Arts and Humanities Commons^™

Ghost2, Matthew Klepac

The Hilltop Review

I'm a ghost; unseen, unheard, untie me

Untimely demise, one word describes me

Damaged; a phantom I float over rhythm

Vanish in thin air and reappear like apparitions

I'm at the mercy of a vengeful god, a lost soul

I float alone unnoticed in this city of ghosts

Those kids all thought they knew me so I tried to fit the mold

But conformity's a fake ID and loneliness is cold

The Heroine's Journey, Catherine Bailey

The Hilltop Review

My current research focuses on representations of gender in contemporary literature and visual culture, with a particular emphasis on feminist criticism. Furthermore, I am interested in the ways in which ancient mythology, fairy tales, and folklore have shaped--and continue to shape--societal ideals about normative gender behavior. While some myth critics profess the benefits of framing one's life in terms of a grand narrative--an archetypal "hero's journey"--feminist critics and queer theorists argue that these sweeping narratives can be damaging to people of all genders by forcing them into limiting social scripts. Much of my recent research has explored the question of …

Model Of A Funerary Boat, Risd Museum, Peter Dean, Peter Johnson

Channel

During the funeral, the deceased took a last earthly journey, traveling by boat to the cemetaries on the west bank of the Nile. The next voyage then began: a spiritual pilgrimmage to Abydos, the religious center and burial place of the god Osiris. For this reason, wooden model boats were often placed within tombs as substitutes for large-scale vessels in the afterlife. This model boat mimicked papyrus funerary barks. The wedjat-eyes painted on the hull were meant to guide the vessel safely through the perilous journey to the afterlife. 2100-1900 BCE

The Culturator: Film Noir Meets Bike Culture, Daniel Dean

Art & Design Faculty Research

Part of this weekend’s nuit blanche Northern Spark festival, project Mobile Experiential Cinema invites goers to embark on a rambling, bicycle-mounted, multi-location cinematic experience that blends bike culture with locally-bred film. Created by artists Daniel Dean and Ben Moren, the project launched alongside the inaugural Northern Spark fest last year as an interactive projected film-focused group ride featuring live performance elements and urban exploration embodying all plot twists and theatrical curve balls we’ve come to expect from the mystery genre. We caught up with Mobile Experiential Cinema collaborators Dean and Moren to chat about the project’s creation, its noir influences …

If I Were To Meet You Again, Rachel Grate

Passwords

No abstract provided.

Untitled, Jenna Tico

Passwords

No abstract provided.

Camel Girl, Robin Xu

Passwords

No abstract provided.

Collegiate Love Letters

Passwords

No abstract provided.

Art After Hours, Rachel Brownell

Passwords

No abstract provided.

London, Dear, Jessica Stern

Passwords

No abstract provided.

Front Matter

Passwords

No abstract provided.

Shelby, Edmund P., 1833-1917 (Sc 382), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Small Collection 382. Photostat of a letter written by Edmund P. Shelby, Lexington, Kentucky, to Richard Jouett Menefee, concerning disposition of original paintings done by Menefee’s grandfather, Matthew Harris Jouett, of Governor Isaac Shelby. Menefee was especially interested in locating Jouett’s works.

Chaosocial - A Social Media Platform For Social Movements, Nathanael Hughes

Liberal Arts and Engineering Studies

Recent Social Movements have increasingly used social media as a driving component in recruiting, developing the cause, and mobilizing people to action. Chaosocial is a web application that provides a layer of organization over social media, allowing organizations traditionally limited in ability to leverage social media to use it to strengthen their social movements.

Cele Houre Memes: An Eccentric English Psalter-Hours In The Huntington Library, Alexa Sand

Art and Design Faculty Publications

The Ellesmere Psalter-Hours (EL 9 H17) consists of two distinct but related manuscripts, an earlier Psalter and a later partial Book of Hours written and illuminated in England between about 1310 and 1325. Alexa Sand shows what this unusual book reveals about lay devotion as an expression of class ambition and social networking among the gentry of northwestern England in this period of internecine strife and political turmoil. The manuscript’s material structure and its iconographic, textual, and heraldic contents reflect its emulation not only of similar prayer books created for laywomen belonging to the gentry class but also of specific …

Combat To Campus, Margaret Bellafiore

Bridgewater Review

No abstract provided.

Typographic Trends In American Sports Brands, Alan Jacobson

Graphic Communication

No abstract provided.

Inside Front And Back Covers: Pottery By Preston Saunders, Preston Saunders

Bridgewater Review

No abstract provided.

Investigations Of Form, Preston Saunders

Bridgewater Review

No abstract provided.

Office Of Multicultural Affairs (Oma) / Office Of Intercultural Student Engagement (Ise) Annual Report 2011-2012, Intercultural Student Engagement Office, Anthony Johnson

Intercultural Student Engagement (ISE) Annual Reports

This Annual Report 2011-2012 marks the transition and renaming of the Office of Multicultural Affairs (OMA) to the expanded Office of Intercultural Student Engagement (ISE). This expansion brought to ISE the Office of International Student Services (OISS) and a diversity coordinator- a new position focusing on underserved student communities including LGBTQ, religious/spiritual, and first generation to college. These important shifts and incredible staff members have poised the office and RISD to respond more broadly and deeply to the needs, hopes, and development of our collective student body. The ISE 2011-2012 Annual Report is a year in review containing a message …

Born-Again Artist: Lessons, Prophets, And Visions On Developing An Identity As An Artist, Alison Palmucci

Critical and Creative Thinking Capstones Collection

Being an artist involves the creation and maintenance of an artistic identity. Because there are no specific prerequisites for becoming an artist, like academic degrees or professional licenses, anyone can call him- or herself an artist. Working as an artist differs from working in more typical careers. This paper seeks to examine the ways artists build and maintain artistic identities, and the various actions or modes of thinking needed in order to do so. The author reflects on her own life as an artist, which includes considering how she lost sight of her artistic self, and the steps she is …

Designing A Sustainable Curriculum: Foundation Programme In Design Education For Hong Kong, Yan Yan Lam, Shung Yu, Alex Fung

Practical Social and Industrial Research Symposium

No abstract provided.

Everyday Discoveries In Helsinki And Dublin: How Pivot Dublin And The Institute Of Designers In Ireland Engaged In An Open And Participative Competition As Part Of World Design Capital 2012, Barry Sheehan

Conference Papers

Design Forum Finland invited the Institute of Designers in Ireland (IDI) to take part in the International Design House Exhibition as part of World Design Capital Helsinki 2012. The IDI was asked to work with Design Forum Finland and Imu Design in the event that takes place during Helsinki Design Week 2012.

In 2010 Dublin City Council formed a group called PIVOT Dublin to bid for World Design Capital 2014. Dublin has been investigating different ways of utilizing design to make changes and drive innovation in the City. PIVOT Dublin provides an ongoing flexible mechanism for design projects, actions and …

Candy Unicorn Horn Chandelier, Kari Breitigam

Symposium 2012

No abstract provided.

Grand Arabesque, Second Time, Risd Museum, Julie Strandberg, Jeff Hesser

Channel

Transitional poses such as this one were constant themes of Edgar Degas’s numerous sculptural studies made in wax, wire, and plastilene. Collected from his studio following his death, these models became the sources of small editions cast in bronze, including this one of a dancer posed in a grand arabesque. In the classic ballet position, the dancer bends forward while standing on one straight leg, with the opposite arm extended forward and the other arm and leg extended backward. In the 1890s the British artist Walter Sickert visited Degas in his studio and was shown the wax model for this …

2012 Program Booklet, Rhode Island School Of Design

Collection (annual runway show) 2007-2017

Official Collection 2012 Program distributed at the event.

Perceptions Of The Ordinary, Natalie J. Tobacyk

LSU New Orleans Theses and Dissertations

ABSTRACT

This thesis explores the progression of my work through my graduate studies at the University of New Orleans. I examine the central psychological themes of the human experience. Through painting, drawing, printmaking, and sculpture, I investigate various ways of translating personal and universal experiences into open-ended visual allegories. These psychological narratives are intended to function ambiguously- allowing the viewer to develop their own ideas and responses to the work. Using the figure paired with symbols and also using mass-produced common objects to function as the figure; placing them in ambiguous environments, I juxtapose physical and psychological spaces that evoke …

The Persistence Of Vengeance From Early Modern England To Postmodern New York, Dominic M. Sevieri

LSU New Orleans Theses and Dissertations

As a passing glance at the popular texts of any given period reveals, the subject of vengeance is nearly inescapable; on billboards, websites, and year end lists, revenge represents a curious constant even amid disparate media. This study explores the cultural commonalities that align revenge texts of the English Renaissance and exploitation films of late 20th century America. As in-depth inquiry reveals, numerous ideas and narrative tropes popularized during the Early Modern period are pushed to their logical extremes in these films. The central factor that aligns London during the Renaissance and New York at the cusp of the 1990s …

Nebraska Art Today: A Centennial Invitational Exhibition, James B. Schaeffer

Sheldon Museum of Art: Catalogs and Publications

Anniversaries make suitable opportunities for summing up - appraising past progress and looking forward to a better future. Hence, in Nebraska's 100th year as one of the United States of America, it is appropriate that we trace activity in the arts during pioneer days and the period of expansion, pausing perhaps to offer congratulations for past accomplishments or to wish that achievement had been higher.

Middle Western culture is a transplant and a product of the times. The newly-opened territory offered opportunities for material advancement, and settlers either brought with them an acquaintance with genteel living or a desire for …

Bikeurious: A Transportation Reorientation, Aerienne Russell

Pomona Senior Theses

Since a young age, I have been interested in bicycling as a form of fun and fanciful recreation, but it wasn’t until the summer of 2011 that a serious shift occurred in my understanding of the bike as more than a mere machine. A spontaneous 700-mile journey redefined my relationship with travel, transcended my notions of transportation, and enabled me to better mediate myself within my environment. In writing about these experiences, I hope to offer some insight into how American culture currently frames transportation and how I hope the construction of a bike positive culture can instill social, environmental, …

Women And Video Games: Pigeonholing The Past, Allison Perry

Scripps Senior Theses

Academic work dealing with the overlap between video games and female representation is limited in both volume and proper research. Most texts agree on three supposed flaws with video games: they alienate female participants, there are no games for female players, and female players cannot relate to female characters. This thesis sheds light on these points, not only citing specific counter-examples, but also showing how many of these issues reflect on a larger societal problems.