Arts and Humanities Commons^™

Continuum: 2,500 Pebbles, Shiloh Gastello

Calliope

No abstract provided.

The Effects Of Cancer, Mara Lapayne

A with Honors Projects

I chose to do a project related to cancer for my Painting 1 class. Using oil paint, I wanted to create a more symbolic representation of cancer. So I made a cloud-like, cancerous mass with streaks of chaotic color swirling around a central face. The face represents any person affected by cancer and has had to “shut down” their emotions in order to function. I wanted the skin texture to be almost metallic as if it is metal armor or robotic-like, to support the idea of “shutting down” one’s emotions. The blank expression also portrays this idea.

Linard Conference, Jo Farb Hernandez

Faculty Publications

No abstract provided.

A Service-Learning Project: Linking An Art Museum, Honors Students, And The Visual Arts, Leda Cempellin

School of Design Faculty Publications

This article focuses on the structure, challenges, and outcomes of a service-learning pro-ject experimented by an art historian in an innovative special topics course Museum Experience, cross-listed with an Honors art appreciation course. The discussion includes: creating a new course content planned according to a multidis-ciplinary perspective uniting elements of art appreciation, museum studies and art history research methodologies; planning a mutual dialogue of theory and practice by structuring a partnership with the art museum and graphic design in a service-learning project, consisting in both essay and layout of an exhibition catalogue. The syllabus structure is fully explained, as well …

Turning Challenges Into Gold: Cross-Listing Introductory Honors With Advanced Classes In The Visual Arts, Leda Cempellin

School of Design Faculty Publications

No abstract provided.

Articulations Of Irish Language Poetry As Multimodal Texts, Brenda Duggan

Conference Papers

Abstract

In October of last year, visual communication students at Technological University Dublin took part in an exhibition of Irish language literature texts that were imaginatively extended, exploring an array of new literacies. Taking the Irish language texts as a starting point for this project, students creatively explored print, visual, digital and material modes to extend the meaning of the poetry.

This paper explores, from a social semiotic perspective the creative potential this multimodal work offers design pedagogy in how we frame and articulate meaning across both print and digital media design education. With an emphasis on an ensemble of …

Crucial Design Issues For Special Access Technology, Pearl O'Rourke, Ray Ekins, Bernard Timmins, Fiona Timmins, Siobhan Long, Eugene Coyle

Conference Papers

Introduction: Electronic Assistive Technology (EAT) aims to empower individuals with disabilities by reducing the environmental and societal barriers they encounter. Power wheelchairs aid mobility, communication aids allow for more efficient conversation, environmental controls permit greater autonomy, and personal computers provide access to information, social networking and educational activities. In order to control EAT, a computer input device is necessary. Mice and keyboards are typically used but in certain cases, Special Access Technology (SAT) is required. SAT refers to adapted and alternative computer input devices that are utilised when mainstream software and hardware are not suitable. Examples are switches, joysticks and …

Crafts Of Color: Tupi Tapirage In Early Colonial Brazil, Amy Buono

Art Faculty Books and Book Chapters

"Tyrian purple. Lamp black. Lead white. Cadmium yellow. Ultramarine blue. The materiality of color, as it is often discussed, has a fixed quality. Pigments and dyes derived from many natural substances-minerals, earths, plants, and animals-have stable optic qualities. Lapis lazuli can be reliably counted upon to be blue. Dyes made from cochineal consistently fall within a certain range at the red end of the spectrum. Similarly, we might expect that the green feathers of a bird such as the Festive Parrot (Amazona festiva), after molting, would be replaced by equally green plumes. As the excerpt above suggests, from …

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 33 (2012), Lynne Zacek Bassett, Nancy C. Bavor, Gloria Craft Comstock, Mary Ellen Ducey, Kathryn "Kitty" Ledbetter, Joan Laughlin

Uncoverings Journal

Preface by Lynne Zacek Bassett

Common Threads: Nine California Art Quilt Pioneers by Nancy Bavor

Hortense Horton Beck Tells Her Story: "I wanted to do something important" by Gloria Craft Comstock

The Palladian Quilt: Exploring the Possibilities by Mary Ellen Ducey and Joan Laughlin

Textiles, Print Culture and Nation Building in the 1840s by Kathryn Ledbetter

Contributors

Index

Design And Development Of An Optically Accessible High Pressure Combustor, Jesus Nunez

Open Access Theses & Dissertations

Currently in the US there is a push to reduce the nation's energy dependence from foreign fuel sources. One of the most abundant fuels in the US is coal with the nation's coal reserve accounting for 25% of the coal in the world. Due to coal being an abundant resource in the US and the need to reduce the dependency on foreign fuel sources coal derived synthetic fuels have been studied for use in gas turbines. Modern gas turbine combustors must operate over a range of different fuel compositions which includes fuels with high hydrogen fuel content (HHC). To ensure …

Norman J. ‘Bud’ Goldstone 1926-2012, Jo Farb Hernandez

Faculty Publications

No abstract provided.

A Crack In Everything, Jeffrey Hoffman

Electronic Theses and Dissertations

Contained herein is a close examination of self-awareness and self-portraiture as it applies to the works of artist Jeffrey Hoffman. Water, frozen into various forms and combined with natural elements of wood, slowly melt over an indeterminable amount of time, each droplet documented as the process transforms the elements. Through this process, we see change. We see time. We see truth. This documentation of change and time through natural elements is where the artwork comes full circle. Working with new media to explore man's interconnectivity to life, energy, and the cosmos, he produces time based installations, photographs, videos, and sculptures …

The Immaculate Condemnation, Corey Robertson

Electronic Theses and Dissertations

My work is a continuously evolving self portrait formulated by a combination of past experiences and influences. The Immaculate Condemnation body of work is a cathartic reaction that confronts Catholic Sin and rebels against gender conformity. As both a confirmed Catholic and transgender woman, I speak from an authentic voice that seeks open conversation regarding these topics. I also hope to demystify the transsexual body for the non-transgendered viewer. Additionally, I use allegoric imagery to communicate my interpretation of beauty, power, horror, and sex. I combine performance, photography, sculpture, video, audio, and graphic design to execute my installations. I intentionally …

2012 Risd Wintersession Schedule Of Courses, Risd Registrar's Office, Risd Archives

RISD Course Catalogs / Announcements

No abstract provided.

2012-2013 Risd Course Announcement, Risd Registrar's Office, Risd Archives

RISD Course Catalogs / Announcements

No abstract provided.

Russian Art In The Second Half Of The Twentieth Century, Ekaterina Dyogot

Russian Culture

This essay concerns Russian art in the second half of the twentieth century, yet any such description requires constant reference to the Russian avant-garde and the Soviet art system. The country's isolation made Soviet art such a specific, aesthetic, and particularly institutional phenomenon that it becomes critical to any understanding of art in the post-Stalinist period.

Volume 04, Matt Szemborski, Phillip Van Ness, Sarah Croughwell, Sarah Mayfield, Alyssa Strackbein, Marley Kimmel, Stephanie Skipp, Jamie Yurasits, Katherine Taggart, Alex Leonhart, Kristen Rawls, Andrew Armes, Amanda Haymens, Allison Paqlowski, Erica May, Stephanie Lane, Luke Acree, Cassandra L. Wilson, Stephanie Pishock, Erica Hopson, K. Juston Osborne, Katheryn Grayson, Kyle Fowlkes, Jessica Cox, Kaity Byrum, John-Harwood Scott, Ashley Johnson, Samantha Hockman, Emily Staskiel, Nancy Macdonald, R. Kruger Bressin, Benjamin P. Bilodeau, Andrea Irby, Kristin Macquarrie, Sarah Bietsch, Elizabeth Bednar

Incite: The Journal of Undergraduate Scholarship

Please note that part of pages 92-95 are redacted, in the digital copy, due to a misprint of the original printed article.

Introduction from Dean Dr. Charles Ross

The Internal Other: Transculturation and Postcolonial Magical Realism in Rushdie’s Midnight’s Children by Matt Szemborski

Photography by Phillip Van Ness

Photography “Waterfall” by Sarah Croughwell

Romancing the Bite: Statistical Analysis of Young Adult Vampire Novels by Sarah Mayfield

Photography by Alyssa Strackbein

Photography by Marley Kimmel

Wine and Society in the Viceroyalty of Peru by Stephanie Skipp

Analysis of Claud Monet’s Impression, Sunrise by Jamie Yurasits

Exploring Meaning: The Lindisfarne Gospels by …

"Tuxedo" Phase Box (3 Variants), David J. Stokoe, Department Of Preservation And Conservation

Librarian Publications

These diagrams depict 3 variants of the "tuxedo-style phase box,"a simple, low-cost, enclosure made from 20pt acid-free folder stock. It is designed to protect brittle, deteriorated, "low priority" items.

Masthead

Hemisphere: Visual Cultures of the Americas

No abstract provided.

12 Museum Theorists At Play, Marian Howard, Lauren Appel, Nicole Ferrin, David Vining, Katherine Hillman, Marissa Corwin, Berry Stein, Nicole Keller, William Elliston, David Bowles, Tiffany Reedy, Kathryn Eliza Harris, Liat Olenick

All Faculty and Staff Papers and Presentations

Introduction by Lauren Appel
1. Learning by Do-weyan, by Marian Howard, with Nicole Ferrin
2: Dewey Defines Himself and Education, by David Vining
3. Benjamin Ives Gilman: Arts in People’s Lives, by Katherine Hillman
4. John Cotton Dana: The Social Construction of Museums, by Marissa Corwin
5. Piaget in the Art Museum: Constructing Knowledge Through Active Engagement, by Berry Stein
6. Lev Vygotsky: The Social Aspects of Learning, by Nicole Keller
7. Paulo Freire: Literacy, Democracy, and Context, by Nicole Keller
8. Maxine Greene: Aesthetic Education, by Lauren Appel
9. Howard Gardner and Multiple Intelligence Theory: A Practical Application of …

Study Guide For United In Anger: A History Of Act Up, Matt Brim

Open Educational Resources

The United in Anger Study Guide facilitates classroom and activist engagement with Jim Hubbard’s 2012 documentary, United in Anger: A History of ACT UP. The Study Guide contains discussion sections, projects and exercises, and resources for further research about the activism of the New York chapter of ACT UP (AIDS Coalition to Unleash Power). The Study Guide is a free, interactive, multimedia resource for understanding the legacy of ACT UP, the film’s role in preserving that legacy, and its meaning for viewers' lives.

The Bridge, Volume 9, 2012, Bridgewater State University

the bridge

Volume 9 Staff

Kate Camerlin, Editor-in-Chief
Catherine McFarland, Editor-in-Chief
Colleen Barber
Christopher Boudrow
Ryan DiPetta
Taylor Lynch
Kristen Lyons
Michael Malpiedi
Anthony Rotella
Amanda Rae Rouillard
Joshua Savory
Sarah Springer

Melanie Joy McNaughton, Faculty Advisor
John Mulrooney, Faculty Advisor

Letter From The Visual Arts Editor, Becca Wyant

Calliope

No abstract provided.

Medford, Eric Koester

Calliope

No abstract provided.

Dress Special, Paige Logsdon

Calliope

No abstract provided.

Death Symmetry, Paige Logsdon

Calliope

No abstract provided.

Don Quixote, Lucero Alverez

Calliope

No abstract provided.

Tombstone, Jessica F. Lee

The Mercury

No abstract provided.

Not A Dead Horse, Hannah C. Knowles, Lisa R. Del Padre, Daniel E. Perez

The Mercury

No abstract provided.

Juliet, Hannah J. Sawyer

The Mercury

No abstract provided.