Of Sexual Violence In Taketori Monogatari, Otilia C. Milutin

2013 New England Association for Asian Studies Conference

This paper is an integral part of an ongoing doctoral research which examines the varied textual representations of sexual violence in Heian and Kamakura monogatari. The first part of this dissertation, opening with the section presented here, addresses the three mid-ninth to mid-tenth century texts, Taketori, Utsuho and Ochikubo monogatari, whose representations or misrepresentations of sexual violence shaped Murasaki Shikibu’s own, in the eleventh century Genji monogatari.

The present study focuses on the Taketori text and its management of sexual violence; it traces the work’s textual lineage and underlines the consistent and sustained attempts to sanitize its content …

Whitewashing Blackface Minstrelsy In Nineteenth-Century England: Female Banjo Players In 'Punch', Laura Vorachek

English Faculty Publications

Blackface minstrelsy, popular in England since its introduction in 1836, reached its apogee in 1882 when the Prince of Wales took banjo lessons from James Bohee, an African-American performer. The result, according to musicologist Derek Scott, was a craze for the banjo among men of the middle classes. However, a close look at the periodical press, and the highly influential Punch in particular, indicates that the fad extended to women as well. While blackface minstrelsy was considered a wholesome entertainment in Victorian England, Punch's depiction of female banjo players highlights English unease with this practice in a way that male …

The Several Faces Of Late-Gothic Eve: Gender And Marriage In The Mystery Creation And Fall Plays, Thomas Flanigan

Quidditas

The critical drive to make fundamental, substantive distinctions between Catholic and Protestant dogma and culture has always been central to early modern English studies, but over the past fifty years a prominent contingent of literary and historical scholars has endeavored more specifically to identify and articulate significant differences between Catholic and Protestant perceptions of women and marriage. According to one familiar, now widely accepted theory advanced primarily by Miltonists, a relatively feminist and pro-marriage Protestant ethic emerged in response to the extreme, aggressively misogynistic attitudes attributed to late-medieval Catholic thought. This paper will seek to demonstrate, through a close comparative …

Dangerous Women: Vera Caspary’S Rewriting Of 'Lady Audley’S Secret' In 'Bedelia', Laura Vorachek

English Faculty Publications

Considering Vera Caspary's Bedelia as a reimagining of Mary Elizabeth Braddon's Lady Audley's Secret allows for a new critical interpretation that refutes the typical view of Bedelia as reinforcing traditional gender roles. Instead, Caspary critiques World War II America by bringing Victorian concerns with female roles into the twentieth century.

Willa Cather: Male Roles And Self-Definition In My Antonia, The Professor's House, And "Neighbor Rosicky", Kristina Anne Everton

Theses and Dissertations

Gender roles are a tool used by society to set acceptable boundaries and ideals upon the sexes, and during the early part of the twentieth century in America those gender boundaries began to blur. As a result of the 19th Amendment, men must have felt their decreasing importance because women were no longer solely dependent upon them, and gender roles shifted as woman began to occupy territory that was traditionally held by men. The “New Woman" entered the workforce, and refused to accept traditional female gender conventions. In response to the “New Woman," Theodore Roosevelt and other leading males sought …