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Articles 7771 - 7800 of 36642
Full-Text Articles in Arts and Humanities
Tom, Jacob Mcguire
Cicadas, Conner Linger
Hymnal, Emma Wallace
Chihuly Gardens And Glass, Michael Dibacco
I Think You're Leaving Tonight, Katie Cisar
Crying America, Raina Brown
Ashes, Katie Cisar
The Smell Of Cigarettes Reminds Me Of You, Nichole Drungo
The Smell Of Cigarettes Reminds Me Of You, Nichole Drungo
Calliope
No abstract provided.
A Woman's Heart And Its Oceans, Grace Campbell
Thunder Music Crashing, Grace Campbell
Resident Atlantic Puffin Of Eastern Egg Rock, Daniel Rubianto
Resident Atlantic Puffin Of Eastern Egg Rock, Daniel Rubianto
Calliope
No abstract provided.
All My Memories Gather 'Round Her, Aubrey Cumberledge
Death Follows, Aubrey Cumberledge
Did You Mean To Be A Wolf In Sheep's Clothing?, Alyssa Myers
Did You Mean To Be A Wolf In Sheep's Clothing?, Alyssa Myers
Calliope
No abstract provided.
Untitled #2. (Etymology Of Love), Alyssa Myers
Archi-Comics, Timothy Gatto
Archi-Comics, Timothy Gatto
Bachelor of Architecture Theses - 5th Year
Humor in architecture is not at the forefront of architect’s minds, this comes from architects need to be deemed serious. This way of thinking is what has backed architects up into a corner banal and stagnant architecture. Architecture is the art of context, everything in architecture is referential. Humor is foundationally the exact same way, the incongruity theory makes humor possible by putting a concept into context with things and finding contradictions in the process, thus developing a joke. Each of these arts, humor and architecture, are that of context and when architecture is delivered like humor, it points out …
Presenting And Curating Contemporary Installation Art; The Work Of Cornelia Parker And Céline Condorelli, Bridget Curtis
Presenting And Curating Contemporary Installation Art; The Work Of Cornelia Parker And Céline Condorelli, Bridget Curtis
Bachelor of Fine Arts Theses
The popular sentiment in curation among contemporary British art institutions has emphasized the attempt to reconcile with the divide between public art and art presented in institutions. The globalization of Britain in contemporary times has led to the wide dissemination of shows curated by British institutions. The location artwork is exhibited can change the reception and interaction with the work. Artists who use their work as a means of activism can benefit from the perception of a global audience. The question arises as to how impactful activism art can be when exhibited within the contemporary institution versus when it is …
Osmosis: Asymmetries In Telematic Performance, Matthias Ziegler
Osmosis: Asymmetries In Telematic Performance, Matthias Ziegler
Journal of Network Music and Arts
For the 2022 edition of the NowNet Arts Conference on October 31st, the telematic research team of the Zurich University of the Arts (ZHdK) presented a project entitled OSMOSIS. OSMOSIS was a concert event, highlighting how telematically connected spaces always confront each other asymmetrically. Their telematic connection is part of a continuous space in which information is fragmented and selectively reassembled. Like the biochemical process of osmosis in which molecules diffuse across a cell membrane from one level of concentration to another, in telematic connections certain elements such as sound, physicality, movement, and empathy are diffused across spaces, each being …
Synthesis: Works Of Sarah Weaver And Collaborations (2020-2022), Sarah Weaver
Synthesis: Works Of Sarah Weaver And Collaborations (2020-2022), Sarah Weaver
Journal of Network Music and Arts
Synthesis Series is a set of contemplative contemporary network arts works for solo, chamber, and large ensemble performance. The works are my compositions and collaborations from the years 2020 to 2022. The concept of synthesis is conceived as an activation of synchrony. Synthesis Series follows my prior works in Synchrony Series and Source Series as sequences of compositions since 1998 proliferating into a networked system of artistic realization. In Synchrony Series I defined synchrony as the perceptual alignment of distributed time and space components. Synthesis builds on this to activate the alignment as a networked state of composite resultants, networked …
Distributed Networks Of Listening And Sounding: 20 Years Of Telematic Musicking, Doug Van Nort
Distributed Networks Of Listening And Sounding: 20 Years Of Telematic Musicking, Doug Van Nort
Journal of Network Music and Arts
This paper traces a twenty-year arc of my performance and compositional practice in the medium of telematic music, focusing on a distinct approach to fostering interdependence and emergence through the integration of listening strategies, electroacoustic improvisation, pre-composed structures, blended real/virtual acoustics, networked mutual-influence, shared signal transformations, gesture-concepts and machine agencies. Communities of collaboration and exchange over this time period are discussed, which span both pre- and post-pandemic approaches to the medium that range from metaphors of immersion and dispersion to diffraction.
An Overview Of Immersive Virtual Reality Music Experiences In Online Platforms, Ben Loveridge
An Overview Of Immersive Virtual Reality Music Experiences In Online Platforms, Ben Loveridge
Journal of Network Music and Arts
As the field of Virtual Reality (VR) continues to mature, so too does the potential for creative and immersive musical experiences in the medium. However, of the thousands of applications now available across the major VR platforms, only a small number of titles focus on the ability to create or explore musical content. This article outlines the current state of music games, experiences, and creative applications across the current VR ecosystem. Firstly, it surveys the quantity of commercial titles currently available across the major VR platforms with a music-related focus. Secondly, the article classifies music applications into the following subcategories: …
Musical Time In Network Interaction: The Case Of Unfinished Line, Silvio Ferraz, William Teixeira
Musical Time In Network Interaction: The Case Of Unfinished Line, Silvio Ferraz, William Teixeira
Journal of Network Music and Arts
Considering recent world events, art and music could not be unmoved by the dramatic turn of directions in both the way people relate and the place of technology in their lives. An ongoing project of both the authors in writing a new piece for cello and Disklavier operated by interactions in real-time gave place to a new kind of composition, mixing written music to improvisation and replacing real-time for something we are calling remote time. This paper presents such walking of resilience, first reviewing some relevant points of view about musical interaction in real-time and the importance of synchrony for …
The Entanglement: Volumetric Music Performances In A Virtual Metaverse Environment, Damian Dziwis, Henrik Von Coler
The Entanglement: Volumetric Music Performances In A Virtual Metaverse Environment, Damian Dziwis, Henrik Von Coler
Journal of Network Music and Arts
Telematic music performances are an established performance practice in contemporary music. Performing music pieces with geographically distributed musicians is both a technological challenge and an artistic one. These challenges and the resulting possibilities can lead to innovative aesthetic realizations. This paper presents the implementation and realization of “The Entanglement,” a telematic concert performance in a metaverse environment. The system is realized using web-based frameworks to implement a platform-independent online multi-user environment with volumetric, three- dimensional, streaming of audio and video. This allows live performance of this improvisation piece based on an algorithmic quantum computer composition within a freely explorational virtual …
Adventures In [A]Synchrony: Tools And Strategies For The Network Arts-Curious Music Educator, Seth Adams
Adventures In [A]Synchrony: Tools And Strategies For The Network Arts-Curious Music Educator, Seth Adams
Journal of Network Music and Arts
Networked Music Performance (NMP) is ensemble music mediated by a network such as the internet. NMP can be usefully divided into asynchronous and synchronous formats. Prototypical examples of the asynchronous format familiar to music educators are Eric Whitacre’s virtual choirs that began in 2009. A decade later, the virtual ensemble format exploded in popularity due to the COVID-19 pandemic. Although the format does not allow participants to interact with one another, virtual ensembles nonetheless provide ample opportunities for both musical and nonmusical benefits. Synchronous NMP is, by comparison, little known and rarely practiced by music educators. However, both types of …
Editorial, Sarah Weaver