Arts and Humanities Commons^™

Perceptions Of Reality, Matthew Dombrowski

Electronic Theses and Dissertations

My thesis explores the relationship between the human psyche and the perception of reality through the use of computer generated media. In a society in which we are bombarded with multimedia technology, we must look inside our selves for a true understanding of our past and memories. Rather than it acting as an escape from reality, my art becomes an opening for truth in reality.

Pitiful Creatures, Shaun Wightman

Electronic Theses and Dissertations

By focusing on character, humor, and loose narrative, I create a world full of quirky, pitiful creatures that blur the lines between illustration and "Fine Art". Inspired by golden age cartoons, Pop-Surrealism, and late 50's commercial art, I make work that speaks of the awkwardness of human emotion while keeping a "tongue in cheek" attitude about everyday life. This work is expressed through illustration, animation, sculpture, and a lot of sarcasm.

Journey, Suzann Martinsen

Electronic Theses and Dissertations

In my drawings and animation, I create a representation of a culture that is instilled in me, yet foreign. The work is inspired from a childlike perspective to depict a personal primitive experience with the Korean culture. The subtleties of the animations are meant to reflect the quiet nature of Asian paintings and to allow the viewer to experience and interpret it as they choose. I want others to see without hearing words in an already noisy world.

Warps & Wefts 2009, Carol Bier

Textile Research Works

The interlacing of warp and weft defines a woven fabric. The weaver strings warp yarns onto a loom, a frame designed to hold the warps parallel and taut, and then introduces the wefts sequentially. The process is weaving; the result is a textile.

When we think of textiles, we most often think of garments to clothe our bodies and furnishings to supply our domestic needs. But throughout history, textiles have also played a primary role in fashion, drawing on not only color and pattern but also draping qualities and the effects of tailoring to cover (or show off) the body. …

Frje Echeverria: Four Decades Of Working Beside Students, Frje Echeverria, Brad Covington

Art on Campus Book Gallery

A book featuring the paintings of frje Echeverria. The book accompanied an exhibit of the artist's work at the Gallery of Art at the University of Northern Iowa in Cedar Falls, Iowa, from Nov. 3 to Dec. 2, 2008.

Anatomy Of An Arabetic Type Design, Saad D. Abulhab

Publications and Research

Arabetic type design, like type design in general, should not be limited by rigid rules, other than those advocating open choice and user options. But as with all design fields, highlighting certain principles and guidelines is crucial to realizing a successful project. In an Arabetic font design environment, such guidelines and principles should reveal deeper understanding of various scripts visual and behavioral defining characteristics rather than mere traditional calligraphic and handwriting norms. A main goal of this study is to emphasize that designing Arabetic fonts is much easier than it is portrayed, and designers of all backgrounds should be more …

Ua37/10 Faculty Personal Papers Mary Ruth & Keith Cloe, Wku Archives

WKU Archives Collection Inventories

Documents relating to the estate of Mary Ruth Cloe donated by her executor Elaine Harrington. Series includes clippings, genealogical data, correspondence between Ms. Harrington and friends of the Cloes. Most interesting are the hand made and colored Christmas cards created by Mary Ruth Cloe.

Devotional Prints From Germany And The Netherlands (Athens: Georgia Museum Of Art), Giancarlo Fiorenza

Art and Design

No abstract provided.

The Hybrid Sources Of Frida Kahlo, John Zarobell

Global Studies Faculty Publications

Frida Kahlo was an exceptionally original artist whose paintings sometimes seem to emerge from her consciousness and experience without prior mediation. While Kahlo was an innovative artist who possessed a highly particular vision, it is not true that her art is without sources. The problem is that few art historians outside Mexico are familiar with the pictorial source material from which she drew her inspiration. Many scholars have documented the interest of Kahlo and her husband Diego Rivera in Pre-Columbian sculpture and Mexican folk art, but her other influences are less well-known. This article will look at Kahlo’s art in …

Reading The Gardner: Viewership, Readership, And Public Art, Nicole Williams

Undergraduate Review

No abstract provided.

Westby Collective 2008, Briana Feola, Laura Nunzi, Courtney Wyman, Ryan Snyder, Angela Cervino, Dan Craig, Ryan Cherchio, John Deangelis, Lauren Gulino, Stephanie Harvey, Amy Leach, Joe Lifrieri, Jason Stewart

The Gallery

This is a digital copy of the print book produced by the Westby Collective 2008 team. The book does not contain page numbers. Contents: Printmaking, Graphic Design, Photography, Illustration, Painting, Three-Dimensional.

Files for individual sections may be viewed on the detailed metadata page by clicking on the book title.

The Politics Of Persuasion Versus The Construction Of Alternative Communities: Zines In The Writing Classroom, Aneil Rallin, Ian Barnard

English Faculty Articles and Research

We discuss how studying and creating zines in our composition classes allows our students to negotiate and explore the complexities of writing without the compulsions of many of the politically problematic commonplaces of composition pedagogy. We use zines to examine the unique ways in which their rhetorical devices address conflicts around questions of audience and diversity, as well as the particular questions that the zines raise about the politics of persuasion, our own writing practices, writing strategies that the zines suggest to us, and the construction of alternative communities.

Ua1c8 Logos & Symbols Photos, Wku Archives

WKU Archives Collection Inventories

Images of logos and symbols of Western Kentucky University and its predecessors.

1. Athletics
2. Illustrations / Artwork

Book Review. Weavings Of War, Jo Farb Hernandez

Faculty Publications

No abstract provided.

The Mockingbird - 2008, Department Of Art And Design, East Tennessee State University, Department Of Literature And Language, East Tennessee State University

The Mockingbird [magazine]

David Mazure [Questionable Moral Action 261 & Sacred Geometry (Face #1] ]; Reese Chamness [Object #11]; Christine Buchanan [Figure No. 1]; Daniel Marinelli [And the Birds of Appetite ]; Jennifer Osborne [ The Azores]; John Simmons [Tall Bottles]; Jessica Augier[ Pushed Over, Sometimes I've believed as many as six impossible things before breakfast.]; T. M. Williams [A Diner]; Marshall Parrent [The Corpse of Anthony Edlemeyer]; Amber Nixon [Desert Sand Blows Away Army Wife's Dreams of Marriage, A Cat's Eye ]; Jeri Allison [Ganesha]; K. Hawkins [Beyond the Gate]; Fletcher Dyer [Health Care (Kinetic]]; Fletcher Dyer[ Tree of Life]; Mary Tapp …

The Sainte-Chapelle Ivory Virgin & Child: Rayonnant Style And Private Devotion, Caroline Harrington

Inquiry: The University of Arkansas Undergraduate Research Journal

This paper examines a major shift in French Gothic sculpture of the second half of the thirteenth century, as exemplified by the Sainte-Chapelle Virgin and Child. During this period there was a new emphasis on elegance in art works, giving rise to a new style called Rayonnant, a style paralleled by a new emphasis on the humanity of Christ and the Virgin Mary. The scale and patronage of the Sainte-Chapelle Virgin and Child demonstrate the changing purpose of sculpture from a ceremonial role in church life to a private devotional object for the French elite, in particular king of France …

Constructing Entropy, Xanthe Isbister

School of Art, Art History, and Design: Theses and Student Creative Work

Significant portions of my life have been spent in the wilderness of Nothern Canada. These experiences such as hiking, exploring, and prospecting, that began in early childhood created in me a profound respect and concern for the wilderness environment. I scek to capture and express this "sense of place" in my work. In the last th ree years visits to this region of Canada, or to any wilderness area, for that matter, have been minimal. This absence has created a drive within mc to employ memory, perhaps idealized, as source material in this ceramic sculpture. A demanding and labor -intensive …

Decay Of The Domestic, Kimberly J. Thomas

School of Art, Art History, and Design: Theses and Student Creative Work

Because I was an adult when my parents divorced, I was aware of how the tumultuous situation and new knowledge were working to change my childhood memories. Past events became tainted, clarified, or muddled. Different from my memories was the idea of history, specifically a family's history. My inner narrative changed and to this day differs from my parents' narratives. This was a shocking realization of the subjective nature of history. Ultimately, the events of the divorce made me unsure of things of which I had been certain. Through these photographs I am questioning my ideas about family, memory, history, …

What Is In Front Of You?, Susan A. Dewsnap

School of Art, Art History, and Design: Theses and Student Creative Work

Pots are familiar forms, approachable and understood. They are opened, looked into, lifted and held and this is when their hidden virtues of suggestively vast interior, weight and gravity are revealed. I continue to be intrigued by the questions that pots provoke: those of making, possibilities of use and by the endless manifest forms in which they appear throughout various cultures of the world. My recent work has been an investigation into the dynamics of how the drawing on the surface and the shape of a piece can be intimately connected, that one cannot exist without the other. I aspire …

Recollection, Eriko Fujita

School of Art, Art History, and Design: Theses and Student Creative Work

World events, political satire and social commentary are expressed in my artwork. believe that under the current political circumstances, history is often ignored, forgotten or miscommunicated. My work is a response to the misinterpretation and continuous change in the world around us. I am interested in looking into the relationship between three countries, Japan, the U.S. and China. I grew up in Hiroshima, Japan until I was sixteen years old. Every summer, schools in Hiroshima have an intense educational program that teaches students about "peace" and how it is important for people to know that there is no such thing …

Fantastic Covers, Ellen Kathryn Corrigan

Faculty & Staff Research & Creative Activity

Introductory and caption text from “Fantastic Covers,” an independently curated exhibit on display at Booth Library, Eastern Illinois University, October-December 2008. Featured cover art from a collection of pulp science fiction paperbacks and magazines dating from the 1950s to the early 1970s, housed in the library's Special Collections. Reformatted from original presentation.

Fantastic Covers, Ellen Corrigan

Faculty & Staff Research & Creative Activity

Introductory and caption text from “Fantastic Covers,” an independently curated exhibit on display at Booth Library, Eastern Illinois University, October-December 2008. The exhibit featured cover art from a collection of pulp science fiction paperbacks and magazines dating from the 1950s to the early 1970s, housed in the library's Special Collections. Text reformatted from original presentation.

Traditional Textile Materials Of Baekje Kingdom, Mi Young Suh, Kil Soon Park

Textile Society of America: Symposium Proceedings

The purpose of this study is to analyze the traditional textile materials of Baekje including the sorts of material, colors, and patterns. This study is qualitative research using documentary records related with the costume of Baekje and evacuated data such as “Yang-Jikgongdo”, on the wall paintings of Seonwun-temple, Wajeon(tiles), and the relics from King Muryeong's dome and other domes.

The results of study are as follows:

1) Textile manufacturing technology of Baekje which had been developed since Mahan era greatly prospered in Baekje era, and high quality silks, hemp, wool, and leather were used as dress material.

2) Six basic …

11th Biennial Symposium Program, Part 1, Textiles As Cutlural Expressions

Textile Society of America: Symposium Proceedings

No abstract provided.

A Marketplace In Miniature: Norwich Pattern Books As Cultural Agency, Victoria Mitchell

Textile Society of America: Symposium Proceedings

An eighteenth-century book of woven samples can be considered as a seminal link between the production of raw materials in one cultural context and clothing or furnishing in another. In bringing images of such samples from Norwich to Hawaii for a twenty-first century conference on Textiles as Cultural Expressions I am also conscious of mapping an openended dialogue which engages the historical and the contemporary. This perspective is recognized by anthropologist Arjun Appadurai when he says that ‘from a methodological point of view it is the things-in-motion that illuminate their human and social context.

Thus, although consideration of books and …

The Serpentine Essence Of A Chancay Gauze Headdress, Jessica Gerschultz

Textile Society of America: Symposium Proceedings

A small but fascinating Chancay gauze fragment in the collection of the Michael C. Carlos Museum stands out as an exemplary object that embodies the symbolic associations and aesthetic principles of the Peruvian coastline during the Late Intermediate Period (Fig. 1). Its weave structure, production process, iconography, and polychromy unite in reinforcing the protective and regenerative purposes of the original headdress. Consisting of variably spun threads knotted together, its unique discontinuous warp relates to its function in funerary and ceremonial contexts. Significantly, its weaver pushed beyond technical limitations to bring together the laborious techniques of gauze weaving and discontinuous warping …

Chinchorro Twined Shrouds, Vicki Cassman, Nancy Odegaard, Bernardo Arriaza

Textile Society of America: Symposium Proceedings

Twined textile shrouds, beginning at least nine thousand years ago, were an integral and relatively unchanging feature of Chinchorro mummy bundles, though Chinchorro mummification practices dramatically varied through the millennia. Twined mats were used like casings, enshrouding the bodies, like a postmortem amniotic sack made from vegetal fibers. They carried the individuals to the after world protected in the belly of the earth. Chinchorro mummies beginning with the earliest dated individual, known as Acha Man, from 9,000 B.P. through and into to the next cultural phase, Formative 3,000 -1,500 B.P., were enveloped in a reed shroud. The use, materials, structures …

The String Or Grass Skirt; An Ancient Garment In The Southern Andes, Amy Oakland

Textile Society of America: Symposium Proceedings

Introduction to Session and South America

The regions of South America specific to our session concerning extraordinary textiles from the Southern Andes include the dry Pacific coast of southern Peru and northern Chile. Among the earliest inhabited sites of South America are those from the coast near Arica, Chile and the interior desert of the Pampa de Tamarugal. It is here that Chinchorro (9000-3000 B.P.) burials and later Formative (3000-1,500 B.P.) cemeteries of closely related coastal people known as Quiani and Fladas del Morro have been excavated (Fig. 1).

Although humans inhabited the coast and highlands of South America for …

Spinning Pattern, Ann Pollard Rowe

Textile Society of America: Symposium Proceedings

Ecuadorian textiles are in general more austere than those of southern Peru or Bolivia, but there are some interesting things if you look carefully enough. The focus of my paper is a woman’s wrap and carrying cloth, locally called a rebozo, from the Salasaca ethnic group in central highland Ecuador (Figs. 1-2).1 It was collected in 1966 by Frances Ruddick, then a Peace Corps volunteer working in Salasaca, and given to The Textile Museum in 2004. It is a large rectangle, 2.23 meters long and 1.02 meters wide, in purple wool with some narrow white cotton stripes, mostly near …

Identification Of Red Dyes In Textiles From The Andean Region, Ana Roquero

Textile Society of America: Symposium Proceedings

Introduction

The identification of dyes and pigments is nowadays very precise by means of different systems of chromatographic analysis. Nevertheless, as the same dye component can be found in different plants and animals, it is important when studying dyes in textiles to consider the geographical and cultural context of both the textile and the possible dyestuffs used historically in the area.

In the case of South American textiles, the major source of bibliographical information about the subject can be found in the Spanish Chronicles from the Americas, produced during the XVI–XVII centuries. Although European textile technology was introduced in the …