Arts and Humanities Commons^™

David Simpson, Daphne A. Deeds

Sheldon Museum of Art: Catalogs and Publications

Pure abstract art has always been controversial. Since the first abstractions of early modernism, to the emotional paintings of abstract expressionists during the mid century, the concrete abstraction of minimalism of the 1960s and recent symbolic abstraction, any apparent retreat from representation has been met with discourse. This consternation has been shared by both the lay public and the informed viewer, for the problems posed by abstraction refer to essential questions about reality while they appear to avoid the real world. But this apparent contradiction between non representation and content has become more obscure as both artists and viewers become …

Native Visions: Art By Folks, Karen O. Janovy

Sheldon Museum of Art: Catalogs and Publications

Among the prestigious holdings of 20thcentury American art at the Sheldon Memorial Art Gallery, University of Nebraska-Lincoln, are outstanding examples of folk art that visitors frequently refer to as their favorites. Native Visions: Art by Folks includes Sheldon's sensitively rendered 19th-century shop sign Horse, the 18th-century limner portrait Girl with Rose and Book, and the 19thcentury watercolors Ship and Whale, both of the latter undated, by unknown artists, and found in whaling log books. In addition to these familiar pieces, the exhibition features 18th-, 19th- and 20th-century folk art objects selected primarily from private collections throughout Nebraska. Works …

Carpets For Commerce: Rug-Weaving In The Caucasus, Carol Bier

Textile Society of America: Symposium Proceedings

At the turn of the 20th century, Caucasian carpets were in great demand among burgeoning European and American middle-class markets. With a history of carpet production going back at least three hundred years, rug-weaving in the Caucasus soared at the turn of the 20th century, first with economic incentives and the encouragement of czarist regimes, later as part of the Soviet economic system. Today, in an age of perestroika and glasnost. rug-weaving in the Caucasus for commerce and export lends itself readily to individual initiatives and private enterprise. Commercial production of carpets continues to be recognized as a means …

Ancient West Mexican Clothing And Its Ecuadorian Origins: New Evidence Of Maritime Contacts, Patricia Rieff Anawalt

Textile Society of America: Symposium Proceedings

Evidence of ancient cultural contacts between coastal Ecuador and the mountains of West Mexico exists in clothing similarities between the two areas, namely tunic-like shirts and short breeches for males and a. tropical mode of dress for females. This non-Mesoamerican attire is illustrated in the early sixteenth century codex Relacion de Michoacan and also appears on mortuary figurines from the deep shaft tombs of Ixtlan del Rio, Nayarit (400 B.C.- A.D. 400). Coeval prototypes of this West Mexican clothing occur archaeologically along that section of the Ecuadorian coast which was the homeland of long-distance merchant navigators. Their trade goods, described …

Revolving Bananas: The Influences Of Indian Trade Textiles On Javanese Batik Design, Robyn Maxwell

Textile Society of America: Symposium Proceedings

The influence of the Indian double ikat silk patola on Southeast Asian textile structure and design has long been acknowledged, however, the impact of Indian painted and printed mordant-dyed cotton textiles, traded into the region over centuries, has been largely undocumented. Recent finds now indicate the great variety of cotton textile types imported into Indonesia.

This talk explored the role of these Indian cotton trade textiles in the development of Javanese batik, and the effect of the change of medium on design transformations. Designs from a range of batik-producing regions were examined, including the well known pisang balik (inverted banana) …

Transatlantic Trade In Woollen Cloth 1850-1914: The Role Of Shoddy, David T. Jenkins

Textile Society of America: Symposium Proceedings

THE WORSTED CLOTH TRADE

The factors affecting European trade and competition in worsted cloth in foreign markets, notably the United States, in the second half of the nineteenth century are well recorded. From the 1840s the two main worsted cloth producing countries of Europe, Britain and France, pursued quite different strategies in production and trade. Developments in dyeing technology from the late 1830s allowed substantial improvements in the production of mixed worsted cloth; cloth of cotton warp and worsted weft. The British industry rapidly converted its production to the cheaper mixed worsteds for a much wider market to the extent …

Indian Textiles For The Thai Market: A Royal Prerogative?, John Guy

Textile Society of America: Symposium Proceedings

The historical trade in Indian textiles to Thailand can be well documented from the beginning of the seventeenth century. Archaeological as well as textual sources allow our understanding of this trade to the region to be pushed back to the late thirteenth century, when Indian textiles had already assumed a high status at the court of Angkor.

In the course of the Ayudhyan period the control of this trade appears to have been secured by the Thai king and nobility. The earliest European accounts of trade with Thailand refer to the central role the king assumed, as both the dispenser …

Textiles And Trade In Tokugawa Japan, William B. Hauser

Textile Society of America: Symposium Proceedings

Any discussion of the textile trade in Tokugawa Japan (1600-1867) requires that the socio-economic and political context first be outlined. Japan was a state divided into many separated political jurisdictions, with around one-quarter of the country controlled directly by the Tokugawa Shogunate and the other three-quarters under the local control of around 265 local barons or daimyo. While each of these local power-holders was subordinated to the shogun and required to spend half his time in attendance on the shogun at the Tokugawa capital of Edo (modern Tokyo), within his own domain he was an autonomous ruler. Each daimyo owed …

Studio And Soiree: The Use And Misuse Of Chinese Textiles In A European Setting, Verity Wilson

Textile Society of America: Symposium Proceedings

George Smith's painting, ‘The Rightful Heir’, exhibited at the Royal Academy in 1874, serves as a melodramatic introduction to this paper. Sombre-suited gentlemen are depicted sitting around a table studying the disputed will. Two frightened ladies in crinolines and a small boy in a velvet suit confront the wicked usurper who is wearing a Chinese dragon robe. This angry Victorian was not unique in his choice of dressing gown.

The dragon robe, familiar from museum collections all over Europe and North America, was used in China in the seventeenth, eighteenth and nineteenth centuries as an hierarchical garment. It was worn …

Moccasins Into Slippers: Traditions And Transformations In Nineteenth-Century Woodlands Indian Textiles, Ruth B. Phillips

Textile Society of America: Symposium Proceedings

Towards the middle of the nineteenth-century a swift and dramatic transformation occurred in textiles and other kinds of art made by Woodlands Indians in northeastern North America, This transformation was accomplished in part by a wholesale replacement of indigenous materials with Euro-American manufactures— cloth for hide, glass beads for porcupine quills and silk ribbon for paint. It also encompassed the introduction of entirely new object types and the substitution of a new vocabulary of floral imagery for older iconographic traditions.

It is not, of course, coincidental that this change in iconography and materials occurred simultaneously with the rapid growth of …

1990 The Analysis, Rebecca Yoder

Philadelphia University Yearbooks

No abstract provided.

An Art Therapy Program For Women Who Are Chemically Dependent And/Or Victims Of Domestic Violence: A Training Manual, Mary H. Cook

Theses

Women who are chemically dependent and/or victims of domestic violence have difficulty identifying and expressing feelings. One of the most important aspects of recovery is learning to feel again and to talk a bout feelings.

Art therapy is a form of psychotherapy in which the therapist utilizes visual expression as a means of communication. The most common traits of these clients are low self-esteem, depression, anger, and a sense of helplessness . By making the issues symbolic, art therapy facilitates communication and reduces confusion.

This study presents an overview of art therapy, and a training manual is included for therapists …

Habits Of Industry: White Culture And The Transformation Of The Carolina Piedmont (Book Review), Edward L. Ayers

History Faculty Publications

Review of the book, Habits of Industry: White Culture and the Transformation of the Carolina Piedmont by Allen Tullos. Chapel Hill: University of North Carolina Press, 1989.

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 11 (1990), Laurel Horton, Kristin M. Langellier, Jeanette Lou (Jan) Stehlik, Janet Carruth, Laurene Sinema, Joyce B. Peaden, Nancy Gibson Tuckhorn, Elizabeth Richards, Sherri Martin-Scott, Kerry Maguire, Barbara K. Phillippi, Wilene Smith

Uncoverings Journal

Preface by Laurel Horton

The Marketing of Anne Orr's Quilts by Merikay Waldvogel

Contemporary Quiltmaking in Maine: Re-fashioning Femininity by Kristin M. Langellier

Quilt Patterns and Contests of the Omaha World Herald, 1921-1941 by Jan Stehlik

Emma Andres and Her Six Grand Old Characters by Janet Carruth and Laurene Sinema

The Multicolored Geometric Pieced Sails of Mindanao and the Sulu Archipelago by Joyce B. Peaden

A Profile of Quilts and Donors at the DAR Museum by Nancy Gibson Tuckhorn

Quilts as Material History: Identifying Research Models by Elizabeth Richards, Sherri Martin-Scott, and Kerry Maguire

Pre-1940 Quilt Tops: Their Status and …

The American Market For Indian Textiles, 1785-1820: In The Twilight Of Traditional Cloth Manufacture, Susan S. Bean

Textile Society of America: Symposium Proceedings

A brisk trade in Indian cloth developed soon after the end of the American War of Independence in 1783 and continued to flourish until Congress enacted a prohibitive tariff in 1816 to protect the nascent U.S. textile manufacturing industry. For the period 1795-1805, U.S. trade with India well exceeded trade with all European nations combined for all commodities (Furber 1938:258). Cloth was the centerpiece of this trade: The piece goods imported in 1804-05, for instance, were about three times the value of all other goods from India, chiefly sugar, indigo, ginger, and a variety of spices and drugs (Bhagat 1970:42). …

Textiles In Trade In West Africa, Brigitte Menzel

Textile Society of America: Symposium Proceedings

Textiles in Africa since some time have become a topic of research, much of which is focused on aspects of art. The at least equally important economic aspects (production, consumption, and trade) are still rather neglected.

When doing field research in West Africa it is impossible to overlook the fact that most of the textiles in use could not have been produced locally. This applies not only to the colorful printed cottons but as well to handmade textiles.

In Asante (Ghana) I found woolen fabrics, which obviously were hand-woven but must have come from somewhere else as sheep and goats …

Of Cabbages And Kings, Ellen S. Smart

Textile Society of America: Symposium Proceedings

This paper attempts to relate a small number of Mughal furnishing fabrics to their 17th C prices and to the purchasing power of Mughal money. There is no intent to give a comprehensive overview, but rather to see a few 17th C textiles, which today are rare and fabulously expensive, in terms of their original comparative cost. Information about the fabrics comes from the goods themselves and from contemporary Mughal paintings. Although inscriptions on the textiles contain some information about prices, several tables of textiles and prices are found in the Ain-i Akbari, a compendium on the mode of …

A Brief History Of The Textile Society Of America Summary Report By The President, Milton Sonday

Textile Society of America: Symposium Proceedings

After The Textile Museum decided to discontinue its Irene Emery Roundtables and die Centre International d'Etude des Textiles Anciens finally admitted it was not interested in an American branch, it became clear that an independent American group of textile enthusiasts should be formed to satisfy the many requests for such an organization. There had been an attempt to form a group which was called WHATS, but it never got off the ground. Peggy Gilfoy at the Indianapolis Museum of Art, one of the original organizers, was left guarding its small fund when it folded.

On April 3, 1987 a small …

Seed Sisters, Linda Ganstrom

Master's Theses or Doctor of Nursing Practice

The love I've experienced in life has inspired me to explore the positive, creative power of woman. I see woman as a vessel. Within she holds her love, new life, and a host of ideas, emotions and dreams. The potential of women in today's American culture fascinates me. Women face a wide variety of life-choices. For many, these new opportunities in the work-place have been accompanied by fresh dilemmas. How does one juggle family, work, spiritual, and personal responsibilities? Challenged, today's woman is pregnant with possibilities, full of new hope and new life. Yet she also has an eternal side, …

Calliope, Armstrong State College

Calliope Magazine

Volume 7

Lights And Shadows - 1990, University Of North Alabama

Lights and Shadows

Art and Literature Magazine

1990 Portfolio, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.

Weigh Ideas Carefully, Amy Gendler, Fleet Library, Special Collections, Jan Baker

Letters

This book was completed for Jan Baker's artists' book class, Printed Books.

Where Is Everybody?, Ruth Laxson, Special Collections, Fleet Library

Ruth Laxson Artist Book Archive

[10] leaves : ill. ; 18 cm. Two outsized leaves, one a pentagon, the other with a serrated outer margin. "Fall 1990"--Leaf [10]. Library has copy no. 15 of 20. Binding is oriental stitch (traditional format, Japanese).

Dingbats, Sharyn O'Mara, Fleet Library, Special Collections, Jan Baker

Letters

This book was completed for Jan Baker's artists' book class, Printed books.

Vitamin Abc's, Ingrid Pearce, Fleet Library, Special Collections, Jan Baker

Food

This book was completed for Jan Baker's artists' book class, Printed Books.

I Would Have Known You Anywhere, Claudia Bruno, Fleet Library, Special Collections, Jan Baker

Culture

This book was completed for Jan Baker's artists' book class.

I Caught A Tremendous Fish, Lori Giovanni, Fleet Library, Special Collections, Jan Baker

Animals

This book was created for Jan Baker's artists' book class.

Altered Book, Unknown. Possibly Risd Student., Special Collections, Fleet Library

Artists' Books

1 object. Altered book, consists of a portion of the spine (blue buckram) and a small part of the text block. Portions of words and illustrations can be seen as pages are flipped. Possibly made by a Rhode Island School of Design student. Donated to the library by Jan Baker, a former graphic design instructor who taught classes in artists' books. Case binding. Text in English. Curated title for Fleet Library Special Collections exhibition Stacked & Altered, summer 2022.

Duct 1990, Students Of Risd, Risd Archives

All Student Newspapers

Duct was an experimental student magazine “for communication.” The 1990 issue features overlaid and partial text, making it difficult to read the contents. The focus of the publication appears to be the Graphic Design department, with an "article" discussing the lack of women professors, another article dealing with whether Barbara Kruger is a graphic designer, an interview with a student named "Maria," and other text.