Arts and Humanities Commons^™

The Black Press In Minnesota During World War I, Alejandra Galvan

Journal of Undergraduate Research at Minnesota State University, Mankato

April 2017 marks the 100^th anniversary of the United States entering World War I. Many enjoy learning about the battles, the military, and the Homefront. But there is a need for more scholarship to understand the role African Americans played in the war. From my research, many African Americans disagreed with US involvement. Why would a country agree to fight for democracy overseas when its citizens need freedom at home? Racism in the United States concerned African Americans deeply. At the same time, however, African Americans viewed World War I as a way to demonstrate their patriotism. Black citizens …

Quest To Own The Information Superhighway: How Much Of It Can Blacks Realistically Expect To Own?, Matthew S. Scott

Trotter Review

On the so-called information superhighway, cable systems, wire telephone lines, cellular services, satellite delivery and broadcast properties are converging to create an interconnecting electronic system on which audio, video and text can travel worldwide. Even though the system is not yet complete, many African Americans have expressed concern that they will somehow be left out on the back roads without an ownership stake. This essay will attempt to answer some of those questions pertinent to this quest of ownership.

Introduction, Wornie L. Reed

Trotter Review

The mass media can be a positive or negative force in the struggle for racial progress. Unfortunately, the black community faces media that provide many negative influences. Consequently, there is a continuing need to address this issue.

In the articles in this issue of the Trotter Review we examine the current representation of blacks in the news media and representations of blacks in history through the entertainment media.

Tainted Glory: Truth And Fiction In Contemporary Hollywood, Patricia A. Turner

Trotter Review

In the earliest days of cinema, the image of the African American on screen matched the off-screen image. When a 12-minute version of Uncle Tom's Cabin (1903) was filmed, "Tom" shows were the most popular stage shows, the Stowe novel was still a top-seller, and the notion that white southerners were the real victims of the peculiar institution was gaining increasing acceptance in academic circles. When D.W. Griffith's epic and revolutionary Birth of a Nation (1915) depicted a set of stock African-American movie characters — the subservient overweight domestic servant; the indifferent, coquettish mulatto; the savage, sexually driven buck; and …