Arts and Humanities Commons^™

Circles And Centers: A Review Article, Carol Bier

Textile Research Works

Review of: Geometric Patterns from Islamic Art & Architecture, by Robert Field. Tarquin Publications, Norfolk, UK, c1998. AND "The Nature of Islamic Ornament, Part III: Geometric Patterns," exhibition on view March 17-July 18, 1999 in the Hagop Kevorkian Fund Special Exhibitions Gallery at The Metropolitan Museum of Art.

Circles of equal radius, when tight-packed, naturally combine in two ways. One method yields centers that form a triangular grid; the other method yields centers that form a square grid. These basic mathematical considerations underlie the play of pattern in Islamic art. By selecting centers in a triangular grid, one may establish …

Normal Editions Workshop Newsletter, 2000, Wonsook Kim School Of Art And Design

Normal Editions Workshop Newsletter

Annual newsletter for the Normal Editions Workshop, School of Art, Illinois State University.

Senior Thesis Exhibition 2000, University Of Richmond Museums

Exhibition Brochures

Senior Thesis Exhibition 2000

April 13 to May 06, 2000

Marsh Art Gallery

Introduction

The senior thesis exhibition is the capstone experience for graduating studio art majors in the Department of Art and Art History at the University of Richmond.

Lights And Shadows - 2000, University Of North Alabama

Lights and Shadows

Art and Literature Magazine

The Naked And The Nude: Images From The Sculpture Series, Sky Bergman

Art and Design

No abstract provided.

Gordes Carpets In Egyptian Collections, Ahmed Mohamed Dabbʻ

Archived Theses and Dissertations

No abstract provided.

Mr. Noir: The Big Black Cat, Alexis Mahon, Fleet Library, Special Collections, Jan Baker

Animals

This book was created for Jan Baker's artists' book class.

Mythos Chronos Logos, Ruth Laxson, Special Collections, Fleet Library

Ruth Laxson Artist Book Archive

[22] leaves : ill. Part 1: Mythos (chance chants) -- Part 2: Chronos (timing) -- Part 3: Logos (logic). Cover title. Sewn in grey colored thread; five-hole Japanese stab binding with hinge-fold. Issued in grey paper boards; hinge-fold edged in grey cloth. Black endpapers. Printed in black and white. "Printed on various papers with hand set type: Caslon & Franklin Gothic ... Edition 40."--Colophon. Library has copy no. 24. Signed by the artist.

Losing Karl, Gunta Kaza, Fleet Library, Special Collections, Jan Baker

Stories

This book was completed for Jan Baker's artists' book class.

The Field, Mary Mccarthy, Special Collections, Fleet Library

Artists' Books

case bound in suede covered boards, enclosed in a suede covered box; box exterior; first opening; cover; interior spreads and pages. The day unfolds as the mist rises in a country field, little by little revealing the teeming wildlife found there.

Neutral Value Gradation - No. 15, Jack Brockette, Fleet Library

Brockette Dye Encyclopedia | Recipes

The dyes used were sourced from Prochem

Neutral Value Gradation - No. 09, Jack Brockette, Fleet Library

Brockette Dye Encyclopedia | Recipes

The dyes used were sourced from Prochem

Neutral Value Gradation - No. 13, Jack Brockette, Fleet Library

Brockette Dye Encyclopedia | Recipes

The dyes used were sourced from Prochem

Neutral Value Gradation - No. 14, Jack Brockette, Fleet Library

Brockette Dye Encyclopedia | Recipes

The dyes used were sourced from Prochem

Neutral Value Gradation - No. 11, Jack Brockette, Fleet Library

Brockette Dye Encyclopedia | Recipes

The dyes used were sourced from Prochem

Neutral Value Gradation - No. 20, Jack Brockette, Fleet Library

Brockette Dye Encyclopedia | Recipes

The dyes used were sourced from Prochem

Neutral Value Gradation - No. 24, Jack Brockette, Fleet Library

Brockette Dye Encyclopedia | Recipes

The dyes used were sourced from Prochem

Neutral Value Gradation - No. 10, Jack Brockette, Fleet Library

Brockette Dye Encyclopedia | Recipes

The dyes used were sourced from Prochem

List Of Neutral Value Gradations, Jack Brockette, Fleet Library

Brockette Dye Encyclopedia | Recipes

The dyes used were sourced from Prochem

Neutral Value Gradation - No. 12, Jack Brockette, Fleet Library

Brockette Dye Encyclopedia | Recipes

The dyes used were sourced from Prochem

Neutral Value Gradation - No. 01, Jack Brockette, Fleet Library

Brockette Dye Encyclopedia | Recipes

The dyes used were sourced from Prochem

Neutral Value Gradation - No. 03, Jack Brockette, Fleet Library

Brockette Dye Encyclopedia | Recipes

The dyes used were sourced from Prochem

Neutral Value Gradation - No. 04, Jack Brockette, Fleet Library

Brockette Dye Encyclopedia | Recipes

The dyes used were sourced from Prochem

Neutral Value Gradation - No. 02, Jack Brockette, Fleet Library

Brockette Dye Encyclopedia | Recipes

The dyes used were sourced from Prochem

Neutral Value Gradation - No. 08, Jack Brockette, Fleet Library

Brockette Dye Encyclopedia | Recipes

The dyes used were sourced from Prochem

Neutral Value Gradation - No. 05, Jack Brockette, Fleet Library

Brockette Dye Encyclopedia | Recipes

The dyes used were sourced from Prochem

Neutral Value Gradation - No. 06, Jack Brockette, Fleet Library

Brockette Dye Encyclopedia | Recipes

The dyes used were sourced from Prochem

Neutral Value Gradation - No. 16, Jack Brockette, Fleet Library

Brockette Dye Encyclopedia | Recipes

The dyes used were sourced from Prochem

Neutral Value Gradation - No. 19, Jack Brockette, Fleet Library

Brockette Dye Encyclopedia | Recipes

The dyes used were sourced from Prochem

Neutral Value Gradation - No. 17, Jack Brockette, Fleet Library

Brockette Dye Encyclopedia | Recipes

The dyes used were sourced from Prochem