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Articles 28921 - 28950 of 36643

Full-Text Articles in Arts and Humanities

Parnassus 2002 Jan 2002

Parnassus 2002

Parnassus

The 2002 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.


Five Poems, Toni Morrison, Peter Rutledge Koch, Kara Walker, Special Collections, Fleet Library Jan 2002

Five Poems, Toni Morrison, Peter Rutledge Koch, Kara Walker, Special Collections, Fleet Library

Printmaking

[26] pages : illus. " ... published in a signed edition of 399 numbered and 26 lettered copies. The book was designed by Peter Rutledge Koch, and printed letterpress from digital imaging and photo-polymer plates at Peter Koch, Printers in Berkeley, California ... cover papers are Fabriano Ingres. Binding and housing by Jace Graf at Cloverleaf Studio in Austin, Texas.""--Colophon. CONTENTS: Eve remembering -- The perfect ease of grain -- Someone leans near -- It comes unadorned -- I am not seaworthy. In slipcase, paper sides with linen fabric top and bottom, mounted paper title label. Cover is decorated paper …


Fall/Winter 2002, 90.9 Wmpg Fm Jan 2002

Fall/Winter 2002, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format


Spring 2002, 90.9 Wmpg Fm Jan 2002

Spring 2002, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format


80:80 Office Furniture System Designed By John Walsh For Tangent Furniture, 2002, John Walsh Jan 2002

80:80 Office Furniture System Designed By John Walsh For Tangent Furniture, 2002, John Walsh

Articles

80:80 was developed against the background of a changing work environment. Advances in technology meant that work became mobile, the breaking down of walls and cubicles created large open spaces allowing for a movement towards collaborative work and “New Ways of Working”.

80:80 is an office furniture system designed in this context, to provide a foundation for new, flexible ways of working. In particular, the delineators that define territory, such as legs, vertical supports, fixed side screens, were removed or minimised to create an uninterrupted worksurface span, allowing for a flexible space where users can annex as much space as …


Words & Images 2002, University Of Southern Maine Jan 2002

Words & Images 2002, University Of Southern Maine

Words and Images

Words & Images is an annual arts and literature publication distributed by the University of Southern Maine.

Art Editor: Jody Desjardins

Publishing Director: Sarah Gagnon

Literary Editor: Amy Cemodanovs


She Wears The Mask, Victoria Graciaa Jan 2002

She Wears The Mask, Victoria Graciaa

The Corinthian

The emergence of the so-called "primitive" masking its way into the art world of the twentieth century brought with it an alluring mystique which intrigued numerous artists and consequently provoked its appropriation. Specifically, the tribal can be seen in the works of Pablo Picasso as he imbues the geometric facades of Afro- Iberian masks, with shamanistic powers. Upon comparison, the primal found in Picasso's work adds an interesting twist to the work of the female Dadaist Hannah Hoch, who puzzles her audience both aesthetically and intellectually through her use of dense iconography.


Summer 2002, 90.9 Wmpg Fm Jan 2002

Summer 2002, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format


Parnassus 2002: 40th Anniversary Anthology Jan 2002

Parnassus 2002: 40th Anniversary Anthology

Parnassus

The 2002 edition 40th anniversary anthology of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.


Geometric Patterns And The Interpretation Of Meaning: Two Monuments In Iran, Carol Bier Jan 2002

Geometric Patterns And The Interpretation Of Meaning: Two Monuments In Iran, Carol Bier

Textile Research Works

The Alhambra has often served in the West as the paradigm for understanding geometric pattern in Islamic art. Constructed in Spain in the 13th century as a highly defended palace, it is a relatively late manifestation of an Islamic fascination with geometric pattern. Numerous earlier Islamic buildings, from Spain to India, exhibit extensive geometric patterning, which substantiate a mathematical interest in the spatial dimension and its manifold potential for meaning. This paper examines two monuments on the Iranian plateau, dating from the 11 th century of our era, in which more than one hundred exterior surface areas have received patterns …


Introduction To Doris Duke's Shangri La By Sharon Littlefield, Carol Bier Jan 2002

Introduction To Doris Duke's Shangri La By Sharon Littlefield, Carol Bier

Textile Research Works

SHANGRI LA, the most intimate of Doris Duke's residences, is the one that today offers the best view into the private domain of a public celebrity. What it reveals about Doris Duke presents a strong contrast to her well-publicized persona as a tobacco heiress, born to wealth, who liked to frolic. Observe the house, spilling down terraces of Ka'alawai toward the sea; contemplate its well-considered vistas and its polished black lava, white marble, and coral limestone surfaces. Admire the architectural features shipped from abroad and installed on site; experience the gardens with their towering trees, sparkling water chutes, and placid …


Education Of An Architect: Through African-American Constructions, Scott Ruff Jan 2002

Education Of An Architect: Through African-American Constructions, Scott Ruff

Proceedings of the 18th National Conference on the Beginning Design Student

No abstract provided.


A Time For Every Purpose Under Heaven (Bookcover), Abby Kagan, Sky Bergman Jan 2002

A Time For Every Purpose Under Heaven (Bookcover), Abby Kagan, Sky Bergman

Art and Design

Jacket design: Copyright © 2002 by Abby Kagan. Jacket photograph: Copyright © 2002 by Sky Bergman.


Threshold And Process: Carlos Jiménez Studio And The Making Of The Richard E. Peeler Art Center At Depauw University, Robert G. Bottoms, Mitchell B. Merback, Stephen Fox, Kaytie Johnson Jan 2002

Threshold And Process: Carlos Jiménez Studio And The Making Of The Richard E. Peeler Art Center At Depauw University, Robert G. Bottoms, Mitchell B. Merback, Stephen Fox, Kaytie Johnson

Galleries at Peeler Exhibition & Program Publications

Foreword: The Richard Earl Peeler Art Center, Home at Last: Reflections on the History of the Art Department on the Threshold of Now, Threshold and Process: Carlos Jiménezʼs Art Center for DePauw University - An Interview with Carlos Jiménez, Richard Earl Peeler (1926-98)


Post Surrealism, Michael Duncan Jan 2002

Post Surrealism, Michael Duncan

Exhibit Catalogues

No abstract provided.


The Mockingbird - 2002, Department Of Art And Design, East Tennessee State University, Department Of Literature And Language, East Tennessee State University Jan 2002

The Mockingbird - 2002, Department Of Art And Design, East Tennessee State University, Department Of Literature And Language, East Tennessee State University

The Mockingbird [magazine]

Devon Koren Asdell [Natural Bridge]; Jessica Brice [The Furrowed Field]; Amy Chartier [Through the Road and of My Heart]; Victoria Cunningham [Concealment July 2001]; Carie Dutro [A Friend of Mine Once Told Me]; Nancy Jane Earnest [Summer Ritual]; Franci Doyle [Jackass]; Mike Garrett [Game]; Spicey Gould [Passage]; Megan Jewell Kern [On Three]; Jessica Hodges [Just 2]; Gregory Marlow [Charlie’s Wife]; Shanda Miller [Affirmations]; Neli Jennifer Minthorn [Untitled]; Ouzounova [Stairway to a Sense of Place]; Alison Pack [Accessories]; James Sharp [Boones Creek]; Deborah Smith [The Game]; Kevin Stephenson [A Tale of Two Tales]; Pam Tabor [Letting Go]; Chris Vaughn [Foretold]; Rachel …


Spatial Themes In A Three Week Project, Corey Saft Jan 2002

Spatial Themes In A Three Week Project, Corey Saft

Proceedings of the 18th National Conference on the Beginning Design Student

In speaking to The Enigma of the First Assignment. the premise of this paper is explained with a studio in which a design project is addressed through sets of rules. Rules fall into three categories: for program, for site, and for assembly. These rules were left open-ended and they provided the first footholds for a student to get to work designing and not ponder the much larger problem of design itself.


The Silence Of The Studio Lambs: How To Hear Your Students' Voices In A Postmodern Design Studio, Elijah Mirochnik Jan 2002

The Silence Of The Studio Lambs: How To Hear Your Students' Voices In A Postmodern Design Studio, Elijah Mirochnik

Proceedings of the 18th National Conference on the Beginning Design Student

Ideas that underlie postmodern thoght are rarely used in conversations about archrtectural education the way that philosophers and lrterary crrtics have used it since the early 1970s: as a call to abandon that portion of modern vocabulary that sustains Plato's story that Truth is something that already exists, that our own human capacrties are not enough to get us a glimpse of Truth, and therefore, that some method that is detached from our own inadequate capacrties is needed if we are ever to extract the Real Truth from our mortal inclinations toward deceiving ourselves by believing in mere opinion, felt …


Allusion, Illusion And The Beginning Design Student, Albert C. Smith, Kendra Schank Smith Jan 2002

Allusion, Illusion And The Beginning Design Student, Albert C. Smith, Kendra Schank Smith

Proceedings of the 18th National Conference on the Beginning Design Student

This paper explores aspects of media that concern illusion and allusion. It will present some examples of beginning design student projects to question and elucidate both the inherent differences of these potentially dichotomous terms and how they might lead us in a more concordant direction for teaching beginning design and visual communications in architecture. In recent history, we have seen examples of drawings such as those published by Zaha Hadid and Daniel Libeskind that have had an inclination to place archrtecture into a greater state of allusion. These drawings are exciting and provoke the thoughtful references to the poss ibi …


Assemblies: Full Scale Construction In The Freshman Design Sequence, Aron Temkin, Scott Smith Jan 2002

Assemblies: Full Scale Construction In The Freshman Design Sequence, Aron Temkin, Scott Smith

Proceedings of the 18th National Conference on the Beginning Design Student

The first year design faculty has been running a spring semester shop project for many years: Scott Smith has influenced this work as Shop Director since 1985. The examples documented in this paper are a cross section including two examples from the I980's and several more recent examples from the last ten years. The primary objective of this paper is to document the success and variety of this work and consider the factors impacting its variation, how the particulars of the assignment contribute more or less to the project objectives, and provide some background context for other scholars who may …


Giving Back: Student Architectural Product Research In Service To Practitioners, Jill B. Pable Jan 2002

Giving Back: Student Architectural Product Research In Service To Practitioners, Jill B. Pable

Proceedings of the 18th National Conference on the Beginning Design Student

It is the nature of the profession that practicing architects and designers are busy people who are faced with keeping abreast of quickly changing construction technologies. Manufacturers of architectural and interior products provide knowledge, but their information is often biased to serve their business objectives. Therefore, impartial information regarding new products is scarce. Students, particularly those new to the field, have the need to develop research skills, become acquainted with materials sources, and develop the ability to critically consider manufacturers' claims. Further, students benefit from interaction with the professionals they seek to emulate.Therefore, an architectural materials service learning project was …


The Parallel Projection, As Flights Of Fancy, Mary Nixon Jan 2002

The Parallel Projection, As Flights Of Fancy, Mary Nixon

Proceedings of the 18th National Conference on the Beginning Design Student

For a student of architecture, developing imaginative points-of-view and drawing acumen, is a must. The parallel projection is one such drawing type that aptly addresses point-of-view. Its three-dimensional properties and simple methodology make it a standard of beginning designers. Its inclination toward aerial adventures is an especially important feature to understanding its use. This paper examines the long history and sometimes-parallel track to architecture the parallel projection has enjoyed.


The Pedagogics Of Play, Jay Mcclure Jan 2002

The Pedagogics Of Play, Jay Mcclure

Proceedings of the 18th National Conference on the Beginning Design Student

Teachers should emphasize the importance of play to a student's development, noting their individual talents they need to explore, tryout, take apart and investigate which is fundamental to learning. Design fundamental programs should develop pedagogies that guide student's play into progressive learning experiences in the essentials of form, mathematics, geometry, and creativity.


Kaki V, R Hay Jan 2002

Kaki V, R Hay

Morehead State University Art Collection

A 2002 etching titled "Kaki V' by artist R. Hay.


Carefree, Stephen Tirone Jan 2002

Carefree, Stephen Tirone

Morehead State University Art Collection

A bronze sculpture of a child holding her arms out as if balancing on the edge of the fixture. It was commissioned in 2002, and is located at Crosthwait plaza.


Everyone To His Quarter: Ethnic Interaction, Emulation, And Change In Itsekiri Visual Culture, Kathy Curnow Jan 2002

Everyone To His Quarter: Ethnic Interaction, Emulation, And Change In Itsekiri Visual Culture, Kathy Curnow

Department of Art and Design Faculty Publications

No abstract provided.


Amputations: The Civil War Wounded, Kimberly Walker, Fleet Library, Special Collections, Jan Baker Jan 2002

Amputations: The Civil War Wounded, Kimberly Walker, Fleet Library, Special Collections, Jan Baker

Senses

This book was completed for Jan Baker's artists' book class.


Sunrise 1, Jill Timm, Special Collections, Fleet Library Jan 2002

Sunrise 1, Jill Timm, Special Collections, Fleet Library

Artists' Books

accordion variation with three cascading panels, housed in silk covered slipcase; box cover; cover; interior spreads. Tinted sky and mountains, printed on three unfolding panels reveal a peaceful sunrise landscape.


Ivy Leaves, 2001-2002, Ivy Leaves Editorial Staff Jan 2002

Ivy Leaves, 2001-2002, Ivy Leaves Editorial Staff

Ivy Leaves

The 2002 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Ada Ezeokoli, Aliya George, LaTonya Scott, Joyce Stein, John Lyons, Keith Babinchak, Matt Baston, Chastity Baxley, Carla Carter, Stacy Coleman, Lashanda Salters, Laura Wolfe, Wayne Cox, and Jane Dorn. The cover art for this edition included several different designs by Matthew Baston, Stacy Coleman, Lashonda Salters, Laura Wolfe, Keith Babinchak, and Chastity Baxley.


Silk In Ancient Nubia: One Road, Many Sources, Nettie K. Adams, William S. Webb Jan 2002

Silk In Ancient Nubia: One Road, Many Sources, Nettie K. Adams, William S. Webb

Textile Society of America: Symposium Proceedings

Silk in ancient Africa? Most of us think of ancient Africans as members of a tribe, living by subsistence farming or herding, in villages of grass houses. But Nubia, the ancient Kush, located along the Nile in southern Egypt and the northern part of the Sudan, (Fig.l) was inhabited by an African people who, by 1800 BC, had developed their own high civilization. The Kushites were suppliers of ivory, ebony, gold, ostrich feathers, animal skins, and slaves to ancient Egypt and elsewhere in the Mediterranean world. In exchange they received a wide variety of manufactured goods.

By the fourth century …