Arts and Humanities Commons^™

San Francisco’S Indian Autumn, John Zarobell

Global Studies Faculty Publications

No abstract provided.

Forward [To Andrew Gilbert: Andrew, Emperor Of Africa], John Zarobell

Global Studies Faculty Publications

No abstract provided.

Manifestations Of Network Identity, Owen Stowe

Art Honors Papers

No abstract provided.

Ronald Gonzalez: Private Collection, Shannon Egan

Schmucker Art Catalogs

In Ronald Gonzalez’s latest series of sculptures, old leather satchels, small antiquated appliances, dulled tools, bicycle handles, shoes, a fencing mask, an accordion, a bicycle seat, a toaster and helmets, among other various found parts and outdated detritus are combined to evoke the heads and torsos of human-like forms. The viewer identifies the components at once as what the objects literally are as well as the specific body parts they figuratively describe. As such, his art calls for an exercise in perceptual shifts that allow for more than one visual interpretation. While some objects are manipulated, others are left intact, …

Lisa Blas: Meet Me At The Mason Dixon, Shannon Egan, Miguel De Baca

Schmucker Art Catalogs

The Schmucker Art Gallery at Gettysburg College is extremely pleased to mount the remarkable series of paintings, photographs, and mixed-media installation by contemporary artist Lisa Blas entitled Meet Me at the Mason Dixon. This exhibition is an official part of Gettysburg area’s 150th Commemoration of the American Civil War as well as Gettysburg College’s Kick-Off event for this significant anniversary. Gettysburg provides an especially appropriate backdrop for the exhibition, as the artist took the history of this “hallowed ground” and its current resonances as the subject of her work. Blas traveled the Gettysburg National Military Park, as well as to …

Strand Teaches The Art Of Weaving In A New World, Aldemaro Romero Jr.

Publications and Research

No abstract provided.

Jim Starrett: Drawings, Brian Mains, Patrick E. White

Exhibit Catalogues

This exhibition and catalog have had the close cooperation of the artist, Jim Starrett, to whom must go the first thanks. His professional experience and dedication as an artist and teacher has helped shape this exhibition. Brian Mains' design of the catalog and his essay contribute valuable perspectives for our audience. Starting with "Impersonations: Scott Greiger" in 2007, then "Bobby Ross: Drawings" in 2010, the Nora Eccles Harrison Museum of Art began a tradition of presenting ideas and objects that stimulate discussion, challenge the audience, encourage open-mindedness and expand perspectives.

Best In Show, Amanda Sim, Fleet Library, Special Collections, Jan Baker

Animals

This book was created for Jan Baker's artists' book class.

Taking Sides, But Who’S Counting? The Decagonal Tomb Tower At Maragha

Textile Research Works

Lu and Steinhardt introduced the term “girih tiles” to describe the set of equilateral polygons that structures a colorful two-dimensional decagonal tiling on the Darb-e Imam in Isfahan, Iran (1453 CE) with distant roots in the five-fold symmetries articulated in brick on the Gonbad-e Qabud, a tomb tower dated to the late 12th century CE located at Maragha in western Iran. Their work seeks to establish the early existence of quasi-crystalline tilings long before such means of covering the plane were understood mathematically in the West. Questions remained unanswered as to whether those who constructed these monuments were aware of …

Ivy Leaves, Volume 85, Ivy Leaves Editorial Staff

Ivy Leaves

The 2011 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Anna Davis, Brianne Holmes, Sarah Dobrotka, Rafael Alcantar, Jr., Josh Overstreet, Calli Lawson, Kelly Johnson, Jennifer Hall, Rachel Spoon, Mandie Wines, Naomi Nakazato, Lindsey Dilleshaw, Jivan Davé, Phillip Belger, David Bishop, Laura Jones, Seth Christie, Andrew Higgins, Teresa Jones, and Tim Speaker.

In Between Seeing And Representing: An Exploration Of Visual Expression, Andrew Linde

Undergraduate Review

Strong design solutions are rarely arrived at by chance and are often inconceivable without an evolutionary process of ideation. Carefully crafted messages that take into account how a reader interprets an image demand the skills of a designer who is in a sense a translator, visualizing abstract concepts in concrete form. My inquiry revolves around the process of representing a salt shaker through a series of visual studies using diverse methods of expression such abstraction, reduction, and stylization. The intention was to investigate the question; What are the limits and possibilities of visual expression in the representation of a simple …

Stealing Horses And Hostile Conflict: 1833-1834 Drawings Of Mato-Tope And Sih-Chida, Kimberly Minor

School of Art, Art History, and Design: Theses and Student Creative Work

The first documented Native American art on paper includes the following drawings at the Joslyn Art Museum in Omaha, Nebraska: In the Winter, 1833-1834 (two versions) by Sih-Chida (Yellow Feather) and Mato-Tope Battling a Cheyenne Chief with a Hatchet (1834) by Mato-Tope (Four Bears) as well as an untitled drawing not previously attributed to the latter. These images were produced and collected during the winter of 1833-1834 when the German Prince Maximilian of Wied and artist Karl Bodmer resided at Fort Clark in North Dakota. These drawings remained with Prince Maximilian’s estate until they were placed on long term loan …

Risd Fact Book 2011, Institutional Research

RISD Fact Books

The Office of Institutional Research is pleased to present the 2011 Rhode Island School of Design Fact Book; a paperless, accessible, consistent source of information about the RISD community, its resources, and its operations. It is a summary of institutional data gathered from many areas of the College, compiled to capture the 2010‐2011 Fiscal and Academic Year. Where appropriate, multiple years of data are provided for historical perspective. While not all‐encompassing, the Fact Book does provide pertinent facts and figures and is made available as reference to administrators, faculty, staff, and students.

An American Taste: The Rohman Collection

Sheldon Museum of Art: Catalogs and Publications

The Rohman name has been synonymous with the artistic an cultural life of Lincoln and greater Nebraska for decades. It can be seen on buildings and projects throughout the city and state, from Opera Omaha and the University of Nebraska- Lincoln opera program to the Museum of Nebraska Art in Kearney and Lincoln's own Meadowlark Music Festival. In summer 2005, the Rohman's were the first family to be honored with a named gallery at the Sheldon Museum of Art. But the Rohman's have also enriched the region's cultural heritage in less visible ways too numerous to count. An American Taste: …

Textile Society Of America Newsletter 23:1 — Winter 2011, Textile Society Of America

Textile Society of America: Newsletters

Lillian Elliott Award Recipient: Sharon Kallis
Symposium 2010: TSA Award and Scholarship Winners
From the President
TSA Study Tours
Symposium 2010 Photos
TSA Member News
Symposium 2010: Reports by TSA Award Recipients
Book Reviews
Conference Reviews
Textile Community News
Publication News
Calendar-Conferences & Symposia, Exhibitions, Lectures, Workshops, Tours

Poetical Fire: Three Centuries Of Still Lifes, Brandon K. Ruud, Wendy J. Katz, Randall R. Griffey, Janet L. Farber, Jorge Daniel Veneciano, Sarah E. Feit

Sheldon Museum of Art: Catalogs and Publications

No abstract provided.

Decisive Line Drawings By Dan Howard, Christin J. Mamiya

Sheldon Museum of Art: Catalogs and Publications

In mathematics, a line is the geometric figure formed by a point moving along a fixed direction, and its major property is that it is one-dimensional. In art, however, line has much more than a single dimension. Lines are mutable and chameleon-like in character-they can be soft and seductively flowing, agitated and emotionally loud, or passively descriptive. Line also serves as the fundamental element of most drawings. In this exhibition, Dan Howard reveals his continuing fascination with, and mastery of, line. Composed not only of charcoal, graphite, and pen-and-ink drawings, but also of oil paintings, this array of works showcases …

Messaging: Text And Visual Art, Sarah Feit, Jorge Daniel Veneciano

Sheldon Museum of Art: Catalogs and Publications

Messaging: Text and Visual Art explores the use of language in art. Text in art mirrors the language of our daily lives, drawing on newspapers, advertisements, and personal stories. This exhibition focuses on how artists since the 1960s have used text in their work The term "messaging" in the title evokes changes in communications that have occurred in recent years. The technological advances that have been underway since the 1990s not only brought about unprecedented changes in the fields of science and industry, but they are also transforming our language.

"Messaging" has become synonymous with technology-a term used to describe …

New Material World: Rethreading Technology, Sharon L. Kennedy

Sheldon Museum of Art: Catalogs and Publications

New Material World: Rethreading Technology highlights ten contemporary textile artists from Canada, Denmark, Japan, South Korea, and the United States, who engage modern technology either by employing or studiously resisting it in their work. The exhibition explores ways in which some artists utilize technology as a tool to expand their design capabilities and others use it to further their cultural, political, scientific, or social interests. Technology aids in planning and implementing artwork, allowing artists more time to explore new creative ventures. Modern exchanges of information facilitate collaborations between artists and industry. Although technology has benefited many textile artists, others find …

Better Half, Better Twelfth: Women In The Arts Collection- Part Ii

Sheldon Museum of Art: Catalogs and Publications

This reinstallation of the permanent collection galleries continues Sheldon's focus on American women artists, The fact of women's historical exclusion from the art world provides a basis for our exploration, In a 1971 essay, art historian Linda Nochlin famously asked, "Why have there been no great women artists)" She detailed various exclusions women suffered-from working with male nude models, hence from apprenticeships, then art professions and academies, to which we add commercial gallery exhibitions, art criticism, and art history. Over the centuries, this vicious cycle has shaped the current phenomenon: the predominance of male artists in museum collections.

The expression …

Visionaire 61: Larger Than Life Standard Edition, Stephen Gan, Cecilia Dean, James Kaliardos, Greg Foley

Visionaire

18 unnumbered pages : chiefly color illustrations Limited edition of 250 copies. Contributor list: Lady Gaga, Inez & Vinoodh, Ridley Scott, Philip-Lorca diCorcia, Marina Abramovic, Martin Schoeller, Josephine Meckseper, Richard Phillips, Steven Klein, Ryan McGinley, Karl Lagerfeld, Massimo Vitali, Steven Meisel, Ed Ruscha, Marilyn Minter, Rob Pruitt, Bruce Weber, Sam Taylor-Wood, Guido Mocafico, Mario Sorrenti, Maurizio Cattelan, Pierpaolo Ferrari, Doug Aitken, Tom Sachs.

"Visionaire broke the Guinness World Record for the largest magazine ... with a Deluxe Edition at 57.48 x 79 inches ... In this history-making issue, Visionaire gives iconic artists and image-makers the forum to take their visions …

The Mercury 2011

The Mercury

No abstract provided.

Ganga Ma, Sara W. Tower

The Mercury

No abstract provided.

Self-Portrait, Rebecca H. Fisher

The Mercury

No abstract provided.

The Trinity, Josiah B. Adlon

The Mercury

No abstract provided.

Inflatable Rapture, Lawrence Gise

Art & Art History Masters of Fine Arts Theses - Archive

Written portion of creative MFA thesis published as a book. Physical copies are available for viewing in the Art & Art History Department office.

Sae Magazine : The Magazine Of Sae Institute And Sae Alumni Association 2011|1, Sae Institute

SAE Magazine (2007-2011)

No abstract provided.

"Introduction" To Conjuring The Real: The Role Of Architecture In Eighteenth- And Nineteenth-Century Fiction, Rumiko Handa, James Potter

Architecture Program: Faculty Scholarly and Creative Activity

Buildings give an immediate presence to the historical or fictional world, which otherwise is unknown or unfamiliar to the audience. The portrayal of a building’s concrete and specific substance makes the world come alive, although the building itself is a mere segment of the world that it represents. This book will trace the genealogy of this representational role of architecture, going back through the history of film and then further in literature, art, and theater, and identify its pedigree in the nineteenth century, where authors, artists, and stage managers used thorough depictions of buildings to effectively feed the audience’s historical …

Blanket Statements, Issue 106, Winter 2011–2012

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 106, Winter 2011–2012

2011 Yearbook, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.