Arts and Humanities Commons^™

2008-2009 Risd Course Announcement, Risd Registrar's Office, Risd Archives

RISD Course Catalogs / Announcements

No abstract provided.

Documented Struggles And Triumph: African American Art, Holbrook Lauren

The Journal of Undergraduate Research

The emergence of African Americans as artists began in the Colonial Era with simple portraits. The first African American artist to gain recognition as a portraitist was Joshua Johnston who worked in the late eighteenth and early nineteenth century. The majority of his portraits were of wealthy European American families, who were slave owners (Fig. 1). Johnston was formerly a slave, and as rumors suggests, his former owner was also a portraitist from which Johnston acquired his skills. Interestingly, Johnston did not sign or date any of his works (Lewis 15). It seems as though a suggestion to his name …

George D. Green: Influences Behind His Work, Dustin Klein

The Journal of Undergraduate Research

NOTE: This paper is part of a collective project that is published online in the Michigan based Undergraduate Research Journal for the Human Sciences, 2008 Special Edition: “Eye Deceptions: The Evolution of George Green’s Painting from the Late 1970’s to the Present” (http://www.kon.org/urc/v7/v7a/george-d-green-painting-evolution.html). Our sincere gratitude to Dr. Dorothy I. Mitstifer, Executive Director of the Undergraduate Research Journal for the Human Sciences, the Honors Society Kappa Omicron Nu and the Association of College Honor Societies, for authorizing the separate publication of this paper, as individual contribution, in the 2008 SDSU Journal of Undergraduate Research. All the reproduced images of paintings …

Attitudes Toward Counterfeit Fashion Products: A South Dakota State University Case Study, Amy Frerichs

The Journal of Undergraduate Research

Ethically, morally, and legally people know it is wrong to produce and use counterfeit money, but why do we not think twice when it is a fashion product? The business of counterfeiting fashions is a growing problem with no end in sight. Over the past few decades, the problem has been increasing to an ultimate high. Purchasing a counterfeit product reflects on a person’s ethics and morals. There is a difference between a knock-off version of a designer’s product and a counterfeit product; the terms will be defined and evaluated. The ethical and legal dilemma that consumers are in will …

Graphic Novels As Contemporary Art? The Perplexing Question Of Content In The High School Art Classroom, Mark Graham

Faculty Publications

The postmodern condition of contemporary art is characterized by appropriation, layering of styles, recontextualization, interaction between text and image, and a willingness to embrace multiple meanings (Fehr, 1997; Gude, 2004). As the high school teacher contemplates the world of contemporary art and the expanse of visual culture, an insistent question comes to mind: What work of art or artifact of visual culture will provide the richest educational experiences for adolescent students? One viable answer is the graphic novel. Graphic novels have a postmodern flavor in that they are often ironic, playful, self-referential, and contain multiple narratives (Congdon & Blandy, 2003; …

Floating World Projects : Two Views, Delicacies, Inside Out = 浮世, Klaus Peter Knoll, Cella

Artists-in-Residence Programme : Exhibition Catalogues

Floating World Projects photographs and exhibition were realized through the Visual Studies Artist-in-Residence Programm and the generous support of the Department of Philosophy.

Ua1c1 Views - Wku Archives Photograph Collection, Wku Archives, James Galore

WKU Archives Collection Inventories

Views of Western Kentucky University and its founding institutions showing multiple buildings. Includes aerial photographs and maps.

Ua37/13 Faculty Personal Papers Charles Crume, Wku Archives

WKU Archives Collection Inventories

The series includes papers and publications related to Crume's work as a naturalist as well as reproductions of some of his artwork and biographical data.

Review: Georgia Quilts: Piecing Together A History, Tamika Maddox Strong

Georgia Library Quarterly

Review of the non-fiction book "Georgia Quilts: Piecing Together a History," edited by Anita Zaleski Weinraub.

Visual Identity, Ariston Sedrak Jacks

Theses and Dissertations

My artwork addresses issues of identity. As an artist, I feel it is my responsibility to delineate the human condition while encouraging the viewers to recall their own experiences. My paintings attempt to serve as a catalyst to evoke emotional, social, and cultural responses by documenting my idea of significant people or events. To accomplish this visually, I explore the human figure through a formal approach addressing the elements of art. I am influenced by various philosophies that impact my artwork. I experiment with a variety of media adding unique details not defined by skilled rendering or complex abstraction, but …

Fuse News, Kuniko Vroman

SWITCH

This article describes the FUSE initiative, a collaborative residency program bringing together artists, students, academic institutions, and Silicon Valley industries. Housed at San José State University and partnered with Montalvo Arts Center, ZERO1, and the city of San José, FUSE explores how interdisciplinary partnerships can shape new forms of media art and public engagement.

“Primitivism” And Theosophy In Paul Gauguin’S La Orana Maria, Katherine C. Scalia

Theses, Dissertations and Culminating Projects

The purpose of this thesis is to reveal Paul Gauguin’s expression of his theosophical beliefs in his 1891 painting la Orana Maria. Through extensive research into Gauguin’s system of beliefs on art and religion I intend to demonstrate the likelihood that the tenets of Theosophy would have appealed to his spiritual and aesthetic sensibilities. Gauguin’s involvement in the Symbolist movement, his mystical inclinations, the desire to understand and attain enlightenment, his knowledge of, and respect for religions of the East, and his fascination with the “primitive” are all addressed as pathways that led him to express his theosophical beliefs in …

Intellectual Property In The Age Of Digital Reproduction, David Sandoval

SWITCH

This article explores the challenges of intellectual property in a digital world. Focusing on the work of Graffiti Research Lab (GRL), the article discusses how artists use open-source tools to resist corporate control of public space, but also how these same tools are often co-opted by the very systems they oppose. Through examples like LED throwies, Laser Tag, and Creative Commons licenses, the article examines the limits of current copyright models and the blurred lines between commercial and non-commercial use.

Zero1sj/Fuse, Kuniko Vroman

SWITCH

This article introduces the FUSE research residency program, a collaboration between San Jose State University's CADRE Lab and the Montalvo Arts Center. It describes how FUSE supports partnerships between artists and students to explore new media and social issues through creative projects.

A Quiet Absorption: Paul Fenniak’S Realism, Shannon Egan

Art and Art History Faculty Publications

The cool early morning light casts an eerie stillness over the swimming pool in Paul Fenniak’s painting Short Cut (2006). The protagonist, a young woman with mousy brown hair and a sturdy build, carries a satchel and hunches forward midstride along the right edge of the pool. She looks toward the background of the painting, away from the viewer and across the water. Perhaps she is taking a surreptitious detour through this closed and empty space on her way to school. Fenniak skillfully captures the bluish dawn, the sun raking across clean, calm water, the gentle hint of breeze waving …

The Bridge, Volume 5, 2008, Bridgewater State College

the bridge

Volume 5 Staff

Maria Alonso, Editor-in-Chief
Whitney White, Editor-in-Chief
Theressa Barnes
David Bevans, Jr.
Laura Bowen
Jason R. Gregory
Victoria Large
Mandy Lyons
Kurt M. Schleehauf
Tara M. Sullivan
Cheryl Tullis
Shaylin Walsh

Mary Dondero, Faculty Advisor
Jerald Walker, Faculty Advisor
Linda Hall, Alumni Consultant
Rosann Kozlowski, Alumni Consultant

Rainy, Sara M. Thomas

The Mercury

No abstract provided.

Geisha At The Festival Of Ages, Amanda Ward

The Mercury

No abstract provided.

Dylan In A Gesture, Chelsea R. Kasten

The Mercury

No abstract provided.

Dirty Bath, Kelly Bennett

The Mercury

No abstract provided.

War And "Equality", Brian P. Menna

The Mercury

No abstract provided.

Foggy Sunrise, Christopher A. Merkle

The Mercury

No abstract provided.

Image’Nation : The Search For A Folk Image Of Ireland In Art And Popular Culture, 1849 To 1949., Ciarán Walsh

Theses

This study considers how visual images became central to the folk imagination of Irishness between 1849 and 1949. It begins with contrasting representations in photography of the Irish in the 1890s. The political/cultural contexts of images of Irishness is established and developed with reference to the juxtaposition of contemporary visual arts, folk song and nationalism in Kilmainham Gaol in 1991. It considers whether distinct cultural systems have historically competed for legitimacy and whether, specifically, art and tradition are incompatible in terms of a nationalist construction of Irishness. The Irishness of Irish art in the nineteenth century, the role of the …

The Use Of Trapezoidal Tunics With Curved Warp Borders As A Means To Define The Pica Tarapacá Cultural Group Of Northern Chile (900-1200 Ad), Carolina Agüero

Textile Society of America: Symposium Proceedings

During the time in the Andes known as the Late Intermediate Period (900-1450 AD), the Tarapacá region was socially integrated with societies that articulated resources from different areas through numerous strategies of exploitation. Dispersed settlements in the region suggest methods of habitation like those known to llama caravan traders. Although it has been explained how, in this period, the Pica-Tarapaca Complex controlled the territory, it has not been studied how the inhabitants of the area understood their common identity. It might be assumed that if identity is recognized as one aspect of sociopolitical connection, then affiliation with the Pica-Tarapaca Complex …

Soft Or Modern? Delineating Curtains In Domestic Interiors Of Modern Architecture, Açalya Allmer

Textile Society of America: Symposium Proceedings

“My windows hung with lace curtains (Valenciennes, Venice, Bruges, Scotland) combined according to the formula:  =  m (m - 1) (m - 2) … (m – n + 1).”  These are the words of Bourgeois, the fictive character in Le Corbusier’s seminal book The Decorative Art of Today (1925). Le Corbusier’s witty attack on curtains was common in the dominant rhetoric of modern architecture in which drapes and curtains were regarded as superficial, fleeting, and effeminate. This paper deals with curtains in domestic interiors, exploring the correlation that exists between the representation and function of the drapery in modern architecture: …

A Stitch In Time: New Embroidery, Old Fabric, Changing Values, Annin Barrett

Textile Society of America: Symposium Proceedings

Using contemporary embroidered artwork as a bellwether for changing social relationships, this paper will discuss how values regarding time, family and gender roles have evolved in the past couple of generations. Artists such as Orly Cogan, Louise Bourgeois, and Shanon Schollian embroider on vintage textiles to tell a new story about contemporary life. The past is invoked by the use of recycled household cloth, freshly stitched with a witty approach toward domestic imagery.  This contrast between old and new textile layers signifies an elegiac distance from past ways of living and serves as a measure of how much society has …

Catching The Light, Catching The Waves: The Suzani Collection Of Doris Duke At Shangri La In Honolulu, Hawai‛I, Carol Bier

Textile Society of America: Symposium Proceedings

Among the earliest collections of suzani in the United States is that acquired by Doris Duke, kept at Shangri La, the home she built in Honolulu. Nine of the suzani she purchased in India while on her honeymoon in 1935. In January 2005 the Shangri La Suzani Research Project initiated a collaborative effort to document Duke's collection with respect to materials, stitches, designs, patterns, colors, and ground fabrics. Suzanis represent an urban embroidery tradition in the 19th century and perhaps earlier; they are worked by young women of Uzbekistan and neighboring regions in Central Asia. Bright and colorful, they are …

Norwegian Natural Dyeing: Art, Craft, Gender And Innovation - Natural Dyes As A Tradition In Norway, Mette Biering

Textile Society of America: Symposium Proceedings

This paper describes how the knowledge about natural dyes survived the introduction of aniline dyes to Norway in the last quarter of the nineteenth-century. How this happened involved women, for there was a great campaign to keep the traditional colors alive for the continued use in woven cloth, coverlets, tapestries and folk costumes. At the beginning of the nineteenth century great efforts were made by women to restore and re-design traditional folk costumes; they were therefore in a position to keep the dye knowledge in the face of industrial competition. There was a country-wide search to gather dye recipes from …

Social Cohesion And Cultural Expressions: The Case Of The Sacred Textiles In The Armenian Orthodox Churches Of Istanbul, Marlene R. Breu, Ronald T. Marchese

Textile Society of America: Symposium Proceedings

This paper reports on data collected from textiles used in the religious life of members of the Armenian Orthodox Church community of Istanbul, Turkey, specifically consecrated items associated with the expression of the Divine Liturgy.  Our analysis of selected objects and their inscriptions revealed a valuable source of information about the culture and how it expressed itself in one of the key aspects of Armenian identity as a minority population in the Islamic society of Istanbul—its religion.  The production and use of these artifacts contributed to the cohesiveness of a people both in Istanbul and in the Diaspora, where Armenians …

A Poem Is A Robe And A Castle: Inscribing Verses On Textiles And Architecture In The Alhambra, Olga Bush

Textile Society of America: Symposium Proceedings

This paper studies the interrelationship between textiles, architecture and poetry in the Alhambra, the palatial complex of the Nasrids, the last Muslim dynasty in the Iberian Peninsula.  Poetic figures likening architecture to textiles in parietal inscriptions, which I will call “textile metaphors,” are the crux of this interrelationship.  I limit discussion to a single example from the epigraphy of the Alhambra: a poem inscribed in the interior of the Qalahurra al-jadıda, a tower-palace in the palatial complex.  The focal point is the term muwashsha, common to the vocabulary of textile design and literary form, which is further employed here to …