Arts and Humanities Commons^™

Latent Auto-Recursive Composition Engine: A Generative System For Creative Expression In Human-Ai Collaboration, Yenkai Huang

Computer Science Senior Theses

This thesis investigates the shifting boundaries of art in the era of Generative AI, crit-
ically examining the essence of art and the legitimacy of AI-generated works. Despite
significant advancements in the quality and accessibility of art through generative
AI, such creations frequently encounter skepticism regarding their status as authentic
art. To address this skepticism, the study explores the role of creative agency in var-
ious generative AI workflows and introduces an ”artist-in-the-loop” system tailored
for image generation models like Stable Diffusion. This system aims to deepen the
artist’s engagement and understanding of the creative process. Additionally, a novel
tool, …

Echo: The 2.5d Bridge Between The 2d And 3d Virtual Reality Space, Emilie Nicole Hopkinson

Dartmouth College Master’s Theses

In response to the expanding prevalence of virtual reality (VR) technology, there arises a necessity for beginner-friendly tools tailored towards individuals with little to no experience in creating art for VR, especially 2D artists. Echo serves as a user-friendly solution that enables primarily 2D artists with little to no experience in 3D editing and VR development to create 2.5D art by providing a simple 3D web editor and to share their VR artwork with a 6-digit share code. By facilitating these functions, Echo is a potential bridge for 2D artists to create art in the VR realm. This study assesses …

[W]Hole: Journey To Fullness, Joni P. Gordon

MFA in Visual Art

My work raises critical questions about Black history, race, gender, beauty, and privilege. My practice also highlights the intersectionality of colorism and racism. I use materials such as cardboard rectangles with handwritten words, brown paper, doors defaced by scratches, fire, printed images, newspaper, and projected photographs to ask and answer those questions. I also use Work and Travel documents, broom and brush bristle, mop fiber, towels, and audio recordings of oral histories to exhibit invisible scars wrought by racist actions as physical and material manifestations.

My practice began after experiencing racial discrimination for the first time on a US work …

We Came From The Sea, L. Alexis St. John

CGU MFA Theses

This paper contains a summary of the thesis exhibition, including an artist statement, exhibition flyer, images of the artwork with descriptions, and images of the gallery. The descriptions of the images are excerpted from the exhibition program, and include artwork titles in a constructed language called Ponder.

More Than A Punchline: A Comparative Analysis Of Diversity In Dropout.Tv & Collegehumor, Alexander Gluchowski

Departmental Honors & Graduate Capstone Projects

This paper examines the evolution of digital comedy through a comparative analysis of CollegeHumor and its offshoot, Dropout.tv, focusing on how each platform has approached the portrayal of diversity and inclusion. Utilizing a qualitative content analysis, the study contrasts selected episodes from both platforms to explore shifts in the representation of queer and POC comedians, and the thematic treatment of identity issues. The findings reveal that Dropout.tv significantly advances the inclusivity of comedic content, moving beyond CollegeHumor’s earlier reliance on stereotypical and controversial humor. This shift not only reflects changes in contemporary comedy but also highlights Dropout.tv's commitment to fostering …

Queerform/Ing, Matthew Solon-Lee Weimer

Art Theses and Dissertations

My artwork is situated within and around vessels and the Queer Homoerotic World and explores sexuality as a Demisexual within them. This is accomplished through the two processes of my creation, Minivague and Queerform/ing: balancing sexual tension and explicit expression, while subverting traditional norms and stereotypes with queerness to distance oneself from stereotypical Gay Art. Altering/emphasizing makes the artwork more romantic, lighter, whimsical, softer, and tender than the figure/s and the situations actually are. The process is also emphasizing what one sees or wants to be seen. The Pink Boy becomes a celebration of intimacy of any form. I discuss …

Texas Gothic, Taryn Uribe Turner

Art Theses and Dissertations

The emotional and the ecological combine to create my body of work titled, “Texas Gothic.” My thesis tells the stories of my oil paintings created through personal connections to a variety of landscapes, animals and experiences that share the setting of Texas.

Desire and regret take shape as animals and figures not fully formed or real. Unreliable narratives of the past are entangled with present tensions to create a painting that haunts and stalks.

And yet, there is hope!

Through nostalgia and sweetness and burdens, my paintings confront a shrouded future. The contradictions of time passing are explored in my …

Fragmented Bodies, Lauren Careese Alexander

Art Theses and Dissertations

Through Memory Webs and fragmented ceramic vessels, I express what it feels like to grow up living in a biracial body. I utilize mixed media to emulate a mixed-race experience. My Memory Webs are fashioned by painting on scraps of canvas and attaching them with crocheted wire and ribbon to speak to how my memory has impacted my identity. My fragmented ceramic vessels are cut up and stitched back together to represent disjointedness and un-belonging. All of my work is contextualized through the novel Frankenstein by Mary Shelley and what the Monster may represent for people of color. I also …

The Environmental Craftsfolk: Making Things In A World Full Of Stuff, Zoey Ballard

Graduate Student Portfolios, Professional Papers, and Capstone Projects

This Civic Engagement Project (CEP) proposes a transformative approach to addressing the complex challenges of environmental degradation and disconnection from nature through the establishment of the Eco-Craft Cabal in Missoula, Montana. The project seeks to reframe environmental consciousness through the lens of craft, fostering improved connections with the local environment and promoting community resilience. By repurposing both natural and artificial materials in inclusive, accessible crafting activities, the Eco-Craft Cabal aims to empower participants to confront feelings of despair and hopelessness with tangible, meaningful actions.

Manipulative, Dark, And Unethical Design Practices In Ui & Ux Design, Ryan Edward Brown

Honors Theses

This thesis examines the pervasive and detrimental effects of manipulative user interface and user experience design (UI/UX) practices on individuals and society. Focusing on three critical areas – accessibility, dark patterns, and polarization – the study employs a mixed-methods approach, combining findings from a comprehensive literature review, an analysis of specific design patterns and methods, and a survey of user experiences.
The literature review covers topics such as the importance of accessibility in design education, the prevalence of dark patterns in mobile and desktop sites, the role of personalization algorithms in shaping user experiences, and the formation of echo chambers …

Increasing The Accuracy Of The Military‟S Post-Deployment Mental Health Screening Strategies, Daniel Fass

All-Inclusive List of Electronic Theses and Dissertations

The author investigated the prevalence rates of mental health problems reported by college students and compared them with previously existing data on active duty, reserve, and National Guard Operation Iraqi Freedom veterans. Participants completed the mental health portion of the Post-Deployment Health Re-Assessment and an additional questionnaire in which the effect of a drug use screen was explored. Subjects were also asked about their intentions to seek mental health or substance abuse treatment and how anonymity affected their treatment seeking and reporting accuracy. Results indicate similar and at times higher rates of mental health problems in the sample of college …

The Hero’S Journey, Brianna Tolkacz

Undergraduate Theses, Capstones, and Recitals

The Hero’s Journey reflects on the continued fascination with fairytales, myths, and legends through time. This project follows the exploration of these stories, themes, and the lessons they can teach one about themselves and the wider world. Such fictional narratives allow one to process and share their lived experiences: the victories and tragedies, losses and growth. This project follows a winged figure as she fights for her freedom and gains her wings. the journey is messy and raw but still beautiful. The project blends classical oil painting and contemporary sculptural elements to compose an evolving narrative culminating in a dynamic, …

Hidden In Humor: Redefining Abjection Through Implication, Maddy Kish

Bachelor of Fine Arts Senior Papers

Abjection can whisper. It lies beneath the joke; you will find it there if you spend the time. Look at me. Come closer. Are you willing to discover? If you listen, I will confess, I will air out my dirty laundry, I will show you the inside of my body and its evidence.

My thesis is a consideration of my waste, an analysis of the bodily trail I leave behind. I explore indecency as a persistent feature of my art practice and a tactic I use to stimulate interest. My overarching unladylike sensibility is broken down into three categories – …

Latent Auto-Recursive Composition Engine, Yenkai Huang

Dartmouth College Master’s Theses

This thesis investigates the shifting boundaries of art in the era of Generative AI, critically examining the essence of art and the legitimacy of AI-generated works. Despite significant advancements in the quality and accessibility of art through generative AI, such creations frequently encounter skepticism regarding their status as authentic art. To address this skepticism, the study explores the role of creative agency in various generative AI workflows and introduces an "artist-in-the-loop" system tailored for image generation models like Stable Diffusion. This system aims to deepen the artist's engagement and understanding of the creative process. Additionally, a novel tool, the Latent …

Identity Hand Map, Emily Kaprinshi

Bryant University Undergraduate Journal

No abstract provided.

Identity Hand Map, Ava S.

Bryant University Undergraduate Journal

No abstract provided.

Identity Hand Map, Emily Griffith

Bryant University Undergraduate Journal

No abstract provided.

Identity Hand Map, Preston Desousa

Bryant University Undergraduate Journal

No abstract provided.

Identity Hand Map, Anonymous Student

Bryant University Undergraduate Journal

No abstract provided.

Identity Hand Map, Aanil M.

Bryant University Undergraduate Journal

No abstract provided.

Identity Hand Map, Carly Dimock

Bryant University Undergraduate Journal

No abstract provided.

Identity Hand Map, Ted Donohue

Bryant University Undergraduate Journal

No abstract provided.

Identity Hand Map, Anonymous Student

Bryant University Undergraduate Journal

No abstract provided.

With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner

Whittier Scholars Program

My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …

Costumed Culture: Influences And Preservation On Broadway, Amanda L. Padilla

Publications and Research

This research talks about into the preservation and evolution of costuming in Broadway productions, and exploring how historical and contemporary designs intersect in certain productions. Through articles and an interview with an IATSE worker, it examines the socio-cultural influences shaping costume choices and the technical advancements driving innovation. By tracing the trajectory of Broadway costuming, from its roots to modern adaptations, this study talks about theatrical storytelling and its broader impact on fashion and cultural trends. It shows the significance of costuming as an art form reflective of constantly changing societal norms and artistic expressions on the Broadway stage.

Skin To Skin: A Mixed-Media Exploration Of The Inheritance Of Identity, Angeline Morgan

Honors Theses

Skin to Skin is a mixed-media project that investigates the inheritance of identity through fine art and anthropological approaches. With a focus on womanhood, maganda (beauty), and Filipino-American culture, Skin to Skin reflects my deconstruction of cultural beauty practices. Growing up, proximity to lightness and darkness was a heavily emphasized metric. I witnessed family members experiment with light, water, and skin-lightening products on their skin. Now, I use alternative process photography to mirror their aesthetic experimentation.

To visually connect darkroom and beauty rituals, I created a series of unique, experimental prints where I treat paper surfaces as skin. I produced …

Mindspace: A Multi-Media Art Exhibition On C-Ptsd Awareness, Emma Wallace

Student Research Symposium

"Mindspace" is an autobiographical art exhibition aimed at raising awareness about Complex Post-Traumatic Stress Disorder (C-PTSD) through a multi-sensory experience. The exhibition combines sculpture, lights, sound, and video projection to immerse viewers in the intricate emotional landscape of C-PTSD. Through a series of sculptural installations and carefully curated lighting and audio, visitors are invited to explore the internal world of an artist affected by C-PTSD and learn how it differs from PTSD and other types of mental health issues.

“Mindspace" incorporates specially composed soundscapes that offer an intimate look into the artist’s thoughts and memories, which range from spoken word …

Omnipresence And An Outlier, Cheyenne Monk

Bachelor of Fine Arts Senior Papers

In this thesis, I explore the possibility of existence outside the confines of labeled identity through the lens of art, drawing inspiration from personal experiences of racial alienation and the desire to transcend societal labels. Through figurations and world-building, I challenge the notion that one's identity must be defined by categories such as race and gender. By removing categorical physicalities and portraying violence as a means to confront bias-motivated aggression, I aim to provoke dialogue on prejudice without further alienation. Through a blend of surrealism, abstraction, and neo-expressionism, I create tense yet playful presentations of bodies to communicate themes of …

The Cicadas Are Always Beneath Our Feet, Mary Kate Charles

Bachelor of Fine Arts Senior Papers

In an era of exposure to thousands of images every day with practically unlimited access to the world’s archive of art, this essay explores the legacy of the productions of medieval convents and the women who would encounter only a few art objects each year as documented by historians Chiara Frugoni, Jeffrey Hamburger, and Sharon Strocchia. In this era of visual overconsumption, this essay proposes the body of work, Where the Cicadas Burrow as an archive utilizing alternative printing processes to pull forward the tradition of liturgical arts many religious women would have participated in historically. Operating within a contemporary …

Good Enough, Haley Levin

Bachelor of Fine Arts Senior Papers

The seven-foot-tall sculptural painting Good Enough explores the cultural significance of trophies in contemporary American society. As an ancient object representing achievement and reward, the irony of trophies’ current junk-status pokes at absurd contradictions embedded in American culture. I offer context on the evolution of “the readymade” from Dada to Pop Art to 90s assemblage, and position Good Enough’s handmade, tender approach as a celebratory twist to that lineage of cultural critique.