Arts and Humanities Commons^™

Arts And Crafts In Late Imperial Russia: Reviving The Kustar Art Industries, Wendy Salmond

Art Faculty Books and Book Chapters

Arts and Crafts in Late Imperial Russia is the first account of the revival of Russia's kustar art industriespeasant crafts of wood carving, toy production, lacemaking, embroidery, and weaving - from its origins in the populist debates and philanthropic impulses of the early 1870s to its climax in 1913, with the display of its achievements at the Second All-Russian Kustar Exhibition in St. Petersburg. Like every Western nation in the late nineteenth century Russia experienced a widespread movement to revive its traditional arts and crafts. This study uncovers the complex motivations that led a broad cross section of educated Russian …

Front Matter

Inscape

No abstract provided.

Analysis Of A Teaching Experience Integrating Art, Math, And Contemporary Pedagogical Theory, Julie K. Borda-Hill

Whittier Scholars Program

This project is a study in designing a unit for elementary students that combines art with mathematics to prove art can be used to assist teaching as well as be a subject on its own and to teach math processes. This study includes a specifically designed unit plan that combines art and math concepts as well as the success and reflection on this study.

Masterpieces Out Of Context: Altered Meanings Of Appropriated Art And Design In Advertisement, Karen Elizabeth Grisette

Whittier Scholars Program

This project explores the creation of advertisements with the focus of appropriation of images especially with the introduction to digital art and design. This study includes theories on art and design and advertising, addressing well-known art and design work and their portrayal in modern times.

Approaches To Understanding Oriental Carpets, Carol Bier

Textile Research Works

ORIENTAL CARPETS reached a peak in production in the late nineteenth century, when a boom in market demand in Europe and America encouraged increased *24 production in Turkey, Iran and the Caucasus.* Areas east of the Mediterranean Sea at that time were referred to as. the Orient (in contrast to the Occident, which referred to Europe). To study the origins of these carpets and their ancestral heritage is to embark on a journey to Central Asia and the Middle East, to regions of low rainfall and many sheep, to inhospitable lands where animal husbandry and the seeking of good pastures …

Symmetry & Pattern: The Art Of Oriental Carpets, Carol Bier

Textile Research Works

The beauty of oriental carpets is achieved by various means including choice of colors and designs, as well as by the manipulation of designs to form pleasing patterns. Patterns in Oriental carpets are never quite what you expect — a surprise here, a flourish there, a change of color, the flip or rotation of a design where you might not predict it. The more you look, the more variations you will find.

The study of symmetry offers an approach to analyzing patterns in Oriental carpets. Through symmetry analysis we may identify areas of pattern that exhibit expected repetitions, and areas …

Graduate Bulletin, 1996-1998 (1996), Moorhead State University

Graduate Bulletins (Catalogs)

No abstract provided.

Blanket Statements, Issue 47, Winter 1996

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 47, Winter 1996

Normal Editions Workshop Newsletter, 1996, Wonsook Kim School Of Art And Design

Normal Editions Workshop Newsletter

Annual newsletter for the Normal Editions Workshop, School of Art, Illinois State University.

Guy Grey-Smith : Guy Grey-Smith's Landscapes Of Western Australia, Annette Davis

Research outputs pre 2011

This exhibition focuses on the landscapes of one of Western Australia's most significant artists, Guy Grey-Smith (1916-1981). Working in Western Australia for more than thirty years from 1948 to 1981, GreySmith offered audiences a fresh, new interpretation of the Western Australian environment.

Metaphors Of Memory, Mary Alice Applegate

Dissertations and Theses @ UNI

Metaphors of Memory is an installation of objects created during my studies in the Master of Arts program at the University of Northern Iowa from August 1995 to December 1996. The work was exhibited at Kamerick Art Gallery at the University of Northern Iowa on December 13-20, 1996. The installation summarizes and objectifies my observations and reflections on sociocultural phenomena arising from memory loss due to Alzheimer's Disease. My recent familial contact with Alzheimer's Disease led me to choose this as a subject for exploration in my art. My work comes from an instrumentalist or pragmatic perspective. Like artist and …

Perceptions Of A Moment, Irene G. Brozyna

Theses

The works of art in my graduate exhibition reflect historical and personal influences on my life. The show includes 40 oil paintings (predominately oil pastels) and five watercolors. The works presented are divided into several categories: Genre paintings, Impressionistic paintings, the Boston Series, Figure paintings , Series in White, Still Lifes, the Luminist group, and Watercolors.

The inspirations for the paintings are my personal life experiences and, in some cases, the pieces represent my heritage. Renditions are derived from many styles and artists . However, Luminists, Romanticists and Impressionists are the greatest influences. The show will hang in the Hendren …

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 17 (1996), Virginia Gunn, Tracy Barron, Jill Sutton Filo, Cassandra Stancil Gunkel, Elizabeth Hoffman, Susan Price Miller, Pat L. Nickols, Rebecca A. Ries

Uncoverings Journal

Preface by Virginia Gunn

Research Papers

Nancy Riddick's Quilts: Autobiographical Statements by Cassandra Stancil Gunkel

Carlie Sexton and Her Quilt Pattern Business by Susan Price Miller

Ruby Short McKim: The Formative Years by Jill Sutton Filo

Quilting Imagery in the Writings of Rachel Field by Tracy W, Barron

Stitched in Place, Stitched in Time: Relationships of Quilts, Quiltmaking, and Landscape by Rebecca A. Ries

Contributors

In Memoria: Natalie Youngquist and Eva Earle Spruiell Kent (d. April 20, 1996)

Index

Calliope, Armstrong State College

Calliope Magazine

Volume 13

The Professionalization Of Artists: A New Approach To The Social History Of Art, Mcclelland

History Faculty Publications

Perhaps because of the somewhat inchoate and seemingly disorganized nature of the world of the arts, most students of modern social history and professions have steered clear of engagement with this fascinating crowd. Yet further acquaintance with the subject reveals that artists did in fact attempt to professionalize, and -- even if their efforts were not as successful as those of some others -- these efforts left a clear record of articulated demands and statements.

Visionaire 18: Fashion Special Louis Vuitton, Stephen Gan, Cecilia Dean, James Kaliardos, Greg Foley, Louis Vuitton

Visionaire

160 unnumbered pages, 2 unnumbered folded leaves of plates : illustrations (some color) ; 28 cm + 1 portfolio (24 x 30 x 3 cm), "Visionaire fashion issue, fall 1996, no. 18, double issue" Unbound sheets held with paper book-band and laid in leather folder designed by Jean-Marc Loubier and the design team at Louis Vuitton on the occasion of the 100th anniversary of the LV Monogram. Contributor list: Alexander McQueen, Adam Pollina, Alexi Tan, Anna Sui, Arthur Elgort, Azzedine Alaia, Bernadette Corporation, Calvin Klein, Carter Smith, Jean-Paul Gaultier, Chanel, Chris Moore, Christian Blanken, Christian Lacroix, Christophe Rihet, Comme des …

Halcyon Days, Judyie Al-Bilali, Special Collections, Fleet Library

Artists' Books

[18] leaves. "Of an edition limited to 200 copies, this is number 141."--Colophon. Signed by the author. Paste paper book cover. Marbled endpapers. Gift of Laurie Whitehill Chong.

Travelling, Or, Neopostmodrinpremortemism : Or, Dieser Rasen Ist Kein Hundeklo (Ii), Or, Interminable Gabberjab Number Seven ..., Walter Samuel Haatoum Hamady, Special Collections, Fleet Library

Artists' Books

154 pages : ilustrations (some color). Hamady, Walter. Interminable gabberjabb ; 7. Remainder of title consists of 15 more alternative titles: "... A typographical clarification of the interchangea(æ)bility of books, boats and texts, or, A study : parthenomic g-section as ideal gyros, or, Limipsd quantippsi , or, An interjacent discourse with visible language, or, A continuation of artists as dogs and other zootomical zooids 6, or, Integrated translations from Greek and German, or, The aquifer as conduit of human consciousness, or, Similar (and familiar) properties of real yogurt, typography and the art of the book, or, The war of the …

Crow Cries, Erin Hasley, Fleet Library, Special Collections, Jan Baker

Animals

This book was created for Jan Baker's artists' book class.

The Spider And The Fly, Matthew Palin, Fleet Library, Special Collections, Jan Baker

Animals

This book was created for Jan Baker's artists' book class.

The Book Of Neglects: Highlights Of A Week, Patricia Smith, Special Collections, Fleet Library

Artists' Books

dos à dos accordion fold book with pop-up elements; cover; colophon; interior spreads; accordion, folded out. For one week the artist tracks the degree to which she has neglected her job, art, home, friends, husband, and children, using pop-up strips and color coding.

Flying Letters, John Maeda, Special Collections, Fleet Library

Artists' Books

1 volume (unpaged) : chiefly illus.. Digitalogue reactive book series, no. 2. Accordion fold text. System requirements for accompanying disk: Macintosh/Power Macintosh System 7.1 or above, True type/ATN outline font and floppy disk drive. Text in English and Japanese. Gift of Janice Woo, California College of the Arts.

Sankey-Santopietro, Stephan Apicella-Hitchcock, Special Collections, Fleet Library

Artists' Books

[134] pages : color illustrations. Title is from inside front cover. RISD Alumnus, Photo MFA. Fleet Library at RISD Alumni Collection.

Measurism, Ruth Laxson, Special Collections, Fleet Library

Ruth Laxson Artist Book Archive

[20] pages : ill. Cover title. "Edition: 10"--Colophon. Library has copy no. 9. Signed by the artist.

You Made Your Bed In Ostia Antica, Erin Hasley, Fleet Library, Special Collections, Jan Baker

Culture

This book was completed for Jan Baker's artists' book class.

Hero, Chriswell Lappin, Fleet Library, Special Collections, Jan Baker

Stories

This book was completed for Jan Baker's artists' book class.

Lady Bug, Ryan Andrew Scro, Fleet Library, Special Collections, Jan Baker

Animals

This book was completed for Jan Baker's artists' book class, Printed Books

Visionaire 16: Calendar, Stephen Gan, Cecilia Dean, James Kaliardos, Greg Foley, Seidner Carlotta

Visionaire

1 unnumbered leaf, 52 leaves, 1 unnumbered leaf : illustrations (some color) ; 14 x 28 cm + 1 case (14 x 28 cm), Stand-up weekly desk calendar for the year 1996; 53 loose pages with images, contained in curved plexiglas display box, with one image designed by a different artist for each week of the year. Title from verso of cover leaf. "This is no. [blank] in a limited edition of 2000 numbered copies"--Label on verso of case In a Plexiglas case curved so as to stand upright. "We were intrigued by the idea of doing an issue that …

Visionaire 17: Gold, Stephen Gan, Cecilia Dean, James Kaliardos, Greg Foley, Andy Warhol

Visionaire

62 unnumbered pages, 2 folded leaves of plates : illustrations (some color) ; 28 cm + 1 case (30 x 24 x 3 cm) + 1 booklet (8 unnumbered leaves : illustrations ; 14 x 11 cm) + 1 metal circle (13 cm), Unbound sheets and booklets laid in decorated cardboard case. "This is no. ... in a limited edition of 2500 numbered copies"--Bottom of case. Three-dimensional hologram image of planet earth on case. Includes a booklet, 'The Midas touch,' which contains oversized gold thumprints, and a gold-tone metal circle (diameter 13 cm) with blind stamped title: Halo / Todd …

Visionaire 19: Beauty, Stephen Gan, Cecilia Dean, James Kaliardos, Greg Foley, Cindy Sherman

Visionaire

[84] pages, [4] folded leaves of plates : illustrations (some color) ; 30 cm + 1 case (30 x 25 x 3 cm), Unbound sheets laid in mirrored mylar portfolio with velcro fastening; 3 make-up items (lipstick, mascara, lip gloss) inserted in portfolio cover. "Beauty really was in the eye of the beholder, starting with the cover itself. The packaging-a mirrored mylar case featuring a limited-edition Visionaire lipstick, mascara, and lipgloss, made especially for the issue by our sponsor, Prescriptives-was a topic of endless debate. Everyone had a different point of view. Some on our editorial team thought that by …