Arts and Humanities Commons^™

My Confinement, Leila Andrews

Calliope

No abstract provided.

Withdrawal (Saturday Night), Harrison W. Inefuku

Calliope

No abstract provided.

Gabriel, Chelsea Davidson

Calliope

No abstract provided.

Refuge And Release, Calliope

Calliope

No abstract provided.

The Attic, John Pratt

Calliope

No abstract provided.

Villa Le Lac: Une Petite Maison, Noel Brady

Articles

An exploration of the small villa, Une Petit Maison by le Corbusier, outling the basis for its design and execution and place in its landscape.

The Effects Of Different Fabric Types And Seam Designs On The Seams [Sic] Efficiency, Courtney Lapere

Senior Honors Theses and Projects

Fabricated textile products require joining fabric together by some means. A variety of methods include: sewing, gluing, thermally bonding, etc. This joined fabric is required to have similar strength at the point of joining as the original fabric. This method of joining is commonly called seaming. Seams are the basic element of structure of any apparel, home furnishing product and industrial textiles.

The main focus of this investigation is to study the joining parameters of fabric using a standard sewing machine. Two different seam designs will be investigated on three woven fabrics made from cotton, wool and silk. Textile products …

2006-2007 Risd Course Announcement, Risd Registrar's Office, Risd Archives

RISD Course Catalogs / Announcements

No abstract provided.

Squiggles, Dots And Lines, Crystal Renee Woolard

Senior Honors Theses and Projects

No abstract provided.

Karaoke Ice: A Night Out, Cadre City, Nancy Nowacek, Marina Zurkow, Katie Salen

SWITCH

This article details the early research behind Karaoke Ice, an art project that combines the culture and rituals of karaoke and ice cream trucks. The participants visited karaoke bars in San Jose, New York, and South East Asia and described their experiences.

The Mercury 2006

The Mercury

No abstract provided.

Abstract Painting, Allison Nix

The Mercury

No abstract provided.

Belts, Caleb S. Baker

The Mercury

No abstract provided.

Six Squares, Geoffrey D. Gaenslen

The Mercury

No abstract provided.

Spring Cleaning, Molly M. Myer

The Mercury

No abstract provided.

Vision, Christopher R. Boschen

The Mercury

No abstract provided.

Cherub Chub, Maelina A. Frattaroli

The Mercury

No abstract provided.

Textile Society Of America Newsletter 18:1 — Winter 2006, Textile Society Of America

Textile Society of America: Newsletters

TSA Workshop Report—"Exploring Contemporary Textiles: A Day with Matilda McQuaid and Hil Driessen"
TSA Symposium 2006
TSA Board Directory
President's Letter
TSA Member News
Collections News
Featured Collection—The Denison University Art Gallery, Granville, Ohio
Conservation Report
Conference Review—5th North American Textile Conservation Conference
Exhibition Review—"Archie Brennan: In the Shadow of The Cloisters"
Commentary—"Paisley and Peacocks: Woven and Embroidered Textiles from Kashmir and Punjab" and "Matisse and the Coptic Connection"
Calendar: Exhibitions, Lectures, Workshops, Tours
Opportunities
Calls for Papers
Conferences and Symposia
Symposium 2006 Logo

Textiles From The Canadian Front, J. Penney Burton

Textile Society of America: Symposium Proceedings

The craft of storytelling has all but disappeared from the Western cultural context, and there remain few peoples for whom oral traditions are still a prominent part of their everyday lives. Fiber artists and their work are frequently discussed by craft historians, critics, curators and connoisseurs, but aside from infrequent interviews in monographs and craft journals, their own voices are rarely heard. This is being somewhat addressed with the practice of conducting oral history interviews with leaders in the craft and textile field in the US, through the Smithsonian Institute, with the Nanette L. Laitman Project for Craft and the …

Tracing The Temporary Thread: Decorative And Functional Devoré Textiles Of The Early Twentieth Century, Andie Robertson

Textile Society of America: Symposium Proceedings

The temporary or supplementary thread has been employed as a supportive structure in the manufacture of utilitarian and decorative woven textiles for over a hundred years. First developed by wool cleaners and finishers during the mid 19th century, the technique has been repeatedly employed to aid innovative yarn and fabric development by some of the textile industry’s leading engineers. The devoré technique, also known as burn out, developed from this temporary thread process during the late 1880s. The popularity of devoré with textiles engineers reached its peak in the 1920s when a period of high decoration coincided with innovation in …

Copyright And Disclaimer

Textile Society of America: Symposium Proceedings

Copyright and Disclaimer

Proceedings of the 10th Biennial Symposium of the Textile Society of America, Inc.

© 2007, Textile Society of America, Inc.

ISBN 0-9645106-6-9

Copyright of individual papers remains with each author.

All rights reserved. Published 2007. Printed in the United States of America.

No part of this publication may be reproduced in any form, except brief excerpts for the purpose

of review, without written permission from the Textile Society of America. Students and

researchers wishing to cite the work of specific authors are encouraged to communicate directly

with those individuals as many of these papers represent work in …

When This You See Remember Me: Sampler Making As A Material Practice Of Identity And Selfhood, Mary Lou Trinkwon

Textile Society of America: Symposium Proceedings

I would like to acknowledge the extensive research done by Textile historians, curators and collectors. I owe a huge debt to their research and all the documentation that is available. It is my hope that I can build on this strong body of knowledge and offer some new thoughts to this historic, vibrant and diverse practice.

I want to share with you a short survey of the terrain I have been cultivating on the topic of needlework and sampler making. I want to talk about how I use samplers as a pedagogical tool and as an assigned project in my …

Colorful Messages: The Revival Of Natural Dyes In Traditional Cuzco Textiles, Andrea M. Heckman

Textile Society of America: Symposium Proceedings

Many weavers living near Cuzco, Peru are reviving the use of natural dyes in their traditional textiles. Since the introduction of chemical dyes in the late 19th century, the knowledge and practice of natural dyeing has declined dramatically for numerous reasons, including convenience, color preference, and environmental problems that have reduced the availability of natural dyestuffs. However, in the long heritage of Andean textiles, this epoch of chemical dyes is relatively short.

I began studying Andean textiles in the Cuzco region over twenty-five years ago. In 1979, I was a weaver/fiber artist when I visited Peru for the first time. …

Reading Prisoner Uniforms: The Concentration Camp Prisoner Uniform As A Primary Source For Historical Research, Lizou Fenyvesi

Textile Society of America: Symposium Proceedings

A uniform of any kind, whether worn by a fireman, a nurse or a soldier, is designed to inform us about the person who wears it; and the same thing holds true for a prisoner uniform. In this presentation I am examining textiles from recent history: the prisoner uniforms from Nazi concentration camps; I attempt to “read” the information they contain.

Most, but not all, of the prisoner uniforms were striped. Iconography, in this case the stripes, is the most readily interpreted aspect of a textile. But other aspects of the uniforms are also well worth exploring. Manufacturing details, such …

Front Matter: Pacific Rim

SWITCH

Front matter for Issue 21 of SWITCH. This issue focuses on the Pacific Rim, a shared georgraphic and cultural space, and one of the four chosen themes for the ZeroOne/ ISEA 2006 Festival and Symposium.

Making Happiness In West Egg And Simburbia: An Inquiry Into Consumption In The Great Gatsby And The Sims, Shawn Thomson

Reconstruction: Studies in Contemporary Culture

[First two paragraphs]

At the end of F. Scott Fitzgerald’s The Great Gatsby, Nick Carraway reflects of his journey to the East: “this has been a story of the West” (184). Nick never explains exactly how this is the case, particularly odd since all the action takes place between Manhattan and Long Island. Nick’s hesitant explanation for this puzzling conclusion lies in the western origin of the central characters of the novel and their inability to adapt “to Eastern Life” (184). But the characters seem a part of, if not overshadowed by, the riotous world of West Egg. Only …

The German Case Binding, Peter D. Verheyen

Librarian Publications

The case (Bradel) binding is the most common, general purpose binding structure in use by binders in Germany. What sets it apart from other case bindings is that the cover boards and spine stiffener are joined together with a strip of sturdy paper before covering. This allows the covers to be fit precisely to the textblock, especially at the joint and fore-edge. For this reason the structure is also very well suited to beginners. Books using this structure are generally covered in full cloth, paper, or a combination of the two. The structure is not well suited to leather binding …

Inaugural Catalogue : Lam Tung-Pang's Work, Tung Pang Lam

Artists-in-Residence Programme : Exhibition Catalogues

The First Artist-in-Residence 首位駐校藝術家

Blanket Statements, Issue 86, Winter 2007

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 86, Winter 2007

Normal Editions Workshop Newsletter, 2006, Wonsook Kim School Of Art And Design

Normal Editions Workshop Newsletter

Annual newsletter for the Normal Editions Workshop, School of Art, Illinois State University.