Arts and Humanities Commons^™

A Radical Vision, Molly Schoenhoff, Fleet Library, Special Collections, Jan Baker

Stories

This book was completed for Jan Baker's artists' book class, Printed Books.

Visionaire 24: Light Tom Ford For Gucci, Stephen Gan, Cecilia Dean, James Kaliardos, Greg Foley, Christopher Bucklow

Visionaire

29 unnumbered leaves : illustrations (some color) ; 13 x 33 cm + 1 case (14 x 38 x 6 cm), Collaborated by Tom Ford and Gucci; related to the theme light; consisting of 24 translucent sheets with photographic reproductions of various artists' work, plus instruction sheet, batteries and lighter panel for viewing the images. Twenty-four transparencies to be viewed in a black lucite light-box case. Also one transparent title leaf and four non-transparent leaves (half title, directions, credits, limited edition statement), all 13 x 33 cm. Housed in custom-built slipcase (black lucite slipcase with inner hard foam case containing …

Visionaire 26: Fantasy, Stephen Gan, Cecilia Dean, James Kaliardos, Greg Foley, Nick Knight

Visionaire

1 box (36 unnumbered cards) : chiefly color illustrations ; 33 x 4 cm + Mask., Thirty-six (36) circular cards, printed on both sides, and 1 fabric mask, housed in a round box, 33 cm in diameter and 4 cm high. Mask designed by Hermés. "Fantasy is the subtext of every issue of Visionaire, but with this issue we pushed the boundaries to the fantastical. A round box houses round, unbound artwork. Each of the cover elements--photographed by Inez van Lamsweerde and Vinoodh Matadin--was produced exclusively for 'Fantasy': The dress was designed by Nicolas Ghesquiere for Balenciaga, Viktor & Rolf …

Front Matter

Inscape

No abstract provided.

Book Of Hours #51 Turkish Suite (As Theodora), Sherrill Edwards Hunnibel, Special Collections, Fleet Library

Artists' Books

1 book object : color illustration. Altered book, mounted in acrylic case. The pages are sealed together to form a base for construction. Mixed media, collage, and assemblage techniques. Book cover is mounted to the acrylic backing with one rivet in each corner. Title information from back of case. Signed and dated on back. RISD Alumna, gift of the artist. Fleet Library at RISD Alumni Collection. Curated title for Fleet Library Special Collections exhibition Stacked & Altered, summer 2022.

Crazy Quilt, Maureen Cummins, Special Collections, Fleet Library

Artists' Books

[15] pages : all color illustrations . Each page includes a quote from a woman who has spent time as a patient in an insane asylum. Printed in an edition of 100 using silkscreen and letterpress printing. The book was created in the autumn of 1998 at Women's Studio Workshop. Numbered and signed by the artist. Issued in a black cloth tri-fold portfolio, each fold has five pages. Issued in illustrated black cloth slip-case. Library has copy number 12. Edythe Woolf Polsby Salzberger Book Fund.

70 X 7 : Yes, That Is Four Hundred Ninety : A Journey In Forgiveness, Eve Faulkes, Womens Studio Workshop, Special Collections, Fleet Library

Artists' Books

[30] pages : illus. (some color). Added Title: Seventy times seven Cover title. Some of the text is printed on strips of paper and inserted in the book. Digital printing and letterpress. Binding: Sewn signature. Structure: Codex. Library has copy no. 25 of 90. Signed by the author.

Access All Areas : Http://Access.Allareas.Org, Fellows Of Contemporary Art, Japanese American Cultural & Community Center, Glenn Kaino, Betty Lee, Edward Leffingwell, Joseph Santarromana, Erika Suderburg, Special Collections, Fleet Library

Artists' Books

4 volumes in 1 case : illustrations (some color). "June 6-July 26, 1998, Japanese American Cultural and Community Center" Issued in a vinyl case (27 cm) [1] Access all areas -- [2] Excerpts / Glenn Kaino -- [3] Re.Visions / Betty Lee -- [4] Three ambient gardens / Edward Leffingwell, Joseph Santarromana, Erika Suderburg. Gift of the Center.

http://access.allareas.org

Shared Memories, Lori Spencer, Wendy Spencer, Women's Studio Workshop, Special Collections, Fleet Library

Artists' Books

[20] pages : illus. (some color) . ".. printed in 1998 by Lori Spencer.."--Colophon. In binder with printed title on spine. Printing method: Silkscreen, letterpress. Binding: Long stitch in soft cover. Library has copy 6 of an edition of 90 signed & numbered copies.

Octopus, Elizabeth Mcdevitt, Julie Chen, Special Collections, Fleet Library

Artists' Books

1 volume. Title from case. Accordion style binding to produce a three-dimensional effect. In case. Letterpress printed from photopolymer plates; collographic prints. Edition of 100 copies.

Seasonal Turns: Four Accordion Books, Bea Nettles, Special Collections, Fleet Library

Artists' Books

4 accordion fold books, enclosed in a plastic box; cover; four small books; three accordion books; two interior spreads . The four seasons are depicted through images of nature and human interactions with it.

Smoke In My Dreams, Mark Wagner, Special Collections, Fleet Library

Artists' Books

case bound in hard cover with exposed spine and paper covered boards; cover; interior spreads and pages. Using images of tobacco processing machines, wafting smoke, ephemera such as maps, hospital parking lot tickets and all the paper found in a pack of Camel cigarettes, the artist conveys his longing to be able to smoke in his dreams, a far safer option than smoking

The Anxiety Alphabet, Emily Martin, Special Collections, Fleet Library

Artists' Books

coptic stitch binding, paper covered boards with common pins and needles inserted; cover; interior pages; back cover. The subject of anxiety is conveyed with humorous alphabetic verse.

Tribal Alphabet, Mary Mccarthy, Special Collections, Fleet Library

Artists' Books

case bound with cloth covered boards, endbands; cover; title page; interior pages; colophon. Twenty-six African tribes are represented with their masks, in alphabetical order. This book is the facsimile version of the original collage copy.

Twenty-Five Years Ago, Joan Lyons, Special Collections, Fleet Library

Artists' Books

saddle stitch with soft cover; cover; interior spread and pages; back cover. The artist's wallet is recovered in an old air vent in her child's former school 25 years after she had visited his 4th grade classroom. The contents reveal life in the early 1970's.

1998 Portfolio, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.

Interview With Michael Naimark: At The Bay Area Multimedia Arts & Lecture Series: "Virtual Worlds: Beyond The Screen" October 2, San Francisco Museum Of Modern Art, Monica Vasilescu

SWITCH

In an interview with Michael Naimark, his work and experiences were discussed. Naimark talks about the beginning of his career at MIT and his experience with technology and media in the late 70s. He also discusses about his experience with Atari Research, Apple, and Lucasfilms. He then describes his life as an artist, from 1992 to 1996 and where where that brought him with his knowledge of technology.

A Phenomenological Analysis Of An Instructional Systems Design Creative Project, Daniel M. Benson

Graduate Research Papers

This research paper is a phenomenological analysis of a creative project involving University of Northern Iowa undergraduate art students in the planning and creation of visual illustrations, graphic design concepts, .html documents, and imagery for a world wide web intranet/lnternet virtual space.

This analysis looks at instructional design as a creative process and the phenomenology of the UNI Art/Cat (Art Resources Technology/Computer Assisted Training) computer laboratory. The mission, goals, and objectives of the creative project, experiential and experimental philosophies of education, and the phenomenologies of the instructional design process are the main considerations. The methodology of this thesis is primarily …

The Landscape In Transition, Tim Klunder

School of Art, Art History, and Design: Theses and Student Creative Work

This thesis exhibition consists of a series of urban landscape paintings. These paintings attempt to explore the issues of transition and flux within the modern environment on the edge of Lincoln as the city expands into rural areas. The paintings were all executed in acrylic and comprise a broad range of sizes on both hardboard and wooden panels. The process by which they were conceived was an evolutionary one that began with the analysis of a specific site that is not far from my home and which I see on a daily basis. Initially, the most engaging aspect of this …

Searching For Green, Santiago Cal

Theses and Dissertations

A thesis submitted in fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University.

The Intimate Landscape, Margery J. Hibbard

Dissertations and Theses @ UNI

The emphasis for my master of arts painting thesis has been the landscape. I chose to explore the subject of intimate settings within the landscape as I wanted the observer to feel as if he or she was within the closely-viewed scene. My focus was the challenge of capturing the effects of filtered light, silhouetted trees, abstract shapes and reflections in intimate settings. The landscape has always held great meaning for me; I respond to its ever-changing colors and patterns. When I am alone in an inner woods, the intimate landscape setting, I feel immersed in and a part of …

United States Society For Education Through The Arts Collection, Zach S. Henderson Library Special Collections

Finding Aids

Spanning 1947-2005, this collection consists of organizational records for the United States Society for Education through the Arts, including conferences, newsletters, correspondence, expense reports, and periodicals.

Find this collection in the University Libraries' catalog

Abstract Art And Controversy: A Case Study Of Louis Bunce’S Airport Mural And Other Portland Art Controversies, Michael P. Craven

Dissertations and Theses

This thesis examines a series of controversies in Portland, Oregon during the 1950s triggered by the placement of modem art in strategic public locations. This study examines the controversy surrounding the installation of Louis Bunce's mural at the Portland International Airport and the series of modern art controversies that followed the mural incident.

Not So Nice Colored Girls: A View Of Tracey Moffatt’S Nice Coloured Girls, Caroline Vercoe

Pacific Studies

Nice Coloured Girls is Tracey Moffatt’s first film. Produced in 1987, this seventeen-minute film describes a tradition that has been passed down from her grandmother’s and great-grandmother’s generation—that of “picking up Captain.” Moffatt explains “since colonisation ‘picking up Captain’ has been a way for Aboriginal women to survive off white men.” Rather than creating new and empowered Aboriginal heroines for the 1990s, Moffatt chooses to site her characters within a colonial continuum. Her tradition begins with postcolonial contact and it is clearly formed by cross-cultural experiences. This essay focuses on the narrative structure of Nice Coloured Girls and discusses the …

Calliope : Fall 1997 (Comprehensive Edition), Calliope

Calliope

Calliope is the University of the Pacific's literary magazine and oldest publication. Calliope is put together entirely by students. Any views expressed within do not necessarily reflect those of the University administration or the Calliope Staff. All submissions to Calliope are from students, faculty, staff and alumni. All works submitted are read and scored anonymously by the Calliope staff.

Design Research: The Newsletter Of The Design Research Society No.59, Stephen Little

Design Research Newsletters (1966-1999)

No abstract provided.

Suspended Sentence, Jake Van Wyk

Pro Rege

No abstract provided.

View From The Top, Jake Van Wyk

Pro Rege

No abstract provided.

Sheltered, Joanne Alberda

Pro Rege

Cotton fabric machine quilted

Cocoons (Detail), Joanne Alberda

Pro Rege

No abstract provided.