Arts and Humanities Commons^™

Risd Business: Sassy Signs & Sculptures, Alejandro Diaz, Judith Tannenbaum

Journals

Exhibition Notes, Number 42, Fall 2012. Ranging from quaint stereotypes of Mexican identity to current socio-economic and art-world commentary, Alejandro Diaz’s text-based works and installations use language as a form of cultural critique and resistance. Conceptual and campy, his humor infused politics and choice of everyday materials are emblematic of his ongoing involvement with art as a form of entertainment, activism, public intervention, and free enterprise. His projects take place outdoors on city streets as well as inside galleries and museums.

Dichotomy Of Self, Shelly Hokanson

All Student Theses and Dissertations

This body of work explores, through a character named Doll, the impressions, emotions, and realizations I have experienced while undergoing a transformation of self, both inside and out. This collection of images also explores the dichotomy of solitude vs. companionship. (Abstract by OPUS staff from author text)

Preconciousness, Michael James Ripp

All Student Theses and Dissertations

Preconsciousness ... Explores the topographical model of the mind through the deconstruction of accepted realities. Blurring the boundaries of consciousness and unconsciousness. Embracing and accepting the abstract view of the mind as “realms” independent of each other. Surreal, yet familiar spaces and environments become a gateway to the preconscious and a deeper awareness. These unique spaces become a catalyst for a physiological journey to the unconscious. Complex views and interpretations of oneself and ones experiences come to the surface. Engaging memories and emotions such as anxiety ... joy… tranquility………manifesting as physical space as spaces become representations of unconscious. Minds are …

All That I Am Or Hope To Be, I Owe To My Angel, My Mother, Pamela Planera

All Student Theses and Dissertations

All that I am or hope to be, I owe to my angel, my mother. A quote that binds the relationship my mother and I will always have, through life, death and the paths I choose for my future to fulfill a promise. A promise I intend to keep and fulfill until we meet again… on the other side…

All dilapidated architectural buildings of my series are considered symbolic spaces. They become tangible - representing a venue of dreams where we become deeply affected, by our behavior, our environment, our society and ourselves. Each venue spawned an identity - it’s …

Portrait Of Antoine-Georges-Francois De Chabaud-Latour And His Family, Risd Museum, Robert Babigian

Channel

This handsome portrait was subtitled “filial piety” when it was exhibited at the 1806 Paris Salon. Set in the gentle landscape of the département of Gard, in the south of France, it depicts Antoine-Georges-François de Chabaud-La Tour who is seated on a marble bench with his daughter Rosina perched on one knee and his son James-Hippolyte posed on the other. His wife, Juliette Verdier de la Coste, stands at their side holding her infant son François-Ernest-Henri to her breast. Their attention is directed to a herm bearing a bust of the children’s grandfather, Antoine Chabaud, a distinguished military man who …

Internationalism And The Arts In Britain And Europe At The Fin De Siècle By Grace Brockington (Ed.) (Review), Robert Jensen

Art and Visual Studies Faculty Publications

No abstract provided.

Cloyd, Mary (Sc 31), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and scan (Click on "Additional Files" below) for Manuscripts Small Collection 31. Loom weaving drafts for Nine Snowballs and Pea Patch designs. On the back a notation from Washington County, Tennessee states: “This is the Cass and Butler drafts.”

Portrait Of Agrippina The Younger, Risd Museum, Natalie Kampen, Lisa Anderson

Channel

Agrippina (15–59 CE), the subject of this portrait, was related to four different Roman emperors: she was granddaughter to Augustus, sister to Caligula, mother to Nero, and niece and later wife to Claudius. It is therefore not surprising that many portraits of her survive. They invariably depict her with a broad forehead, a square jaw, large eyes, thin lips, and a sharp chin, all features shared by many members of the imperial family. Ancient pieces were sometimes combined with other sculptural elements to create “new” composite sculptures. This ancient portrait head was inserted into a bust composed of different-colored marble …

Can We Own Art? Or Just Be Its Legal Guardian?, Carla Poindexter

UCF Forum

How can we effectively teach students to be professional artists at a time when some of society’s economic values are so unrealistic? It is true the high-end art market is thriving, but the contemporary art community is arguing whether such outrageous public auctions and private sales are good or bad for art.

Downing, Joseph Dudley, 1925-2007 (Sc 2598), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Small Collection 2598. Letters from artist Joseph Dudley Downing, France, to Elinor Green (later Hunter), who worked for the United States State Department in Bern, Switzerland. They discuss their shared interest in art and discuss upcoming visits. Also includes letters from Joseph’s brother, Dero Downing, to Green discussing the possibility of donating artwork to Western Kentucky University.

Temporalities And The Drawn Response To The Conservation And Restoration Of Paintings, Brian Fay

Other resources

This paper will consider the temporal implications for drawing in the light of conservation and restoration treatments to paintings by the Seventeenth Century Dutch painter Johannes Vermeer.

Using three critical frameworks: Norman Bryson’s becoming model for drawing and the relationship of liminality to a painting during conservation/restoration, George Didi Huberman’s anti-chronological reading of the detail and the pan in painting, and Walter Benjamin’s definitions of drawing the paper will seek to address some implications for a drawing practice that responds to a pre-existing museum artworks.

The paper will present some findings from my own drawing practice that responds to Vermeer’s …

The Mamluk Kaaba Curtain In The Bursa Grand Mosque, Sumiyo Okumura

Textile Society of America: Symposium Proceedings

A Kaaba curtain is a door curtain which covers the door of the holy Kaaba, the most sacred site of Islam in Mecca. Upon the occasion of the conquest of Egypt and Hejaz by Sultan Selim I in 1517, Selim I donated a Kaaba door curtain to the Bursa Grand Mosque, one of the five most important mosques in the Islamic World. This Mamluk curtain is very different from Ottoman Kaaba curtains in both its shape and design motifs. It is noticeable that five fragments, including a piece of inscription, hang down from the upper border. We see a similar …

The Kanga, A Cloth That Reveals- Co-Production Of Culture In Africa And The Indian Ocean Region, Phyllis A. Ressler

Textile Society of America: Symposium Proceedings

The Kanga is one of Africa's least understood textiles. As a simple cotton, colorful, hand and machine printed cloth it embodies dynamic historical co-production of culture throughout African and Indian Ocean trade networks. Exploring African mercantile trade history, the coproduction and exchange of iconography, the diverse use and meanings of the Kanga, suggests a valuable discursive role for this textile. Despite its longevity of more than 150 years, its significant role in creation of identities, and its contribution to communication through design and social meaning, the Kanga, receives limited attention in textile research. Though seen by many as a simple …

The Parenthetical Notation Method For Recording Yarn Structure, Jeffrey C. Splitstoser

Textile Society of America: Symposium Proceedings

Until now, describing yarn structure has been more art than science, especially for complex yarns and cordage like those encountered at Cerrillos, a Paracas (ca. 900-100 B.C.E.) site in the Ica Valley of Peru, where yarns and cordage frequently involve multiple colors, sub-structures, and materials (e.g., Image 1). My early attempts at describing yarn structures using notation were essentially undecipherable to others. Likewise, narrative methods proved too wordy and no less confusing. (For instance, a narrative description of the structure of specimen 2001-L185-B1654- S001, a rope-like yarn pictured in Images 2 and 3, would be: Twelve Z-spun-singly-ply yarns Ztwisted with …

The Twenty-First Century Voices Of The Ashanti Adinkra And Kente Cloths Of Ghana, Carol Ventura

Textile Society of America: Symposium Proceedings

Craft production and use are continually adapting to meet the needs of consumers and the market in order to survive. The Adinkra and Kente cloths of Ghana are no exception, having maintained their visibility and viability by addressing changing and challenging economic and political realities. Fabric strips are sewn together to produce rectangular Adinkra and Kente cloths that are wrapped around human bodies in styles determined by gender and rank. These cloths are not only beautiful, but communicate as well. Old and new symbols representing proverbs, beliefs, and politics are woven into Kente and printed onto Adinkra cloths. Commemorative fabrics …

Queen Alexandra’S 1902 Coronation Gown, Donald Clay Johnson

Textile Society of America: Symposium Proceedings

Queen Victoria's wearing black mourning clothes for 40 of the 63 years of her reign prompted much discussion between fashion-setting Prince Edward and Princess Alexandra about what should the new queen wear for her coronation, the first state occasion in which they, as king and queen, could define taste and fashion for what was to become the Edwardian era. With such a long interval of time since the last coronation there were no strong expressions of traditional attire for such a ritual occasion which prompted the new king and queen to think expansively about the roles and functions the coronation …

She Hath No Mercy, Ruth Poor

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Self-Portrait, Hoang Nguyen

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Woman In Green, Connor Gordon

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Classic French Modern, Robert Jensen

Art and Visual Studies Presentations

This conference paper presented at Art Without History symposium sponsored by the Oskar Reinhart Collection, September 2012, explores the development of modern house museums devoted to collections of 'classic French modern,' works primarily by the Post-Impressionist artists Cézanne, Gauguin, Toulouse-Lautrec, Seurat, and van Gogh. These museums largely reflect the collecting activities of an international group of collectors that includes the Clark brothers, Duncan Phillips, Chester Dale, and Albert Barnes among the Americans, Samuel Courtauld in Britain, and the Swiss collectors Emil Bührle and Oscar Reinhart. The collections offer an alternative view of Post-Impressionism, one leading not toward the 20th-century avant-gardes, …

Design & Communication: The Future Of Service-Learning, Ulrike Gencarelle M.A., Laura Gabiger Phd, Deana Marzocchi

Computer Graphics Department Faculty Publications and Creative Works

Poster for a presentation at the Eastern Region Campus Compact Conference 2012.

Depicted are online writing class projects, as well as web and print design examples created by Johnson & Wales (Providence Campus) Digital Media department design students for non-profit organizations in Rhode Island communities.

Samplers, Sewing And Star Quilts: Changing Federal Policies Impact Native American Education And Assimilation, Lynne Anderson

Textile Society of America: Symposium Proceedings

Illustrating the U.S. federal government's changing policies on the assimilation of Native American children is the role of needlework instruction in the schooling of Indian girls. Described and discussed are three examples of 19th and 20th century policy, with emphasis on the textiles resulting from those policies. Early 19th century policy supported mission schools for Indians. Learning to sew was a valued domestic skill in 19th century female education, culminating in the making of a needlework sampler. This focus was adopted in mission schools, illustrated by Christeen Baker's 1830 sampler stitched at the Choctaw Mission School in Mayhew, Mississippi. Shortly …

Shade Of Red, Hoang Nguyen

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Bias In A Just World? Sexual Prejudice, Gender Self-Esteem, And Intimate Partner Violence, Crystal D. Mahoy

All-Inclusive List of Electronic Theses and Dissertations

Each year, approximately 835,000 men and 1.3 million women are victims of intimate partner violence (IPV; American Bar Association, n.d). Although the prevalence of same-sex intimate partner violence (IPV) is approximately the same as IPV in heterosexual couples (Alexander, 2002), fewer studies have examined perceptions of IPV in same-sex couples or of IPV perpetrated against heterosexual men compared to heterosexual women. In the current study, Just World Theory (Lerner & Miller, 1978) is used as a framework for understanding factors associated with perceptions of heterosexual and same-sex IPV, including sexual prejudice and gender self-esteem. Perceptions of IPV were examined in …

Choke, Carianna Arredondo

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Morning, Lily Bonwich

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Nonsense, Lily Bonwich

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Serenity, Connor Gordon

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Family Portrait, Ruth Poor

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Hopkin, Rachel Claire (Fa 581), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding Aid only for Folklife Archives Project 581. Illustrated paper by Rachel Hopkin titled “A Reel in a Bottle: The Bottle Art of Chris Wood.” This illustrated project provides insight into the art of creating bottle art, or bottle whimsies. Folk artist Chris Wood’s path from observer to artist is detailed and includes his interpretations of the work of several historical and modern artisans within the genre. The project was submitted for the 2011 Folklife Archives Award competition at Western Kentucky University.